戏剧化手法在电视纪实作品中的运用及其价值
发布时间：2018-12-06 06:48
【摘要】：随着社会的进步和经济的发展，以及人们生活水平和审美认识的提高，电视观众对电视节目的要求也逐渐的提升。我国电视纪实作的创作有了显著的发展。但是由于电视的商业性质越来越强，其次是国内电视媒体担心在直播过程中担心意外事故的发生，所以大部分电视纪实作品一般会事先制定好详细的方案流程后再进行播出。即便是现场直播或现场报道，媒体也一直是小心翼翼，在镜头指向上，和事件中起决定性作用的主要对象有失偏颇；在解说上，记者或主持人受政治导和社会舆论等多方面的压力，不敢做出任何过分的评论和预测。现如今，世界电视传播水平的大幅度提高，这种做法显然不符合当今电视文化的理念。而从受众的角度来看，由于大量娱乐选秀电视节目的出现，以及对“图像文化”的过分追求，导致受众不愿过多的关注真正有内涵有意义的电视纪实作品，从而对它的审美价值进行了解。所以如今有一部分电视纪实作品脱离了生活真实，缺乏一定的艺术技巧。所以本文从戏剧化手法入手，对电视纪实作品中戏剧化手法的运用和价值进行研究，以期能够对电视纪实作品的创作提供一些理论参考。 全文分为四个部分：第一部分从电视纪实作品、戏剧化的定义，以及电视纪实作品戏剧化的创作元素入手，并对当前电视纪实作品戏剧化的研究现状进行了分析。第二部分对将电视纪实作品的发展分为四个时期，并对每个时期的电视纪实作品的特点进行概述，然后结合相关作品对电视纪实作品戏剧化的特点进行分析阐述。第三部分具体从电视纪实作品戏剧化创作手段入手，对其更进一步的分析，并对电视纪实作品主要的两大节目形态——纪录片与专题片在主题结构和镜头拍摄上各自的特点进行归纳总结。第四部分则是对电视纪实作品的审美价值从“节奏美、纪实美、意境美”三个方面进行梳理，归结出戏剧化手法的优势。 戏剧化手法在电视纪实作品中的运用在我们现有的节目中已经存在，在学术上，也有一定的理论依据，但并不是很成熟。论文在前人的研究成果的基础上，，结合相关实例和自己的学习经验，对这个观点进行较为系统完整性的研究分析，探讨电视纪实作品中戏剧化手法的运用与价值，希望能对我国的电视纪实作品的创作有一定的参考价值。
[Abstract]:With the progress of society and the development of economy, as well as the improvement of people's living standard and aesthetic understanding, the demands of TV viewers on TV programs have been raised gradually. There has been a remarkable development in the creation of TV documentary works in China. However, the commercial nature of television is becoming stronger and stronger, followed by the domestic television media worry about the occurrence of accidents in the live broadcast process, so most of the documentary works will make a detailed plan flow before broadcast. Even live or live coverage, the media has always been careful, in the lens pointing, and the main object that plays a decisive role in the event is biased; In explanation, journalists or presenters, under the pressure of political guidance and public opinion, dare not make any excessive comments and predictions. Nowadays, the level of TV communication in the world has greatly improved, which obviously does not accord with the concept of today's TV culture. From the audience's point of view, due to the emergence of a large number of entertainment draft TV programs and the excessive pursuit of "image culture", the audience is unwilling to pay too much attention to the real meaningful television documentary works. In order to understand its aesthetic value. So now there are some TV documentary works divorced from the reality of life, lack of certain artistic skills. Therefore, this paper starts with the dramatic techniques, and studies the application and value of the dramatic techniques in the TV documentary works, in order to provide some theoretical reference for the creation of TV documentary works. The thesis is divided into four parts: the first part starts with the definition of TV documentary works, the definition of dramatization and the elements of dramatization of TV documentary works, and analyzes the present situation of the research on the dramatization of TV documentary works. In the second part, the development of TV documentary works is divided into four periods, and the characteristics of television documentary works in each period are summarized, and then the dramatization characteristics of television documentary works are analyzed and expounded in combination with relevant works. The third part starts with the dramatic creative means of TV documentary works, and further analyzes it. And the main two major program forms of TV documentary works-documentary film and feature film in the structure of the theme and the characteristics of the lens shooting are summarized. The fourth part combs the aesthetic value of TV documentary works from three aspects: rhythm beauty, documentary beauty and artistic conception beauty. The use of dramatic techniques in TV documentary works has already existed in our existing programs, and there is also a certain theoretical basis in the academic field, but it is not very mature. On the basis of predecessors' research results, combining with relevant examples and their own learning experience, this paper makes a systematic analysis of this viewpoint, and discusses the application and value of dramatic techniques in TV documentary works. It is hoped that it will have some reference value for the creation of TV documentary works in our country.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2365606
[Abstract]:With the progress of society and the development of economy, as well as the improvement of people's living standard and aesthetic understanding, the demands of TV viewers on TV programs have been raised gradually. There has been a remarkable development in the creation of TV documentary works in China. However, the commercial nature of television is becoming stronger and stronger, followed by the domestic television media worry about the occurrence of accidents in the live broadcast process, so most of the documentary works will make a detailed plan flow before broadcast. Even live or live coverage, the media has always been careful, in the lens pointing, and the main object that plays a decisive role in the event is biased; In explanation, journalists or presenters, under the pressure of political guidance and public opinion, dare not make any excessive comments and predictions. Nowadays, the level of TV communication in the world has greatly improved, which obviously does not accord with the concept of today's TV culture. From the audience's point of view, due to the emergence of a large number of entertainment draft TV programs and the excessive pursuit of "image culture", the audience is unwilling to pay too much attention to the real meaningful television documentary works. In order to understand its aesthetic value. So now there are some TV documentary works divorced from the reality of life, lack of certain artistic skills. Therefore, this paper starts with the dramatic techniques, and studies the application and value of the dramatic techniques in the TV documentary works, in order to provide some theoretical reference for the creation of TV documentary works. The thesis is divided into four parts: the first part starts with the definition of TV documentary works, the definition of dramatization and the elements of dramatization of TV documentary works, and analyzes the present situation of the research on the dramatization of TV documentary works. In the second part, the development of TV documentary works is divided into four periods, and the characteristics of television documentary works in each period are summarized, and then the dramatization characteristics of television documentary works are analyzed and expounded in combination with relevant works. The third part starts with the dramatic creative means of TV documentary works, and further analyzes it. And the main two major program forms of TV documentary works-documentary film and feature film in the structure of the theme and the characteristics of the lens shooting are summarized. The fourth part combs the aesthetic value of TV documentary works from three aspects: rhythm beauty, documentary beauty and artistic conception beauty. The use of dramatic techniques in TV documentary works has already existed in our existing programs, and there is also a certain theoretical basis in the academic field, but it is not very mature. On the basis of predecessors' research results, combining with relevant examples and their own learning experience, this paper makes a systematic analysis of this viewpoint, and discusses the application and value of dramatic techniques in TV documentary works. It is hoped that it will have some reference value for the creation of TV documentary works in our country.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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