鲁剧文化研究
发布时间：2018-12-11 16:07
【摘要】：鲁剧如今已成为一种繁荣的文化现象,成为社会各界广泛认可的文化品牌。然而,与电视荧屏前反响热烈形成较大反差的是,将鲁剧作为研究对象的学术研究成果为数尚少。本文以媒介社会学的独特视角作为切入点,突破以往单从美学品格和文化特色的角度入手对文本进行探究的方法,从而探寻鲁剧传播与社会体系的一致性,以及思想层面所蕴涵的精神特质。 鲁剧是指山东电影电视剧制作中心团队创作的电视剧作品。本文在对鲁剧概念进行界定之后,梳理了鲁剧的历史发展脉络轨迹。从20世纪80年代开始进入初步阶段,90年代中期步入发展阶段,再到21世纪探索出特色之路阶段,显示出鲁剧沿着自身的轨迹更加成熟的向前发展。文章的主体部分首先从传播学理论角度分析鲁剧传播的媒介环境与新社会文化语境。接着,对鲁剧文本进行细致分析,从社会体制转型、社会生活变化以及公众社会心理需求嬗变三个角度解读鲁剧与社会变迁的关系；中国社会结构独有的结构模式“家国同构”同样在鲁剧中有一致承袭,国家政治的历史变迁牵动着小家庭的命运浮沉,家庭的悲欢离合映射出国家的兴衰荣辱,家与国同呼吸共命运。再次,以媒介的社会功能说为理论支撑,提炼归纳出鲁剧集中体现出的传播效果和社会功能,揭示鲁剧的美学精神和社会文化意蕴,叩问其在意识形态上的深刻影响。文末指出鲁剧进一步发展急需突破的瓶颈和可能的发展之路：对齐鲁文化资源深度挖掘,避免题材固定化、模式化的问题；同时也对鲁剧创作者提出客观理性的要求,力图从创作心理上根本性转变,以希望能对鲁剧发展的未来发展方向有所启发。
[Abstract]:Lu Opera has become a prosperous cultural phenomenon and a widely recognized cultural brand. However, in contrast to the enthusiastic response in front of the TV screen, the number of academic research achievements on Lu Opera as the object of study is still few. This article takes the unique angle of view of media sociology as the breakthrough point, breaks through the previous method of exploring the text from the angle of aesthetic character and cultural characteristics, and then explores the consistency between the communication of Lu Opera and the social system. And the spiritual characteristics contained in the ideological level. Lu opera refers to the Shandong film and TV drama production center team created TV play works. After defining the concept of Lu Opera, this paper combs the track of its historical development. From the 1980s to the initial stage, the mid-1990s into the stage of development, and then to the 21st century to explore the characteristics of the road stage, showing that the Lu opera along its own track of more mature forward development. The main part of this paper first analyzes the media environment and new social cultural context of Lu Opera from the angle of communication theory. Secondly, the text of Lu Opera is analyzed in detail, which explains the relationship between Shandong opera and social change from three angles: social system transformation, social life change and the change of public social psychological needs. The unique structural model of Chinese social structure, "homogeneity of family and country", is also inherited unanimously in the drama of Lu. The historical changes of national politics affect the fate of small families, and the vicissitudes of families reflect the rise and fall of the country. Home and country breathe together fate. Thirdly, based on the theory of social function of media, the author abstracts the communication effect and social function embodied in Lu opera, reveals the aesthetic spirit and social and cultural implication of Lu opera, and asks for its profound influence on ideology. At the end of the article, the author points out that the further development of Shandong opera needs to break through the bottleneck and the possible way of development: the deep excavation of Qilu cultural resources to avoid the problem of fixed and stylized themes; At the same time, it also puts forward the objective and rational request to the creators of Lu opera, and tries to make a fundamental change from the creative psychology in order to enlighten the future direction of the development of Lu opera.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G206;J905
本文编号：2372835
[Abstract]:Lu Opera has become a prosperous cultural phenomenon and a widely recognized cultural brand. However, in contrast to the enthusiastic response in front of the TV screen, the number of academic research achievements on Lu Opera as the object of study is still few. This article takes the unique angle of view of media sociology as the breakthrough point, breaks through the previous method of exploring the text from the angle of aesthetic character and cultural characteristics, and then explores the consistency between the communication of Lu Opera and the social system. And the spiritual characteristics contained in the ideological level. Lu opera refers to the Shandong film and TV drama production center team created TV play works. After defining the concept of Lu Opera, this paper combs the track of its historical development. From the 1980s to the initial stage, the mid-1990s into the stage of development, and then to the 21st century to explore the characteristics of the road stage, showing that the Lu opera along its own track of more mature forward development. The main part of this paper first analyzes the media environment and new social cultural context of Lu Opera from the angle of communication theory. Secondly, the text of Lu Opera is analyzed in detail, which explains the relationship between Shandong opera and social change from three angles: social system transformation, social life change and the change of public social psychological needs. The unique structural model of Chinese social structure, "homogeneity of family and country", is also inherited unanimously in the drama of Lu. The historical changes of national politics affect the fate of small families, and the vicissitudes of families reflect the rise and fall of the country. Home and country breathe together fate. Thirdly, based on the theory of social function of media, the author abstracts the communication effect and social function embodied in Lu opera, reveals the aesthetic spirit and social and cultural implication of Lu opera, and asks for its profound influence on ideology. At the end of the article, the author points out that the further development of Shandong opera needs to break through the bottleneck and the possible way of development: the deep excavation of Qilu cultural resources to avoid the problem of fixed and stylized themes; At the same time, it also puts forward the objective and rational request to the creators of Lu opera, and tries to make a fundamental change from the creative psychology in order to enlighten the future direction of the development of Lu opera.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G206;J905
【参考文献】
相关期刊论文 前4条
1 梁艳红;;芝加哥学派的理论来源及其基础[J];东南传播;2006年05期
2 陈力丹;美国传播学者休梅克女士谈影响传播内容的诸因素[J];国际新闻界;2000年05期
3 宋林飞;中国社会转型的趋势、代价及其度量[J];江苏社会科学;2002年06期
4 尹鸿;冲突与共谋——论中国电视剧的文化策略[J];文艺研究;2001年06期
相关硕士学位论文 前1条
1 戴庆锋;功能主义视阈下社会主义和谐社会的构建[D];广西师范大学;2008年
，本文编号：2372835
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2372835.html
