现代电影制作方式在文献纪录片中的运用探究

发布时间：2018-12-12 10:48

【摘要】：在我国,文献纪录片作为纪录片中的一种重要类型,在继承与发扬以文叙史,书面资料结合视听语言方面有着特殊的有利条件。自1927年《国民革命海陆空大战记》诞生至今,已经走过了87个年头。在这漫长的岁月中,可以看到文献纪录片的制作内容从国家民族到社会个人,制作方式从单一的资料叙述到结合各种视听手段再现历史,制作理念从政治事件到对社会现实的关注与思考,各个方面都经历了从单一到多元的发展历程。然而,由于长期思维定势的影响,一些文献纪录片在创作时,采用的都是“空镜头+解说+资料”的模式,往往都是先定下一个基调,然后请专家依据文字内容进行阐释。这种创作方式无法满足观众对于历史事件现场的好奇感。电视语言的最大魅力就是带给人最生动直观的视听享受,但是一些文献纪录片往往过于注重影片解释历史,阐明历史的作用,忽略了影片的可视性。很多纪录片从业者都在思考,如何让文献纪录片既具备还原文献的真实性又视觉上做一场饕餮盛宴。伴随着电影电视技术的不断发展,伴随着制作影片方式的多样化,现在的文献纪录片在创作理念与制作手段上较几十年前已发生了巨大变化。从《北方的那努克》开始,电影制作方式在历史文献纪录片中的运用方式开始被学者与从业者们所关注。从《北方的那努克》到《风的故事》,从罗伯特·弗拉哈迪到乔伊斯·埃文斯,都在其作品中使用着这样或那样的电影制作方式。这些作品的出现,可以说都引领了一个时代纪录片的发展轨迹。由此,在当今电影技术手段日益增多,电影制作方式日益丰富的背景下,对电影制作方式在文献纪录片中的运用进行一次探究是有其必要性的。本文所说的“方式”是指在现代电影技术条件的发展下,结合文献纪录片的美学风格,对于文献纪录片在方法和形式,技术与艺术两个方面的综合运用探究。
[Abstract]:As an important type of documentaries in China, documentary documents have special advantages in inheriting and developing the history of documentary and combining written materials with audio-visual language. It has been 87 years since the birth of the National Revolution War between Land, Sea and Air in 1927. During this long period of time, we can see that the content of documentaries and documentaries ranges from national, ethnic, social and individual, from a single material narrative to a combination of audio-visual means to reproduce history. From political events to concern and reflection on social reality, all aspects of the production concept have experienced a development process from single to pluralistic. However, due to the influence of long-term thinking, some documentaries use the model of "empty lens explanatory material" when they are created. They often set a tone first, and then ask experts to explain it according to the content of the text. This way of creation can not satisfy the audience's curiosity about the scene of historical events. The greatest charm of TV language is to bring people the most vivid audio-visual enjoyment, but some documentary documents often pay too much attention to explaining history, expounding the function of history, and neglecting the visibility of films. Many documentary practitioners are thinking about how to make documentaries possess the authenticity of documents and make a feast visually. With the continuous development of film and television technology and the diversification of the way of making films, the documentary literature has changed a lot in terms of its creative idea and means. Starting from Nanook in the North, the application of film production in historical documentaries has attracted the attention of scholars and practitioners. From Nanook of the North to the Story of the Wind, from Robert Fratti to Joyce Evans, they all use one way or another in their productions. The emergence of these works, can be said to lead the development of a documentary era track. As a result, under the background of the increasing number of film technology and the increasing variety of film production methods, it is necessary to explore the application of film production in documentary documents. The "way" in this paper refers to the comprehensive application of documentary in methods and forms, technology and art in combination with the aesthetic style of documentary literature under the development of modern film technology.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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