中西方后现代主义电影之探寻

发布时间：2018-12-13 18:26

【摘要】：后现代主义概念的出现大约始于20世纪中期，在艺术上较早提出“后现代”观念的是诗歌与建筑，之后绘画、小说、舞蹈、电影、广告等领域也纷纷进入到了后现代领域。本文首先考察了后现代主义的主要特征，体现在对“逻各斯中心主义”的解构，反对总体性、提倡个体性，以小叙事、边缘叙事对抗元叙事、宏大叙事等。同时阐述了后现代主义诸多因素对电影艺术所产生的深刻影响。本文在考察全球范围下的后现代主义电影的过程中，对中国所产生的后现代主义电影进行了思考，进而对中西方后现代主义电影进行了比较。认为中国电影的未来之路应立足于本国的实际情况，，借鉴国外有益的经验，创作出有着本民族文化特色的电影。
[Abstract]:The emergence of postmodernism began in the middle of the 20th century. In art, the concept of "postmodernism" was put forward as early as poetry and architecture. Later, the fields of painting, fiction, dance, film, advertising and so on also entered the field of postmodernism one after another. This paper first examines the main features of postmodernism, which are reflected in the deconstruction of logos centralism, opposition to totality, promotion of individuality, small narration, marginal narration against meta-narration, grand narration and so on. At the same time, it expounds the deep influence of many factors of post-modernism on film art. In the course of studying the postmodernism movies in the world, this paper thinks about the postmodernism movies produced in China, and then compares the postmodernism movies between China and the West. It is believed that the future road of Chinese film should be based on the actual situation of our country and draw lessons from the beneficial experience of foreign countries to create films with their own national cultural characteristics.
【学位授予单位】：牡丹江师范学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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