美国公路电影的叙事策略研究

发布时间：2018-12-13 20:21

【摘要】：美国公路电影作为好莱坞电影类型之一,从早期《一夜风流》到2015年的《旅程终点》,公路电影以流动的景观对观众具有巨大的吸引力,现代人借助汽车或者高速公路在旅程中不断的认识自我。本文将以美国公路电影的叙事作为研究对象,研究其人物设置、空间设置以及主题构建,提出构建人物的四个维度,将叙事空间分为地理空间和心理空间,将地理空间分为城市空间和自然空间,它更多的指向文明社会,而心理空间则暗示着主人公错综复杂的梦境或者欲望。在主人公追寻梦想和自由的道路上,往往有不同的成员组合方式,恋人、家人、伙伴和导师提供必要的援助,在旅途中,辅助不同的道具和情节来辅助主人公完成自己的英雄之旅。在路途中,笔者将对抗力量设置为自然界、警察、家庭、潜意识四个方面,主人公遭遇的敌人越强大,主人公的内心也变得更加强大;在公路电影中叙事原型分成:迷失的英雄和独立的女性,重点分析女性角色在美国公路电影的叙事中呈现的独特气质。在美国公路电影中“公路”的三大主题:对文明社会的异化的反抗;一种诗意的乌托邦的想象;错综复杂的记忆和欲望。参照三幕式和剧本节拍表,将剧本结构分解成更加清晰的形式,通过分析以《邦妮与克莱德》、《逍遥骑士》、《飞屋环游记》等经典美国公路电影作为分析文本,从而在“泛公路电影”和其他类型电影的互文关系中延伸美国公路电影创作的空间。
[Abstract]:As one of the Hollywood movie types, from the early "one night affair" to the "end of the Journey" in 2015, the highway movie has a huge appeal to the audience with its flowing landscape. Modern people use cars or highways to constantly understand themselves on their journeys. This article will take the narrative of American highway film as the research object, study its character setting, space setting and theme construction, put forward the four dimensions of constructing characters, divide the narrative space into geographical space and psychological space. The geographical space is divided into urban space and natural space, which is more directed towards civilized society, while psychological space implies the complicated dreams or desires of the protagonist. On the path of the protagonist's pursuit of dreams and freedom, there are often different combinations of members, lovers, family, partners and mentors who provide the necessary assistance during the journey. Assist different props and plots to assist the hero to complete his heroic journey. On the way, the author sets the antagonistic force as the four aspects of nature, police, family and subconscious. The stronger the enemy the protagonist encounters, the stronger the hero's heart becomes. The narrative archetypes in highway movies are divided into lost heroes and independent women, focusing on the analysis of the unique temperament of female characters in the narrative of American highway movies. There are three main themes of Highway in American Highway movies: the revolt against the alienation of civilized society, the poetic utopian imagination, the complicated memory and desire. Referring to the three-act style and the script beat table, the script structure was broken down into a clearer form. Through analysis, classic American highway films such as Bonnie and Clyde, the Happy Knight, and the Tour around the Flying House were used as the analysis text. It extends the space of American highway film creation in the intertextuality between pan-highway film and other kinds of movies.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

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