朱赵伟戏曲电影作品研究

发布时间：2019-01-03 18:57

【摘要】：1956年第一部豫剧电影《花木兰》创下了1.14亿人次的观影记录，，随后豫剧电影发展迅速，先后出现了穆桂英、七品芝麻官唐成、栓宝、倒霉大叔等一批经典的银幕形象，他们不仅见证了中国戏曲电影的发展史，而且对豫剧艺术本身的发展起到了极大宣传和促进作用。二十一世纪初，传统的豫剧电影在市场经济的影响下逐渐淡出了人们的视线。直到2009年，朱赵伟导演凭借豫剧电影《程婴救孤》和《清风亭》连续两届获得华表奖“优秀戏曲片奖”后，豫剧电影又重新回归到人们的视野中。通过这两部豫剧电影可以看出，朱赵伟导演正在努力为长期困扰豫剧电影的两大问题——“慢”和“假”探寻答案；同时，他利用二十一世纪的电影观念和全新的实景空间重新诠释豫剧艺术的独特魅力。在经过不间断的探索和实践之后，逐渐形成了朱赵伟导演独特的电影特征，笔者相信朱氏风格的戏曲电影将会给未来中国戏曲电影的发展提供参考。
[Abstract]:In 1956, the first film of Henan opera, Hua Mulan, set a record of 114 million people watching films. Then the film of Henan opera developed rapidly, and later appeared a number of classic screen images such as Mu Guiying, seven Pin-Chi Ma officials, Tang Cheng, Suanbao, and unlucky uncle, and so on. They not only witnessed the development of Chinese opera films, but also played a great role in promoting the development of Henan opera art itself. At the beginning of 21 ~ (th) century, the traditional Henan opera film gradually faded out of people's sight under the influence of market economy. Until 2009, after Zhu Zhao Wei won the "excellent Drama Film Award" for the Henan Opera film Cheng Ying Save the Gu and Qingfeng Pavilion in a row, the film of Henan Opera returned to people's view. Through these two Henan opera films, we can see that Director Zhu Zhao Wei is trying to find out the answers to the two major questions that have long troubled the Henan opera films: "slow" and "fake"; At the same time, he reinterprets the unique charm of Henan opera art by using the film concept of the 21 century and the new scene space. After continuous exploration and practice, Zhu Zhao Wei gradually formed the unique characteristics of the film, the author believes that the Zhu style drama film will provide a reference for the future development of Chinese opera film.
【学位授予单位】：中国戏曲学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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