面向少数民族文化保护的交互纪实影像叙事及设计研究

发布时间：2019-01-05 04:25

【摘要】：近年来,随着国家政策的扶持、互联网技术的发展和纪实影像热度的提升,社会对于纪实影像的制作和传播需求也越来越大。然而,目前纪实影像的形态创新还不成熟,在传统纪实影像产业链中,网络媒体纪录片仍主要处于播出环节,在生产互动环节介入较少。同时,交互视频在影像发展过程中也缺少一种影像载体。交互纪实影像的出现,就是一种将“交互”为代表的新媒体技术与传统纪实影像材质融合并达到极致的产物。本文以“交互纪实影像”作为研究对象,采用文献研究、全案分析、实证研究和调查问卷与访谈等研究方法,以叙事学为主,同时借助于影像学、符号学、传播学、设计心理学等跨学科领域的理论原则与实践方法来探讨如何构建出一个交互纪实影像的叙事模式和影像平台,并把此平台应用于我国少数民族的文化保护工作中来,以此来解决传统纪实影像和我国少数民族文化保护工作中的问题和困难。首先,本文梳理了交互纪实影像的发生、发展和特性,厘清了交互纪实影像的发展脉络和体系,为接下来研究和设计此类交互产品奠定了理论基础。其次,本文借助叙事学,对交互纪实影像的叙事活动要素、叙事特征进行一一分析,最终构建出一个属于交互纪实影像的系统的叙事模式,进而为交互纪实影像的设计提供理论依据。再次,本文依照交互纪实影像的叙事系统模式,以“少数民族文化保护”作为设计目标,提出了面向少数民族文化保护的交互纪实影像平台的总体设计和分模块实现策略,并在此基础上以“俄罗斯族”为样本,设计了一个面向俄罗斯族文化保护的影像剪编播一体化交互平台。最后,本文对交互纪实影像平台进行了用户体验调查与评估。通过定性和定量两个角度分别对其进行了用户体验分析,并完成了相关实验,最后总结出该平台的不足和未来有待改进的地方。
[Abstract]:In recent years, with the support of national policies, the development of Internet technology and the promotion of documentary image heat, the social demand for the production and dissemination of documentary images is growing. However, at present, the form innovation of documentary image is not mature. In the traditional documentary image industry chain, the network media documentary is still mainly in the broadcast link, and it is less involved in the interactive link of production. At the same time, interactive video in the process of image development is also lack of an image carrier. The appearance of interactive documentary image is the product of fusion of new media technology represented by "interaction" and traditional documentary image material. In this paper, "interactive documentary images" as the research object, using literature research, case analysis, empirical research and questionnaire and interviews and other research methods, mainly narratology, but also with the help of imaging, semiotics, communication. This paper discusses how to construct a narrative mode and image platform of interactive documentary images, which is based on the theoretical principles and practical methods of cross-disciplinary fields such as design psychology, and applies this platform to the cultural protection of ethnic minorities in China. In order to solve the problems and difficulties in the traditional documentary images and the protection of minority culture in China. First of all, this paper combs the occurrence, development and characteristics of interactive documentary images, clarifies the development context and system of interactive documentary images, and lays a theoretical foundation for the next research and design of such interactive products. Secondly, with the help of narratology, this paper analyzes the elements of narrative activities and narrative characteristics of interactive documentary images one by one, and finally constructs a systematic narrative mode of interactive documentary images. Then it provides the theoretical basis for the design of interactive documentary images. Thirdly, according to the narrative system model of interactive documentary images, taking "minority culture protection" as the design goal, this paper puts forward the overall design and modular implementation strategy of interactive documentary image platform for minority culture protection. On the basis of this, an interactive platform of video editing and broadcasting for the protection of Russian culture is designed based on the sample of "Russian nationality". Finally, the interactive documentary image platform is investigated and evaluated. Through qualitative and quantitative analysis of its user experience, and completed the relevant experiments, finally summed up the shortcomings of the platform and the future areas for improvement.
【学位授予单位】：哈尔滨工业大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J952

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