中国谍战题材电视剧叙事策略分析
发布时间：2019-01-22 20:38
【摘要】：伴随着中国电视剧高涨的发展态势，谍战剧的热播浪潮也是一波接着一波，许多优秀的谍战剧作品相继出现，在道德缺失、信仰迷失的当代社会，主打信仰牌的谍战剧在当代这样一个大背景之下受到了观众的喜爱。当谍战英雄们坚定的信仰和为理想执着的精神在荧幕上呈现的时候，很大程度上引发了人们对历史的重新审视和对信仰的追求,在一段历史的沉淀之下，人们开始思考，谍战剧的受众开始思考，开始思考关于历史，关于人性，关于谍战剧所映射的受众本身。在这个过程之中，谍战剧的受众群开始发生了变化，谍战剧受众在一定程度上呈现出多元化的特征，在市场经济发展的今天，谍战剧多年的实践表明，在谍战剧发展经历了一个历史流变的过程和逐步趋于成熟之后，谍战剧的制作、传播和接受也相对发生了变化，开始逐渐形成较为完善的体系。谍战剧逐渐成为观众习惯并且喜爱的一个剧种。所以在这样一个时期之下，谍战剧也成为创作者们争相追捧的一个剧种。在这样的市场环境这个有力的平台之下，谍战剧形成了较为完整的类型体系，在这个体系之下，谍战剧的类型特征也逐渐的明确化，这为谍战剧成为成熟的类型片提供了重要的条件。 本文将从中国谍战作品的发展历程中总结规律，对谍战剧的前生做一个简单的介绍，以方便之后的论述，借此对谍战剧的发展做一个概况的浏览和特征的总结，另外在结合当下热播谍战剧具体的文本作一定的案例分析，主要运用叙事学的相关理论为指导，但因为用叙事学对谍战剧的研究成果已经相对比较多，所以在不脱离主题的前提下，我希望能够将谍战剧放到一个相对开放的空间中，结合市场、文化、意识形态等。利用影视美学、影视心理学以及影视受众学等相关的理论为指导，结合当下已有的谍战剧理论，站在巨人的肩膀上，总结谍战题材电视剧的叙事策略，分析谍战题材电视剧涌现的新思考、新特点和新风潮，并且力图去寻找形成这些新特征、新风潮的原因。从原因入手去分析谍战剧类型化得可能性。希望这样的研究能对我国的谍战剧理论研究和实际创作有所帮助。本文的大致脉络和框架主要是以下三个方面： 一、首先通过对我国谍战题材作品的发展历程的一个简单的叙述，对每个时期的代表作及叙事的特征做一定的叙述之后，重点进入到当代谍战剧的特征，，分析在当下此类电视剧兴起繁荣的主要原因。并且回顾它的历史发展脉络，从而对现在的此类电视剧的某些特征做个总结，综合原有的一些研究，分析谍战剧的一些基本的叙事，通过这些基本的叙事找到能令谍战剧长足发展的特点特征，并且在此基础上做一些扩充。在很多方面可以总结出很多谍战剧发展历程中好的方面和存在不足的地方，以此来取长补短，达到对未来此类型电视剧的指导作用，避免再出现同类型的问题。 二、从影视叙事学理论出发，谍战剧说到底是在讲一个故事，那么讲故事就需要叙事，叙事有很多的方法和手段，那么当下谍战题材电视剧的叙事策略是什么呢？谍战剧是怎么将灵活的叙事策略应用到自己的叙事中并未自己服务呢？所以本文从各方面来分析谍战剧在叙事策略方面的基本原则以及当下谍战剧在叙事策略上的创新之处。而且通过对谍战剧叙事艺术的分析来总结一些谍战剧类型化的一些元素。首先是通过总结回顾一些谍战剧，归纳出它们共有的叙事系统，其实这些基本的叙事系统某种程度上就可以当做是谍战剧的类型元素。在此基础上再去扩充，力图找到它们的新的突破口。 三、对当下受众心理和市场环境做一个分析，总结出谍战剧热播的原因，希望借此能够找到最能吸引受众，赢得市场的谍战剧叙事策略。在分析受众的时候把民族性和社会心态变迁的大背景加入辨析。对于如谍战剧这样的文化产品，更新的速度是非常快的，我们期望未来谍战剧能够作为一种较为成熟的类型剧走产业化的发展道路，但是又不能走偏，所以，回顾谍战剧的历史是为了总结谍战剧自身必须坚守的叙事原则，以保证谍战剧的质量。但是，在激烈的市场竞争和多元的受众需求形势下，谍战剧的创作中也出现了很多的问题，从总体上来说，谍战剧的精品作品或者说是经典的谍战剧作品数量还不是那么充足。那么谍战剧要想真正意义上叫好又叫座就必将寻求创新，那么这种创新就需要经验总结给予支撑，通过对优秀谍战剧或较为优秀的谍战剧创作的分析，总结此类电视剧发展中文化的建构、市场引导和宣传报道的操作方式和方法。
[Abstract]:With the development of the upsurge of Chinese TV series, the hot-broadcasting wave of the war play is also a wave of the next wave, and many excellent anti-war plays have emerged successively, and in the modern society of the lack of morality and the loss of faith, The battle play of the master's faith card has been loved by the audience in such a big background. When the strong faith of the heroes of the war and the spirit of the ideal obsession are presented on the screen, a great degree of people's re-examination of the history and the pursuit of the belief, under a history of the precipitation, people begin to think, the audience of the war play begins to think, Start thinking about history, about human nature, and the audience itself that is mapped to the war play. In this process, the audience group of the war play has changed, and the audience of the war play has a certain degree of diversity, and in the present day of the development of the market economy, the multi-year practice of the anti-war drama has shown that, After the development of the anti-war play has experienced a process of historical change and the gradual maturity, the production, dissemination and acceptance of the war play has also changed, and a more complete system has been gradually formed. The drama of the war gradually became the habit of the audience and loved one of the plays. So, in such a period, the drama of the war is also a kind of play that the authors are competing for. Under such a powerful platform, the battle play has formed a more complete type of system. Under this system, the type characteristics of the war play are also gradually clarified, which provides important conditions for the mature type of the battle play. This paper will draw a brief introduction to the former life of the war play from the development of China's anti-war work, so as to make a brief introduction to the front-generation of the war play, so as to make an overview of the development of the war play. In addition, some case analysis is made on the specific text of the present heat-broadcasting drama, which is guided by the related theories of the narratology, but because the research results of the drama are relatively large in the narratology, on the premise of not going away from the subject matter Next, I would like to be able to put the battle play in a relatively open space, in combination with the market, culture, ideology, This paper, based on the theories of film and film aesthetics, film and television psychology and the theory of film and television audience, is based on the existing theory of the drama and drama, and then, on the shoulders of the giant, summarizes the narrative strategy of the drama series, and analyzes the new thinking, the new features and the fresh air emerging from the drama series. The tide, and trying to look for the formation of these new features, the new wave of the former On the Cause of............................................................. It is hoped that such a study can help the theoretical research and practical creation of China's anti-war play theory. The general context and framework of this paper are the following three parties: On the other hand, through a brief account of the development of the works of the Chinese War of War, the author has made a description of the characteristics of the works and the narrative of each period, and then the emphasis has been given to the contemporary drama. characterized by an analysis of the flourishing of this type of television series For the reason, and to review its history and development, so as to make a summary of some of the features of such TV series, to synthesize some of the original research, to analyze some of the basic narrative of the drama, and to find the way to make the drama of the Republic of China great development through these basic narrative. point-of-point feature, and on this basis, do one In many ways, we can sum up some of the good aspects and the shortcomings of the development of the drama series, so as to make the long and short, to achieve the guidance of this type of TV series, and to avoid the same type. The second, from the theory of the film and television narratology, the drama of the war is about a story, then the storytelling needs to be narrated, the narrative has a lot of methods and means, then the narrative strategy of the present-time drama series What is a little bit? The drama is how to apply a flexible narrative strategy to its own narrative So this article analyzes the basic principles of the drama in the narrative strategy and the present-time drama in the narrative strategy. At the same time, through the analysis of the narrative art of the war play, the paper summarizes some types of the war play. Some of the elements. First of all, through a summary of some of the narrative systems, these basic narrative systems can be considered as a war play. The elements of the type. On this basis, expand, and try to find them. Based on the analysis of the current audience's psychology and the market environment, this paper summarizes the reasons of the hot sowing of the war play, and hopes to find the most attractive audience and win the market. The narrative strategy of the anti-war play. The change of the nationality and the social psychology is changed in the analysis of the audience. It is very fast to update the speed of the update for cultural products such as the Battle of the Republic of China, and we expect the future battle play to take the development path of industrialization as a more mature type of play, but also As a result, the history of the war play is to sum up the narrative principles that must be adhered to by the drama itself, to protect However, in the fierce market competition and the diverse audience demand, there are many problems in the creation of the war play. In general, the fine works of the war play, or the number of works of the classical anti-war play, have also appeared. It's not that sufficient. So, if the battle play is to really make sense and call for innovation, then this innovation will need to be summarized and supported, and this kind of TV play can be summarized through the analysis of the outstanding battle play or the outstanding performance of the war play. The construction of the culture in the exhibition, the guidance and the publicity of the market.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2413546
[Abstract]:With the development of the upsurge of Chinese TV series, the hot-broadcasting wave of the war play is also a wave of the next wave, and many excellent anti-war plays have emerged successively, and in the modern society of the lack of morality and the loss of faith, The battle play of the master's faith card has been loved by the audience in such a big background. When the strong faith of the heroes of the war and the spirit of the ideal obsession are presented on the screen, a great degree of people's re-examination of the history and the pursuit of the belief, under a history of the precipitation, people begin to think, the audience of the war play begins to think, Start thinking about history, about human nature, and the audience itself that is mapped to the war play. In this process, the audience group of the war play has changed, and the audience of the war play has a certain degree of diversity, and in the present day of the development of the market economy, the multi-year practice of the anti-war drama has shown that, After the development of the anti-war play has experienced a process of historical change and the gradual maturity, the production, dissemination and acceptance of the war play has also changed, and a more complete system has been gradually formed. The drama of the war gradually became the habit of the audience and loved one of the plays. So, in such a period, the drama of the war is also a kind of play that the authors are competing for. Under such a powerful platform, the battle play has formed a more complete type of system. Under this system, the type characteristics of the war play are also gradually clarified, which provides important conditions for the mature type of the battle play. This paper will draw a brief introduction to the former life of the war play from the development of China's anti-war work, so as to make a brief introduction to the front-generation of the war play, so as to make an overview of the development of the war play. In addition, some case analysis is made on the specific text of the present heat-broadcasting drama, which is guided by the related theories of the narratology, but because the research results of the drama are relatively large in the narratology, on the premise of not going away from the subject matter Next, I would like to be able to put the battle play in a relatively open space, in combination with the market, culture, ideology, This paper, based on the theories of film and film aesthetics, film and television psychology and the theory of film and television audience, is based on the existing theory of the drama and drama, and then, on the shoulders of the giant, summarizes the narrative strategy of the drama series, and analyzes the new thinking, the new features and the fresh air emerging from the drama series. The tide, and trying to look for the formation of these new features, the new wave of the former On the Cause of............................................................. It is hoped that such a study can help the theoretical research and practical creation of China's anti-war play theory. The general context and framework of this paper are the following three parties: On the other hand, through a brief account of the development of the works of the Chinese War of War, the author has made a description of the characteristics of the works and the narrative of each period, and then the emphasis has been given to the contemporary drama. characterized by an analysis of the flourishing of this type of television series For the reason, and to review its history and development, so as to make a summary of some of the features of such TV series, to synthesize some of the original research, to analyze some of the basic narrative of the drama, and to find the way to make the drama of the Republic of China great development through these basic narrative. point-of-point feature, and on this basis, do one In many ways, we can sum up some of the good aspects and the shortcomings of the development of the drama series, so as to make the long and short, to achieve the guidance of this type of TV series, and to avoid the same type. The second, from the theory of the film and television narratology, the drama of the war is about a story, then the storytelling needs to be narrated, the narrative has a lot of methods and means, then the narrative strategy of the present-time drama series What is a little bit? The drama is how to apply a flexible narrative strategy to its own narrative So this article analyzes the basic principles of the drama in the narrative strategy and the present-time drama in the narrative strategy. At the same time, through the analysis of the narrative art of the war play, the paper summarizes some types of the war play. Some of the elements. First of all, through a summary of some of the narrative systems, these basic narrative systems can be considered as a war play. The elements of the type. On this basis, expand, and try to find them. Based on the analysis of the current audience's psychology and the market environment, this paper summarizes the reasons of the hot sowing of the war play, and hopes to find the most attractive audience and win the market. The narrative strategy of the anti-war play. The change of the nationality and the social psychology is changed in the analysis of the audience. It is very fast to update the speed of the update for cultural products such as the Battle of the Republic of China, and we expect the future battle play to take the development path of industrialization as a more mature type of play, but also As a result, the history of the war play is to sum up the narrative principles that must be adhered to by the drama itself, to protect However, in the fierce market competition and the diverse audience demand, there are many problems in the creation of the war play. In general, the fine works of the war play, or the number of works of the classical anti-war play, have also appeared. It's not that sufficient. So, if the battle play is to really make sense and call for innovation, then this innovation will need to be summarized and supported, and this kind of TV play can be summarized through the analysis of the outstanding battle play or the outstanding performance of the war play. The construction of the culture in the exhibition, the guidance and the publicity of the market.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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