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《七月与安生》中的“我”与“他者”

发布时间:2019-01-26 07:38
【摘要】:电影《七月与安生》是对原小说的升华。电影保留了小说的态度,通过情节的恰当修改和人物气质的合理把握,还原了同名小说的灵魂。在存在主义哲学视野下分析,七月和安生呈现一种互为"我"与"他者"的镜像结构。"他者"既是符号化的他人,更是负载着社会文化意义的符号世界。七月是安生的影子,安生是七月的梦。她们都是彼此的"他者",欲望成为对方,女孩们之间的"她—她"关系呈现出一种镜像表征关系。
[Abstract]:The film July and Ansheng is a sublimation of the original novel. The film preserves the attitude of the novel and restores the soul of the novel of the same name through the proper modification of the plot and the reasonable assurance of the character temperament. From the perspective of existentialist philosophy, July and Ansheng present a mirror structure of "me" and "other". "other" is not only a symbolic other, but also a symbolic world of social and cultural significance. July is the shadow of Ansheng, and Ansheng is the dream of July. They are the "other" of each other, desire to be each other, the "she-she" relationship between the girls presents a mirror image of the relationship.
【作者单位】: 天津理工大学;
【基金】:2015年度天津市“131”创新型人才培养工程第三层次人才计划的资助
【分类号】:J905

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