《亲爱的》对当下社会问题的悲情反思
发布时间：2019-01-27 15:58
【摘要】：在丰富的女性苦情戏传统中,除去女性的爱情婚姻悲剧之外,母亲失子确乎也是极其重要的一个叙事主题。区别于一般影视剧中极具戏剧夸张性的苦情桥段,电影《亲爱的》表现出的则是一股浓烈的现实主义色彩。影片以生活在中国社会金字塔底层的普通老百姓为叙事主体,叙事线条粗犷大胆,色调沉郁,是一部抛却了浮华与高调,充满了乡土气息的影片,其反映的当下社会现状引起了观众的极大共鸣。
[Abstract]:In the rich tradition of female drama, besides the tragedy of love and marriage, the loss of mother is also an extremely important narrative theme. Different from the dramatic hyperbole in general film and TV drama, the film "Dear" shows a strong realism. The film takes ordinary people living at the bottom of the pyramids of Chinese society as the main narrative subject. The narrative lines are rough and bold, and the tone is gloomy. It is a film that gives up splendor and high profile and is full of local flavor. Its reflection of the current social situation caused great resonance among the audience.
【作者单位】： 西安文理学院;
【分类号】：J905
本文编号：2416420
[Abstract]:In the rich tradition of female drama, besides the tragedy of love and marriage, the loss of mother is also an extremely important narrative theme. Different from the dramatic hyperbole in general film and TV drama, the film "Dear" shows a strong realism. The film takes ordinary people living at the bottom of the pyramids of Chinese society as the main narrative subject. The narrative lines are rough and bold, and the tone is gloomy. It is a film that gives up splendor and high profile and is full of local flavor. Its reflection of the current social situation caused great resonance among the audience.
【作者单位】： 西安文理学院;
【分类号】：J905
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1 李光柱;;从“苦”到“情”:论苦情戏悲剧模式的转变——《天涯赤子心》人物分析[J];艺苑;2011年03期
，本文编号：2416420
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