娄烨都市电影研究
发布时间：2019-01-27 16:49
【摘要】：娄烨的电影在新生代导演中别具一格,始终执着地坚持着对个人心理与自我的探索,主题永远是爱情,真实记录着中国都市被遮蔽的一面。本文力图跳出代群归类,不局限于一两部作品的研究,而在电影文本细读和导演个人影像美学分析方面做出系统细致的研究分析,充分尊重娄烨电影的作者风格以及其影像的独特性,肯定其作品在表现中国现代都市形态上的重要性。 本文第一大章从“上海碎片”、“跨文化／区域景观”和“媒介空间背后的秘密”三个小节梳理了娄烨电影中的都市空间。第二章通过“爱情的诗意与对真爱的追索”与“浮城中的欲望和爱的能力的丧失”、“悲剧的力量与爱情的韧性”三个部分分析了娄烨电影中的情欲书写。都市提供了一个欲望的空间,主宰当下都市生活的充满金钱欲望的消费文化成为这个时代重要的文化背景,当下情爱的危机正是来自于这种文化价值的危机。娄烨影片中的都市空间不仅仅停留于作为故事的背景,而是具有了人格力量显现在观众面前。本文第三章通过总结娄烨电影中的存在主义哲思,并对比新千年以后的“新都市电影”、王小帅和贾樟柯作品中都市影像的表达总结了娄烨都市电影的文化价值。 娄烨的作品独特地呈现着中国都市现代生存景观和心灵世界的表达,这种表达并非是对国际电影节的谄媚,而是对于中国都市中的普遍心理病症的思考。他在个人风格的确立上是成功的,但还可以试图探索更加符合观众观影心理机制的电影形式。另一方面,娄烨已经是一个日趋成熟的艺术电影的导演,他在电影中的难能可贵的思考应该被更多人接受和欣赏。
[Abstract]:Lou Ye's films are unique in the new generation of directors, always persist in the exploration of personal psychology and self, the theme is always love, the true record of the Chinese city is hidden side. This paper tries to jump out of the category of generation group, not limited to the study of one or two works, but to make a systematic and detailed research and analysis on the film text and the aesthetic analysis of the director's personal image. The author's style and the unique image of Lou Ye's films are fully respected, and the importance of his works in expressing the modern urban form of China is affirmed. The first chapter of this paper combs the urban space in Lou Ye's films from "Shanghai fragment", "Cross-cultural / Regional Landscape" and "the Secret behind Media Space". The second chapter analyzes Lou Ye's writing of passion in Lou Ye's films through "poetic meaning of love and the pursuit of true love", "loss of desire and ability of love in floating city", and "Power of tragedy and resilience of love". The city provides a space of desire, and the consumption culture, which dominates the present urban life, is the important cultural background of this era. The crisis of the present love comes from the crisis of the cultural value. The urban space in Lou Ye's film is not only the background of the story, but also has the personality power to appear in front of the audience. The third chapter sums up the cultural value of Lou Ye's urban films by summarizing the existential philosophies in Lou Ye's films and comparing the expression of urban images in the works of Wang Xiaoshuai and Jia Zhangke after the new millennium. Lou Ye's works show unique expression of modern living landscape and spiritual world of Chinese cities. This expression is not a flattery to the international film festival, but a reflection on the common psychological disorders in Chinese cities. He is successful in establishing his personal style, but he can also try to explore the film form which is more in line with the psychological mechanism of the audience. On the other hand, Lou Ye is an increasingly mature art film director, his valuable thinking in the film should be accepted and appreciated by more people.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2416478
[Abstract]:Lou Ye's films are unique in the new generation of directors, always persist in the exploration of personal psychology and self, the theme is always love, the true record of the Chinese city is hidden side. This paper tries to jump out of the category of generation group, not limited to the study of one or two works, but to make a systematic and detailed research and analysis on the film text and the aesthetic analysis of the director's personal image. The author's style and the unique image of Lou Ye's films are fully respected, and the importance of his works in expressing the modern urban form of China is affirmed. The first chapter of this paper combs the urban space in Lou Ye's films from "Shanghai fragment", "Cross-cultural / Regional Landscape" and "the Secret behind Media Space". The second chapter analyzes Lou Ye's writing of passion in Lou Ye's films through "poetic meaning of love and the pursuit of true love", "loss of desire and ability of love in floating city", and "Power of tragedy and resilience of love". The city provides a space of desire, and the consumption culture, which dominates the present urban life, is the important cultural background of this era. The crisis of the present love comes from the crisis of the cultural value. The urban space in Lou Ye's film is not only the background of the story, but also has the personality power to appear in front of the audience. The third chapter sums up the cultural value of Lou Ye's urban films by summarizing the existential philosophies in Lou Ye's films and comparing the expression of urban images in the works of Wang Xiaoshuai and Jia Zhangke after the new millennium. Lou Ye's works show unique expression of modern living landscape and spiritual world of Chinese cities. This expression is not a flattery to the international film festival, but a reflection on the common psychological disorders in Chinese cities. He is successful in establishing his personal style, but he can also try to explore the film form which is more in line with the psychological mechanism of the audience. On the other hand, Lou Ye is an increasingly mature art film director, his valuable thinking in the film should be accepted and appreciated by more people.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
中国期刊全文数据库 前10条
1 张先云;;存在主义、法国“新浪潮”与中国第六代电影[J];安徽师范大学学报(人文社会科学版);2011年02期
2 王会;;在同一所城市中雕刻童话——娄烨电影论[J];安徽文学(下半月);2008年10期
3 李学兵;娄烨的城市[J];北京电影学院学报;1995年01期
4 娄烨;我们的周末──关于影片《周末情人》[J];北京电影学院学报;1995年01期
5 贾磊磊;;时代影像的历史地平线——关于中国“第六代”电影导演历史演进的主体报告[J];当代电影;2006年05期
6 冯果;;“上海小资”与“小资电影”[J];当代电影;2007年05期
7 孙晓静;;一个时代的疼痛——《春风沉醉的夜晚》[J];大舞台;2011年06期
8 杨立群;;简析电影《紫蝴蝶》中的娄烨印记[J];大舞台;2011年09期
9 刘尚云;;中国第六代导演“城市边缘人”的选像透析[J];电影文学;2008年21期
10 陈国华;;论中国电影第六代导演的叙事特征[J];电影文学;2008年21期
中国博士学位论文全文数据库 前1条
1 刘艺虹;世纪之交都市言情剧的情爱文化研究[D];吉林大学;2011年
，本文编号：2416478
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2416478.html
