我国内地青春家庭剧叙事策略研究

发布时间：2019-02-09 15:54

【摘要】：近年来，我国电视荧屏上出现了很多新的电视剧类型，如穿越剧、宫斗剧、青春家庭剧等。随着国家广播电影电视总局欲下发“限播令”的风声，电视圈对穿越、后宫这类题材的热情开始骤减，青春家庭剧便如雨后春笋般异军突起，成为中国内地电视市场的一支生力军。事实上，青春家庭剧属于家庭伦理剧的范畴，却又与传统的家庭伦理剧有所不同。它杂糅了青春偶像剧的青春性、都市情感剧的都市感，多聚焦社会热点议题，围绕80后青年男女婚前婚后的家庭生活和成长历程展开叙事。其诞生既迎合了这个时代观众的影像消费欲求，也成为当代人生活、情感和社会演化的见证。作为21世纪以来家庭伦理剧在新文化语境中的一种流变，青春家庭剧初创与成型于2010年，以电视剧《媳妇的美好时代》为标志。其后，经过2011-2012年的成熟与繁荣期，2013年进入了类型的细化与创新期，出现了以育儿为题材的育儿剧。在国家相关政策扶持的影响下，由于与受众心理高度契合，该类型剧成为了国内各大卫视的收视王牌，同时在新媒体市场表现也十分抢眼。青春家庭剧选择富有时代意蕴与文化品性的叙事内容，形成了青年男女的话题婚姻、代际情感博弈的人伦之爱以及育儿带来的成长困惑三大类。为深入揭示青春家庭剧这一类型电视剧的创作规律和市场规律，本文重点对其叙事方式进行分析，从而发现80后恋爱、婚姻、育儿等人生阶段已成为青春家庭剧的叙事时间，繁华城市景观已成为青春家庭剧的特定叙事空间。它采取以人物关系为基础的多线索叙事模式，或是“多峰并置”式，或是“核心——卫星”式，把代际冲突作为推动故事情节的戏剧张力，通过塑造脸谱化的人物形象与建构戏剧化的伦理关系，形成了叙事的类型特征。目前，青春家庭剧的创作正面临着严峻的考验，出现了题材同质化、主题浅表化、结构单一化的问题。我们必须具有清醒的认识，增加个性元素与突破模式化并举，注重大众文化与精英文化有机结合，此外还要吸纳国外精品家庭剧的成功经验，从种种的误区中走出，，使青春家庭剧具有更好的发展前景。
[Abstract]:In recent years, there are many new TV series on TV screen in China, such as traversing drama, palace play, youth family drama and so on. As the State Administration of Radio, Film and Television wanted to issue a "restricted broadcast order", the television circle went through, and the enthusiasm for such subjects as the Hougong began to plummet, and youth family plays sprang up like bamboo shoots. Become the mainland China's television market a new force. In fact, the youth family drama belongs to the family ethics drama category, but is different from the traditional family ethics drama. It combines the youth of the youth idol drama, the city feeling of the urban emotional drama, focuses on the hot social issues, and focuses on the family life and growth process of the young men and women after marriage after the 1980s. Its birth not only caters to the image consumption desire of the audience of this era, but also becomes the witness of contemporary people's life, emotion and social evolution. As a kind of evolution of family ethics drama in the new cultural context since the 21st century, the youth family drama was founded and formed in 2010, marked by the TV series "the good Times of the wife". Then, after the mature and prosperous period of 2011-2012, 2013 entered the period of refinement and innovation of the types. Under the influence of the relevant national policy support, because of the high agreement with the audience psychology, this type of play has become the TV trump card of the major TV stations in China, and it is also very striking in the new media market. The choice of the narrative content of the youth family drama is full of time meaning and cultural character, forming three kinds of topics marriage of young men and women, love of human relations in intergenerational emotional game and growth confusion brought about by parenting. In order to reveal the creative law and the market law of the youth family drama, this paper analyzes its narrative mode, and finds out that the life stages such as love, marriage and parenting have become the narrative time of the youth family drama. The bustling urban landscape has become the special narrative space of the youth family drama. It takes a multi-clue narrative model based on the relationship of characters, either "multi-peak juxtaposition" or "core satellite", using intergenerational conflict as the drama tension to drive the story. The type of narration is formed by shaping the facial image and constructing the dramatized ethical relationship. At present, the creation of the youth family drama is facing a severe test, with the problems of homogeneity of subject matter, superficial theme and single structure. We must have a clear understanding, increase personality elements and breakthrough patterns, pay attention to the organic combination of popular culture and elite culture, in addition, we must absorb the successful experience of foreign fine family drama, and get out of all kinds of misunderstandings. So that the youth family drama has a better development prospects.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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