爱与死:基耶斯洛夫斯基电影《十诫》的叙事伦理研究
发布时间：2019-02-09 20:33
【摘要】：《十诫》波兰电影大师克日什托夫·基耶斯洛夫斯基具有转折意义的作品,本文从叙事伦理的角度展开对基耶斯洛夫斯基及其作品《十诫》的研究,探讨了《十诫》中爱与死的伦理主题。具体来讲,论文分为五章:第一章引言,分为三个部分,第一部分论述了目前国内外对基耶斯洛夫斯基电影的研究现状,通过对研究现状的分析,笔者发现国内外对《十诫》的研究相对较少;第二部分论述了课题的学术价值和应用意义,论文对《十诫》的研究将弥补国内外对《十诫》研究较少的现状,并且笔者希望论文对《十诫》的研究可以影响和改变目前中国电影的创作;第三部分笔者详细梳理了论文所使用的叙事伦理的批评方法。第二章论述了基耶斯洛夫斯基创作的转向与《十诫》的关系。基耶斯洛夫斯基电影创作存在从关注“政治化”的领域到对日常生活“形而上”的哲学思考的转向,《十诫》是这种转向的过渡性作品。基耶斯洛夫斯基这种创作转向外在表征为两种路径:一是创作体裁从纪录片转向了剧情片,二是创作风格从纪实主义转向了表现主义。第三章论述了十诫的现象学叙事。论文试图尝试将现象学的三大方法——悬置、返回生活世界、返回语言或描述应用于《十诫》的叙事分析中。为了界定现象学叙事以及论述《十诫》的现象学叙事,论文首先对现象学的基本精神进行了扼要地阐述,作为现象学“本质直观”方法的悬置、返回生活世界、返回语言或描述具有方法论的意义;接下来论文对现象学叙事进行了梳理,并对其内涵进行了界定,为下文分析《十诫》的现象学叙事奠定学理上的依据。本章的最后详细论述了《十诫》是如何进行现象学叙事的,这种叙事带来了什么样的效果。第四章与第三章紧密相连,叙事与伦理本就具有互动关系,《十诫》的现象学叙事是暗含着一定的伦理指向的,因此本章在现象学叙事的基础上论述了《十诫》对现代性伦理的反思:爱的艰难和死的虚无。第五章在以上四章的基础上,论述了《十诫》对当下中国电影创作的借鉴意义。论文阐述了当下中国电影存在的主要弊端:叙事能力的丧失、人文关怀和社会担当意识的缺乏以及娱乐化过度的现状。基于这样的现状,基耶斯洛夫斯基的《十诫》显示出其强大的借鉴意义。应该说,第五章是基于以上四章内容之上的、从现实的角度对《十诫》的应用意义的论述,是对以上四章的总结和升华。综上所述,论文对《十诫》的现象学叙事分析和建立在这种叙事之上的伦理反思是本文的学术价值所在;从当下中国电影的根本症结出发,对《十诫》的借鉴意义的论述是本文的应用意义所在。基耶斯洛夫斯基电影《十诫》从日常生活出发,对现代社会中真实的个人的关注和对现代性伦理的哲学思考是《十诫》魅力日益剧增的原因所在。
[Abstract]:The works of Krzysztof Kieslowski, a Polish film master, are of turning significance. This paper, from the perspective of narrative ethics, studies Kieslowski and his works, "the Ten Commandments". This paper discusses the ethical theme of love and death in the Ten Commandments. Specifically, the paper is divided into five chapters: the first chapter is an introduction, which is divided into three parts. The first part discusses the current domestic and foreign research status of Kieslovsky film, through the analysis of the current research situation, The author found that there are few researches on the Ten Commandments at home and abroad. The second part discusses the academic value and application significance of the subject. The research on the Ten Commandments will make up for the lack of research on the Ten Commandments at home and abroad. And the author hopes that the research on the Ten Commandments can influence and change the current Chinese film creation. In the third part, the author combs the critical methods of narrative ethics in detail. The second chapter discusses the relationship between the turn of Kieslovsky's creation and the Ten Commandments. Kieslovsky's film creation has changed from paying attention to the field of "politicization" to the philosophical thinking of "metaphysics" of daily life. The Ten Commandments is a transitional work of this kind. There are two ways in which Kieslovsky's creation turns to external representation: one is that the writing style has changed from documentary to drama, the other is that the writing style has changed from documentalism to expressionism. Chapter three discusses the phenomenological narration of the Ten Commandments. This paper attempts to apply three phenomenological approaches to the narrative analysis of the Ten Commandments: suspending, returning to the world of life, and returning language or description to the narrative analysis of the Ten Commandments. In order to define the phenomenological narration and the phenomenological narration of the Ten Commandments, the paper first briefly expounds the basic spirit of phenomenology, as the suspension of the phenomenological "essential intuition" method, and returns to the world of life. The return of language or description has methodological significance; Next, the thesis combs the phenomenological narration and defines its connotation, which lays a theoretical foundation for the following analysis of the phenomenological narrative of the Ten Commandments. At the end of this chapter, the author discusses in detail how the Ten Commandments are used in phenomenological narration and what effect this narrative has brought. The fourth chapter is closely connected with the third chapter, the narration and the ethics already have the interaction relations, the "Ten Commandments" phenomenological narration is implied certain ethics direction, Therefore, based on the phenomenological narration, this chapter discusses the reflection of the Ten Commandments on the ethics of modernity: the hardship of love and the nothingness of death. On the basis of the above four chapters, the fifth chapter discusses the significance of the Ten Commandments for contemporary Chinese film creation. This paper expounds the main drawbacks of Chinese films: the loss of narrative ability, the lack of humanistic concern and social responsibility consciousness, and the present situation of excessive entertainment. Based on this situation, Kieslovsky's Ten Commandments show its strong reference significance. It should be said that the fifth chapter is based on the above four chapters, from the practical point of view of the application of the Ten Commandments, is a summary of the above four chapters and sublimation. To sum up, the academic value of this paper lies in the analysis of the phenomenological narrative of the Ten Commandments and the ethical reflection based on the narrative. Starting from the crux of the present Chinese film, the significance of the application of the Ten Commandments lies in the discussion of the significance of reference. From the perspective of daily life, Kieslovsky's film the Ten Commandments focuses on the real individuals in modern society and philosophical thinking on the ethics of modernity, which is the reason for the increasing charm of the Ten Commandments.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
本文编号：2419366
[Abstract]:The works of Krzysztof Kieslowski, a Polish film master, are of turning significance. This paper, from the perspective of narrative ethics, studies Kieslowski and his works, "the Ten Commandments". This paper discusses the ethical theme of love and death in the Ten Commandments. Specifically, the paper is divided into five chapters: the first chapter is an introduction, which is divided into three parts. The first part discusses the current domestic and foreign research status of Kieslovsky film, through the analysis of the current research situation, The author found that there are few researches on the Ten Commandments at home and abroad. The second part discusses the academic value and application significance of the subject. The research on the Ten Commandments will make up for the lack of research on the Ten Commandments at home and abroad. And the author hopes that the research on the Ten Commandments can influence and change the current Chinese film creation. In the third part, the author combs the critical methods of narrative ethics in detail. The second chapter discusses the relationship between the turn of Kieslovsky's creation and the Ten Commandments. Kieslovsky's film creation has changed from paying attention to the field of "politicization" to the philosophical thinking of "metaphysics" of daily life. The Ten Commandments is a transitional work of this kind. There are two ways in which Kieslovsky's creation turns to external representation: one is that the writing style has changed from documentary to drama, the other is that the writing style has changed from documentalism to expressionism. Chapter three discusses the phenomenological narration of the Ten Commandments. This paper attempts to apply three phenomenological approaches to the narrative analysis of the Ten Commandments: suspending, returning to the world of life, and returning language or description to the narrative analysis of the Ten Commandments. In order to define the phenomenological narration and the phenomenological narration of the Ten Commandments, the paper first briefly expounds the basic spirit of phenomenology, as the suspension of the phenomenological "essential intuition" method, and returns to the world of life. The return of language or description has methodological significance; Next, the thesis combs the phenomenological narration and defines its connotation, which lays a theoretical foundation for the following analysis of the phenomenological narrative of the Ten Commandments. At the end of this chapter, the author discusses in detail how the Ten Commandments are used in phenomenological narration and what effect this narrative has brought. The fourth chapter is closely connected with the third chapter, the narration and the ethics already have the interaction relations, the "Ten Commandments" phenomenological narration is implied certain ethics direction, Therefore, based on the phenomenological narration, this chapter discusses the reflection of the Ten Commandments on the ethics of modernity: the hardship of love and the nothingness of death. On the basis of the above four chapters, the fifth chapter discusses the significance of the Ten Commandments for contemporary Chinese film creation. This paper expounds the main drawbacks of Chinese films: the loss of narrative ability, the lack of humanistic concern and social responsibility consciousness, and the present situation of excessive entertainment. Based on this situation, Kieslovsky's Ten Commandments show its strong reference significance. It should be said that the fifth chapter is based on the above four chapters, from the practical point of view of the application of the Ten Commandments, is a summary of the above four chapters and sublimation. To sum up, the academic value of this paper lies in the analysis of the phenomenological narrative of the Ten Commandments and the ethical reflection based on the narrative. Starting from the crux of the present Chinese film, the significance of the application of the Ten Commandments lies in the discussion of the significance of reference. From the perspective of daily life, Kieslovsky's film the Ten Commandments focuses on the real individuals in modern society and philosophical thinking on the ethics of modernity, which is the reason for the increasing charm of the Ten Commandments.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
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