电视音乐节目的声音创作研究
发布时间：2019-02-23 14:43
【摘要】：电视音乐节目是音乐与电视艺术相结合的新的艺术形式,自上世纪九十年代起在我国兴起以来,借助电视这个传播手段,音乐被前所未有地、以自觉或不自觉的方式普及到大众的耳朵里,而电视也以其特有的声画结合的方式为音乐注入了视觉体验。作为电视音乐节目主角——声音,它的创作体现了现代技术手段与传统音乐审美的完美融合。 目前,对电视音乐节目声音创作系统、深入地研究并未引起足够的重视,电视从业者多以技术的角度在工作,忽略了每个音乐节目个体的音乐特征和艺术表现力；而音乐工作者也多把电视音乐节目的声音制作看做是电视技术人员的工作,这两个行业在多数情况下是脱节的,因此也导致了节目的艺术水准难以突破。 本文通过大量的实例和图片,以作品的艺术体现作为出发点,对电视音乐节目声音的创作、特别是对常见乐器的不同演奏形式的声音录制做了深入研究,总结出了其创作的原则,并通过对亲自参与音乐会的实况录制时声音制作的步骤和方法的总结,得出相关从业人员需要成为既懂得声音创作技术,又需要较高艺术素养做前提的结论,并引申出对音乐学院专业培养方面的探索。
[Abstract]:TV music programs are a new art form that combines music with television art. Since its rise in China in the 1990s, with the help of television, music has been unprecedented. It is popularized into the ears of the public consciously or unconsciously, and TV infuses the visual experience of music with its unique combination of sound and painting. As the protagonist of TV music program-sound, its creation embodies the perfect fusion of modern technology and traditional music aesthetics. At present, the deep research on the sound creation system of TV music programs has not attracted enough attention. The TV practitioners mostly work from the technical point of view, ignoring the music characteristics and artistic expression of each individual music program. Music workers see the sound production of TV music programs as the work of TV technicians, which in most cases is disjointed, thus making it difficult to break through the artistic standards of TV programs. In this paper, through a large number of examples and pictures, with the artistic embodiment of the works as the starting point, the sound creation of TV music programs, especially the sound recording of common musical instruments in different forms of performance, is studied in depth. This paper summarizes the principles of its creation, and through the summary of the steps and methods of sound production when participating in the live recording of the concert in person, draws the conclusion that the relevant practitioners need to become both know sound creation technology, It also needs the conclusion that high artistic accomplishment is the premise, and the exploration of the specialty cultivation of Conservatory of Music.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;J617.6
本文编号：2428928
[Abstract]:TV music programs are a new art form that combines music with television art. Since its rise in China in the 1990s, with the help of television, music has been unprecedented. It is popularized into the ears of the public consciously or unconsciously, and TV infuses the visual experience of music with its unique combination of sound and painting. As the protagonist of TV music program-sound, its creation embodies the perfect fusion of modern technology and traditional music aesthetics. At present, the deep research on the sound creation system of TV music programs has not attracted enough attention. The TV practitioners mostly work from the technical point of view, ignoring the music characteristics and artistic expression of each individual music program. Music workers see the sound production of TV music programs as the work of TV technicians, which in most cases is disjointed, thus making it difficult to break through the artistic standards of TV programs. In this paper, through a large number of examples and pictures, with the artistic embodiment of the works as the starting point, the sound creation of TV music programs, especially the sound recording of common musical instruments in different forms of performance, is studied in depth. This paper summarizes the principles of its creation, and through the summary of the steps and methods of sound production when participating in the live recording of the concert in person, draws the conclusion that the relevant practitioners need to become both know sound creation technology, It also needs the conclusion that high artistic accomplishment is the premise, and the exploration of the specialty cultivation of Conservatory of Music.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;J617.6
【参考文献】
相关期刊论文 前1条
1 贺军;电视音乐节目定位与专业化[J];声屏世界;2003年12期
，本文编号：2428928
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