高满堂当代工业题材电视剧的审美张力

发布时间：2019-02-25 09:14

【摘要】：英美新批评派的代表人物艾伦·退特在《论诗的张力》中创造性地将“张力”运用于诗学研究，从此“张力”成为该学派的重要批评术语，新批评派也被称为“张力诗学”，后来其他流派的文学评论家对其进行了发展和深化。“张力”理论立足于对创作和接受中对立统一现象的研究，对艺术批评具有重要的理论意义。而电视剧具有故事性强、情节冲突集中、人物形象典型化等对立统一的“张力”特点，因此，“张力”理论在电视艺术的创作和批评方面，有着极强的适用性。全文分为三个部分：第一部分通过“张力”理论的内涵探究该理论运用于电视剧批评的美学价值。第二部分以高满堂执笔的工业题材电视剧作为例证，从电视剧《漂亮的事》《大工匠》《钢铁年代》的题材、内容、人物、语言等方面概括高满堂工业题材电视剧审美张力的特点。弹性是电视剧审美张力最主要的表现形式，，是张力理论内涵和外延之间的既对立又联系的矛盾关系生成的。内蕴性是内容情节和人物性格的配合下赋予了电视剧耐人寻味的审美特质。阻拒性存在于故事内容和观众审美接受过程中，伴随着情节冲突不断发展与转折，观众对故事情节产生的心理距离和理解偏差。第三部分论述电视剧审美张力阐释的意义和价值。通过高满堂工业题材电视剧的审美张力特质分析，可以更好地把握“张力”理论与电视剧创作和批评融合下的现实意义。综上所述，富有弹性的审美“张力”犹如“源头活水”能为电视剧本身注入新鲜的生命活力，丰富并验证了电视剧文艺批评中蕴含的冲突性和偶然性的张力场，为张力理论的引申和实践做了更具代表性的实例补充，同时也为电视剧美学的创作和实践提供了学术支撑，可谓相得益彰，相辅相成。
[Abstract]:Alan Huite, the representative of the New criticism School in Britain and America, creatively applied "tension" to the study of poetics in "the tension of Poems". Since then, "tension" has become an important critical term of this school, and the New criticism School is also called "tension poetics". Later, other literary critics of different schools developed and deepened it. The theory of tension is based on the study of unity of opposites in creation and acceptance, which is of great theoretical significance to artistic criticism. However, TV plays have the characteristics of unity of opposites, such as strong story, concentrated plot conflict and typical characters. Therefore, the theory of "tension" has a strong applicability in the creation and criticism of TV art. The thesis is divided into three parts: the first part explores the aesthetic value of the theory of tension applied to TV drama criticism. The second part takes the industrial TV series written by Gao Mantang as an example to summarize the characteristics of the aesthetic tension of Gaomantang's industrial TV series from the aspects of the theme, content, characters and language of the TV series "Beautiful things", "Great craftsmen" and "Iron and Steel Age". Elasticity is the most important form of aesthetic tension in TV dramas, which is formed by the contradiction between the intension and extension of tension theory. Implicature is the cooperation of the content plot and character which endows the TV series with interesting aesthetic characteristics. Resistance exists in the process of story content and audience's aesthetic acceptance. With the continuous development and turning of plot conflict, the audience's psychological distance and understanding deviation to the story. The third part discusses the significance and value of drama aesthetic tension interpretation. Through the analysis of the aesthetic tension characteristics of Gaomantang industrial TV series, we can better grasp the practical significance of the combination of the theory of "tension" with the creation and criticism of TV series. To sum up, the elastic aesthetic "tension" can inject fresh vitality into the TV series itself, which enriches and verifies the tension field of conflict and contingency contained in the literary and art criticism of TV dramas. It provides a more representative example for the extension and practice of tension theory and provides academic support for the creation and practice of TV drama aesthetics, which can be said to complement each other and complement each other.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J901

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