极简主义电影海报的数理关系解读
发布时间：2019-02-25 18:37
【摘要】：正电影海报是电影宣传的重要手段之一,成功的电影海报具有强烈的视觉冲击力,可以在瞬间吸引观众的目光,并展示出电影的创作理念和独特的美学风格。伴随着设计艺术的发展,电影海报的风格在市场多样化需求的推动下因时而异,制作手段和表现形式日益趋向多元化。其中,极简主义电影海报以极为克制的形式表达而著称,通过画面的寥寥几笔即可勾起人们对电影的故事情节和人
[Abstract]:Positive film poster is one of the important means of film publicity. The successful film poster has a strong visual impact, can attract the eyes of the audience in an instant, and show the creative concept and unique aesthetic style of the film. With the development of design art, the style of movie poster is different with the demand of market diversification, and the means of production and the form of expression tend to be diversified day by day. Among them, the minimalist film poster is famous for its extremely restrained expression, and through a few strokes on the screen, it can evoke the storyline and people of the film.
【作者单位】： 江苏大学艺术学院;
【分类号】：J943.12
[Abstract]:Positive film poster is one of the important means of film publicity. The successful film poster has a strong visual impact, can attract the eyes of the audience in an instant, and show the creative concept and unique aesthetic style of the film. With the development of design art, the style of movie poster is different with the demand of market diversification, and the means of production and the form of expression tend to be diversified day by day. Among them, the minimalist film poster is famous for its extremely restrained expression, and through a few strokes on the screen, it can evoke the storyline and people of the film.
【作者单位】： 江苏大学艺术学院;
【分类号】：J943.12
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1 李盈;;试论克里斯托弗·诺兰电影的“碎片化”叙事——以《记忆碎片》、《致命魔术》为例[J];文教资料;2012年32期
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【共引文献】
相关期刊论文 前2条
1 张力丽;刘宁;赵淑华;;极简主义电影海报的数理关系解读[J];文艺争鸣;2017年06期
2 韩U，
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