新时空结构电影类型化研究
发布时间：2019-03-19 18:38
【摘要】：新时空结构电影俗称“穿越电影”。这种“新”时空结构电影,虽然也是在蒙太奇基础上对“时间”与“空间”结构的重构,但这种重构不单单是在叙述层面上,更主要体现在故事层面上——它们的故事时空,不再是单一的、线性的,而是多维的、甚至错乱的。从上个世纪初出现到1980年代后的大规模风行,新时空结构电影历经了从先锋到类型的演变。发展至今,新时空结构电影在情节套路、人物形象设定、电影语言等方面都已形成了相对独立的风格,表现出明显的类型化特征。就类型化叙事模式而言,早期的新时空结构电影以时间穿梭、时光倒流的单线时空模式为主;1980年代,则出现了以空间变化为核心,具有多个平行空间的多维时空模式。两种模式相继发展保留至今,从结构上看各有各的一套叙事法则,然究其内在逻辑和核心精神,二者仍是一脉相承。与传统的经典电影叙事不同,它们均打破传统线性叙事结构,而以非线性叙事以及多维度空间的平行展开,组合成一种“时空交错”的结构,本质上是一种后现代解构式的“反叙事”。这种新时空结构电影背后隐藏着丰富的社会历史信息和文化内涵,既是现代性与后现代主义文化相互碰撞的体现,同时又带有浓厚的归乡情结。一方面倡导打破传统、解构经典,一方面又在呼唤回归,表现出斑驳复杂的文化面向。
[Abstract]:The new space-time structure film is commonly known as "through the film". Although this "new" space-time structure film is also a reconstruction of the structure of "time" and "space" on the basis of montage, this reconstruction is not only on the narrative level, but also mainly on the story level-their story space-time. No longer is single, linear, but multidimensional, even chaotic. From the beginning of the last century to the great popularity of the 1980s, the new spatio-temporal structure film has undergone the evolution from the pioneer to the type. Up to now, the new spatio-temporal structure film has formed a relatively independent style in the aspects of plot pattern, character image setting, film language and so on, showing obvious typification characteristics. As far as the type-oriented narrative mode is concerned, the new time-space structure film in the early stage was dominated by time shuttle and single-line spatio-temporal pattern of time reversal, and in the 1980s, there appeared a multi-dimensional space-time pattern with multi-parallel space-time pattern with spatial change as the core. The two models have been preserved one after another until now. From the point of view of structure, each has its own set of narrative rules. However, the internal logic and the core spirit of the two models are still in the same line. Different from the traditional classical film narration, they all break the traditional linear narrative structure, and combine the nonlinear narrative and the multi-dimensional space parallel to form a "space-time interlaced" structure. Essentially, it is a post-modern deconstruction of "anti-narrative". Behind this new space-time structure film is the rich social and historical information and cultural connotation, which is not only the reflection of the collision between modernity and post-modernism culture, but also the strong complex of homecoming at the same time. On the one hand, it advocates breaking the tradition, deconstructing the classics, on the one hand, calling for the return, showing a mottled and complex cultural orientation.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
本文编号：2443783
[Abstract]:The new space-time structure film is commonly known as "through the film". Although this "new" space-time structure film is also a reconstruction of the structure of "time" and "space" on the basis of montage, this reconstruction is not only on the narrative level, but also mainly on the story level-their story space-time. No longer is single, linear, but multidimensional, even chaotic. From the beginning of the last century to the great popularity of the 1980s, the new spatio-temporal structure film has undergone the evolution from the pioneer to the type. Up to now, the new spatio-temporal structure film has formed a relatively independent style in the aspects of plot pattern, character image setting, film language and so on, showing obvious typification characteristics. As far as the type-oriented narrative mode is concerned, the new time-space structure film in the early stage was dominated by time shuttle and single-line spatio-temporal pattern of time reversal, and in the 1980s, there appeared a multi-dimensional space-time pattern with multi-parallel space-time pattern with spatial change as the core. The two models have been preserved one after another until now. From the point of view of structure, each has its own set of narrative rules. However, the internal logic and the core spirit of the two models are still in the same line. Different from the traditional classical film narration, they all break the traditional linear narrative structure, and combine the nonlinear narrative and the multi-dimensional space parallel to form a "space-time interlaced" structure. Essentially, it is a post-modern deconstruction of "anti-narrative". Behind this new space-time structure film is the rich social and historical information and cultural connotation, which is not only the reflection of the collision between modernity and post-modernism culture, but also the strong complex of homecoming at the same time. On the one hand, it advocates breaking the tradition, deconstructing the classics, on the one hand, calling for the return, showing a mottled and complex cultural orientation.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
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