中国崛起与文化本真性:当代华语电影的国家形象建构

发布时间：2019-03-28 12:34

【摘要】：感受主体与当下存在的想象关系,需要借助对往昔的建构。面对深度全球化、数字媒介化时代的人事全非,当代华语电影及其相关批评同样分享了这一思想原则。不约而同地努力追寻一个真实的、未被污染的、非拟像的"血肉中国"主体,作为民族文化再出发的原初起点,成为"中国崛起"时代华语电影构建国家形象的主要策略。然而,这个过程暗含着一个自反的权力运作过程:通过将旧事物排斥、放逐出某个共同体,以达到刻意遗忘历史,找到一个纯粹当下的目的;但只有已经存在的事物才能够被陌生化为"真实"的新起点,那么这里的"真实"就只能是一个幻象,因为它早已被历史因果律所消解,从来都无法独立于被刻意遗忘的历史而生成。
[Abstract]:The imaginary relationship between the feeling subject and the present existence needs to be constructed with the help of the past. In the face of deep globalization and digital media, contemporary Chinese films and their related criticism share this thought principle. Trying to pursue a real, unpolluted, unimitative "flesh and flesh China" subject, as the original starting point of national culture re-departure, has become the main strategy to construct the national image of the Chinese-speaking films in the era of "China's rise" as the original starting point for the re-departure of national culture. However, this process implies a reflexive process of power operation: by rejecting the old things and banishing them out of a community, to deliberately forget history and find a purely present purpose; But only existing things can be defamiliarized as a new starting point of "reality," then "reality" here can only be an illusion, because it has long been dispelled by the law of historical cause and effect. It can never be generated independently of a history that has been deliberately forgotten.
【作者单位】：福建师范大学文学院;
【基金】：国家社会科学基金项目“地理大发现时代欧洲游记中的亚洲形象研究”(项目编号:15BWW011) 2015年福建省教育厅高校新世纪优秀人才支持计划项目“近代早期欧洲的亚洲知识状况研究”
【分类号】：J905

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