论贾樟柯电影纪实风格
发布时间：2019-03-30 14:36
【摘要】：贾樟柯一直坚持作品的纪实性,但他没有把作品当作生活的复印机,他的作品,是纪实与虚构的结合,他追求的不是原始的真实,而是更高层次上的艺术真实。原生状态的生活展示、不动声色的冷峻记录、大量的长镜头运用、故事的不确定性结尾方式、业余演员和方言的运用等等,形成了贾樟柯电影的纪实美学风格。
[Abstract]:Jia Zhangke has always insisted on the documentary nature of his work, but he did not regard it as a photocopier of life. His work is a combination of documentary and fictional. What he pursues is not the original reality, but the higher level of artistic reality. The real aesthetic style of Jia Zhangke's films is formed by the display of the original state of life, the quiet cold record, the use of a large amount of long lens, the uncertainty of the ending of the story, the use of amateur actors and dialects, and so on, which forms the documentary aesthetic style of Jia Zhangke's films.
【作者单位】： 浙江艺术职业学院;
【分类号】：J905
，
本文编号：2450173
[Abstract]:Jia Zhangke has always insisted on the documentary nature of his work, but he did not regard it as a photocopier of life. His work is a combination of documentary and fictional. What he pursues is not the original reality, but the higher level of artistic reality. The real aesthetic style of Jia Zhangke's films is formed by the display of the original state of life, the quiet cold record, the use of a large amount of long lens, the uncertainty of the ending of the story, the use of amateur actors and dialects, and so on, which forms the documentary aesthetic style of Jia Zhangke's films.
【作者单位】： 浙江艺术职业学院;
【分类号】：J905
，
本文编号：2450173
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