中国香港与大陆律政剧比较研究
发布时间：2019-04-08 14:54
【摘要】：律政剧,作为一种舶来的电视剧类型,在如今世界电视剧发展中占据了不可或缺的一席之地,逐渐成为电视剧的主流类型之一。在中国,90年初律政剧随着香港电视剧《壹号皇庭》系列的成功逐渐走进了中国观众的视野。香港律政剧随之迎来了飞速发展的时代,至今已形成了成熟的创作模式。我国大陆律政剧从上世纪末的法律题材电视剧发展至今,虽已有一定的发展,但始终未能有长足的进步,尚未走上类型化的创作道路,无论是数量上还是质量上,都亟需借鉴向香港及其他当今世界上在该类剧创作上理念先进的国家和地区的创作手法。 目前国内理论界缺乏对于律政剧的系统研究,大多数研究文章仅仅着眼于单一文本进行分析。鉴于此,本文将以香港及大陆两地律政剧作品作为研究对象进行比较研究,既而梳理归纳出律政剧的类型范式。 文章首先基于两地律政剧的主要共性,对律政剧的概念进行界定。具体将从两地律政剧的生成语境、主题思想、人物设置及塑造、叙事策略四个方面来分析律政剧的类型模式、两地律政剧之间的差异及差异形成的深层次原因,探析大陆律政剧存在的不足,为今后大陆律政剧的发展提供一定的理论支持。
[Abstract]:Legal drama, as an imported type of TV series, occupies an indispensable position in the development of TV dramas in the world, and gradually becomes one of the mainstream types of TV dramas. In China, with the success of the Hong Kong TV series No. 1 Imperial Court series, the early 1990 legal dramas have gradually entered the view of the Chinese audience. Hong Kong legal drama ushered in the rapid development of the era, so far has formed a mature mode of creation. Since the development of legal drama in the mainland of China at the end of last century, although there has been some development, it has never made great progress, and has not yet embarked on the road of typed creation, both in quantity and in quality. It is urgent to draw lessons from the creative techniques of Hong Kong and other countries and regions with advanced ideas in the creation of this kind of drama. At present, there is a lack of systematic research on legal drama in domestic theoretical circles, and most of the research articles only focus on a single text for analysis. In view of this, this paper makes a comparative study of the works of legal dramas in Hong Kong and mainland China, and sums up the typological paradigms of legal dramas. Firstly, this paper defines the concept of legal drama on the basis of the main commonness of the legal drama between the two places. It will analyze the type mode of the legal drama, the difference between the two places' legal drama and the deep-seated causes of the difference from the four aspects of the generating context, the theme thought, the setting and shaping of the characters, and the narrative strategy of the legal drama between the two places. In order to provide some theoretical support for the development of mainland legal dramas, this paper analyzes the shortcomings of mainland legal dramas.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2454675
[Abstract]:Legal drama, as an imported type of TV series, occupies an indispensable position in the development of TV dramas in the world, and gradually becomes one of the mainstream types of TV dramas. In China, with the success of the Hong Kong TV series No. 1 Imperial Court series, the early 1990 legal dramas have gradually entered the view of the Chinese audience. Hong Kong legal drama ushered in the rapid development of the era, so far has formed a mature mode of creation. Since the development of legal drama in the mainland of China at the end of last century, although there has been some development, it has never made great progress, and has not yet embarked on the road of typed creation, both in quantity and in quality. It is urgent to draw lessons from the creative techniques of Hong Kong and other countries and regions with advanced ideas in the creation of this kind of drama. At present, there is a lack of systematic research on legal drama in domestic theoretical circles, and most of the research articles only focus on a single text for analysis. In view of this, this paper makes a comparative study of the works of legal dramas in Hong Kong and mainland China, and sums up the typological paradigms of legal dramas. Firstly, this paper defines the concept of legal drama on the basis of the main commonness of the legal drama between the two places. It will analyze the type mode of the legal drama, the difference between the two places' legal drama and the deep-seated causes of the difference from the four aspects of the generating context, the theme thought, the setting and shaping of the characters, and the narrative strategy of the legal drama between the two places. In order to provide some theoretical support for the development of mainland legal dramas, this paper analyzes the shortcomings of mainland legal dramas.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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