电影《嚎叫》的去神秘化：对“垮掉一代”及其诗歌的全景式叙事
发布时间：2019-04-10 17:34
【摘要】：艾伦·金斯伯格（1926-1997）是上个世纪美国文坛“垮掉一代”的代表诗人，其长篇诗作《嚎叫》在20世纪的美国诗坛占有举足轻重的地位。2010年，一部由罗伯·爱泼斯坦执导的以金斯伯格代表诗作《嚎叫》为蓝本的同名电影《嚎叫》，，让这位活着时备受争议的垮掉派诗人又重回人们视野。影片没有线性地去追述艾伦·金斯伯格的一生，而是聚焦他在50年代的经历，围绕《嚎叫》诞生而展开。对《嚎叫》这首极具50年代时代特色质感的诗的动画演绎，围绕《嚎叫》的出版直接反映出那个时代价值观有力碰撞的官司，和对金斯伯格本人多次采访的数据收集是影片的三个重要组成部分，配以朗诵的经典画面和爵士乐的背景音乐，成为该影片跳出一般传纪片窠臼的独特魅力和成功之处。本文将从以上五个部分及其有力的融合分析该影片是怎样相对真实地再现了“垮掉一代”的时代背景以及怎样通过这种形式的再现成功地使观者愿意并能够去了解并理解那个时代和那个时代的人。 论文首先从影片对《嚎叫》一诗的再现方式切入分析。毫无疑问，《嚎叫》是对当时整个时代背景的真实写照，作为贯穿整部影片的主线，黑白画面中金斯伯格在“六画廊”酒吧的朗诵和极具后现代感的以诗为蓝本的动画插入分别从抽象和具象全方位诠释了《嚎叫》一诗，配以爵士为背景音乐，从而再现了缩影背后的时代背景。其次，以关于《嚎叫》一诗内容是否“淫秽”而引起的官司为着眼点，透过证词加深对诗的理解。法庭上对这首诗的审判实质上是整个社会对边缘文化的审视，是垮掉派文学努力使自己合法化的过程，而《嚎叫》的无罪也预示着“垮掉”文化的迈进。最后，通过分析对金斯伯格的个人访问，再现其重要生平事迹和思想历程，同时通过了解“垮掉一代”的代表人物更好地认识理解那个时代。 端于20世纪50年代的美国“垮掉一代”文学思潮影响至今，该影片是对诗歌《嚎叫》的精彩诠释，更是对以金斯伯格为代表的“垮掉”文学的重新探索，引发了更多的人去重读金斯伯格，重读“垮掉一代”。
[Abstract]:Alan Ginsberg (1926 / 1997) is a representative poet of the "broken generation" in the American literary world in the last century. His long poem howl plays an important role in American poetry in the 20th century. In 2010, A film of the same name, based on Ginsberg's representative poem howl, directed by Rob Epstein, brings the controversial, crumbling poet back to life. Instead of linearly recounting Allen Ginsberg's life, the film focuses on his experience in the 1950s and revolves around the birth of howl. The animated interpretation of "howl", a poem with a special texture of the 1950s, revolved around the publication of howl, which directly reflected the case of the powerful collision of values in that era. The data collection and interviews with Ginsberg himself are three important components of the film, combined with a classic picture of recitation and jazz background music, making it a unique charm and success for the film to jump out of the conventional chronograph pattern. From the above five parts and their powerful fusion, this paper will analyze how the film reproduces the background of the era of the "broken Generation" relatively truly and how to make the viewer willing and able to go through this form of reproduction. Understand and understand the times and the people of that era. The paper begins with the analysis of the reappearance of "howl" poem in the film. There is no doubt that howling is a true portrayal of the background of the time at that time, as the main line throughout the film. In the black-and-white screen, Ginsberg's recitation at the "six galleries" bar and the highly post-modern animated insertion of poetry-based animations interpret the "howl" poem in all directions from the abstract and the concrete, with jazz as the background music. Thus reappear the background of the times behind the microcosm. Secondly, focusing on the lawsuit about whether the content of "howl" is "obscene", we can deepen our understanding of the poem by testimonies. The trial of this poem in court is essentially the examination of the marginal culture of the whole society, the process of the collapse literature trying to legalize itself, and the innocence of howling also indicates the progress of the "collapse" culture. Finally, through the analysis of the personal visit to Ginsberg, the author reproduces his important life story and thought course, at the same time, through the understanding of the representative characters of the "broken generation", we can better understand the era. The "broken Generation" literary trend of thought in the United States, which originated in the 1950s, is a wonderful interpretation of poetry "howling" and a re-exploration of the "broken" literature represented by Ginsberg. Triggered more people to re-read Ginsberg, re-read the "broken Generation."
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2455993
[Abstract]:Alan Ginsberg (1926 / 1997) is a representative poet of the "broken generation" in the American literary world in the last century. His long poem howl plays an important role in American poetry in the 20th century. In 2010, A film of the same name, based on Ginsberg's representative poem howl, directed by Rob Epstein, brings the controversial, crumbling poet back to life. Instead of linearly recounting Allen Ginsberg's life, the film focuses on his experience in the 1950s and revolves around the birth of howl. The animated interpretation of "howl", a poem with a special texture of the 1950s, revolved around the publication of howl, which directly reflected the case of the powerful collision of values in that era. The data collection and interviews with Ginsberg himself are three important components of the film, combined with a classic picture of recitation and jazz background music, making it a unique charm and success for the film to jump out of the conventional chronograph pattern. From the above five parts and their powerful fusion, this paper will analyze how the film reproduces the background of the era of the "broken Generation" relatively truly and how to make the viewer willing and able to go through this form of reproduction. Understand and understand the times and the people of that era. The paper begins with the analysis of the reappearance of "howl" poem in the film. There is no doubt that howling is a true portrayal of the background of the time at that time, as the main line throughout the film. In the black-and-white screen, Ginsberg's recitation at the "six galleries" bar and the highly post-modern animated insertion of poetry-based animations interpret the "howl" poem in all directions from the abstract and the concrete, with jazz as the background music. Thus reappear the background of the times behind the microcosm. Secondly, focusing on the lawsuit about whether the content of "howl" is "obscene", we can deepen our understanding of the poem by testimonies. The trial of this poem in court is essentially the examination of the marginal culture of the whole society, the process of the collapse literature trying to legalize itself, and the innocence of howling also indicates the progress of the "collapse" culture. Finally, through the analysis of the personal visit to Ginsberg, the author reproduces his important life story and thought course, at the same time, through the understanding of the representative characters of the "broken generation", we can better understand the era. The "broken Generation" literary trend of thought in the United States, which originated in the 1950s, is a wonderful interpretation of poetry "howling" and a re-exploration of the "broken" literature represented by Ginsberg. Triggered more people to re-read Ginsberg, re-read the "broken Generation."
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前4条
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本文编号：2455993
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