当前位置:主页 > 文艺论文 > 影视论文 >

艺术虚构与影像塑史——评电视剧《军师联盟》

发布时间:2019-04-25 12:57
【摘要】:正由张永新执导,吴秀波、李晨等主演的电视剧《军师联盟》于2017年7月正式播出后,在学界引发了激烈的讨论。焦点主要集中在本剧的叙事切入点上,即选择以司马懿作为主人公叙事。即便是在罗贯中的《三国演义》小说中,司马懿也只是在后半部分才加重笔墨刻画的人物。为何他会成为一部"三国"题材影视作品的主角?回答这一问题,需要从"三国"题材影视剧评价标准着手。
[Abstract]:The series, directed by Zhang Yongxin, Wu Xiubo and Li Chen, was officially broadcast in July 2017, sparking heated debate in academia. The focus is mainly on the narrative entry point of the play, that is, Sima Yi is chosen as the protagonist narrative. Even in Luo Guanzhong's Romance of the three Kingdoms, Sima Yi only aggravated the characters in the latter half. Why did he become the protagonist of a "three Kingdoms" film and television work? Answer this question, need from "three Kingdoms" subject matter film and TV drama appraisal standard begins.
【作者单位】: 江苏理工学院;
【分类号】:J905


本文编号:2465113

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2465113.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户a3a74***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com