毛泽东时代视觉符号研究
发布时间:2018-01-16 22:28
本文关键词:毛泽东时代视觉符号研究 出处:《江南大学》2008年硕士论文 论文类型:学位论文
【摘要】: 本篇立足于设计艺术这一角度,对毛泽东时代出现的各种视觉设计符号的再现和分析研究,揭示其与那个年代的中国各个层面之间千丝万缕的联系,从设计的发展过程中探求那段时期视觉设计本质的演变规律。 本文第一章是绪论,结合课题背景,提出了本论文的主要研究目的和研究内容,并对相关概念作了界定。第二章是介绍了毛泽东时代视觉艺术所处的时代大背景。分为延安与解放区时期(1942年-1949年),新中国成立——文革前(1949年—1965年)和文革时期(1966年—1976年)。第三章是毛泽东时代视觉符号分类,本章介绍了毛泽东时代出现的各种视觉现象,具体有版画漫画、招贴、新年画、票证、广告设计、烟标、旗帜、徽章、服装、建筑等,结合其时代背景对其进行剖析。第四章从政治性的题材、程式化和单一化的模式、象征性的图形符号和色彩、粗壮化的字体、写实主义的表现手法等几个方面来作为毛泽东时代视觉设计风格特征的总结。并从政治、经济、大众审美需求和大众心理、苏联影响等因素来分析毛泽东时代视觉设计,以揭示其与当代中国各个层面之间千丝万缕的联系。第五章阐述了毛泽东文艺思想对毛泽东时代视觉设计的影响。如毛泽东大众化的观点、文艺为革命事业服务的观点、实践的观点、民族化的观点、军人政治的观点、革命的现实主义与革命的浪漫主义观点等。第六章毛泽东时代的视觉符号对现代艺术和设计的影响。意在揭示毛泽东时代的艺术样式和话语模式对现代中国艺术家和设计师的影响。本篇第七章是结束语。
[Abstract]:Based on the angle of design art, this paper analyzes the reproduction and analysis of various visual design symbols that appeared in Mao Zedong's time, and reveals the inextricable links between them and the various levels of China in that era. From the process of development of design to explore the evolution of the nature of visual design in that period. The first chapter of this paper is the introduction, combined with the background of the subject, proposed the main purpose and research content of this paper. The second chapter introduces the background of the era of visual art in Mao Zedong's time. It is divided into the period of Yan'an and liberated areas (1942-1949). New China was founded before the Cultural Revolution (1949-1965) and during the Cultural Revolution (1966-1966). The third chapter is the classification of visual symbols in Mao Zedong era. This chapter introduces various visual phenomena in Mao Zedong's time, such as print cartoons, posters, New year's pictures, tickets, advertising design, cigarette signs, flags, badges, clothing, architecture and so on. Combined with the background of its era to analyze. 4th chapter from the political theme, stylized and unitary mode, symbolic graphics and color, bold font. Realistic expression techniques and other aspects as Mao Zedong era visual design style characteristics summary. And from the political, economic, popular aesthetic needs and popular psychology. Soviet influence and other factors to analyze the visual design of Mao Zedong era. In order to reveal the inextricable connection between Mao Zedong and various levels of contemporary China. Chapter 5th expounds the influence of Mao Zedong's literary and artistic thoughts on the visual design of Mao Zedong era, such as the popular viewpoint of Mao Zedong. The point of view that literature and art serve the cause of revolution, the viewpoint of practice, the viewpoint of nationalization, the viewpoint of military politics. Revolutionary realism and revolutionary romanticism, etc. The influence of visual symbols in Mao Zedong's era on modern art and design in 6th chapter. The purpose of this paper is to reveal the artistic style and discourse mode of Mao Zedong era to modern Chinese art. The influence of home and designer. This 7th chapter is the concluding remarks.
【学位授予单位】:江南大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J509.2
【引证文献】
相关硕士学位论文 前4条
1 王弘;“文革”时期英模文化的历史解读[D];山东师范大学;2011年
2 葛东辉;论文学的政治文化符码[D];广东技术师范学院;2010年
3 陈明强;新中国结婚证书的图像研究[D];中央美术学院;2013年
4 熊丽;二十世纪六、七十年代图案造型的应用研究[D];湖北工业大学;2013年
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