娱乐视角下的中国早期电影（1905-1949）

发布时间：2018-03-15 04:23

本文选题：电影　切入点：大众传播媒介　出处：《辽宁大学》2007年硕士论文　论文类型：学位论文

【摘要】： 电影是一种重要的传播媒介,作为一种大众传播媒介和视听文化载体,电影具有一切大众传播媒介所具有的功能。但时至今日,人们似乎仍然只记得电影是一门艺术,而电影作为媒介的事实,却常常被忽略。而娱乐功能作为大众传播媒介的重要功能之一,在传播学领域中也是个被人遗忘的角落。正如费舍尔所说:“娱乐——重要而被低估的传播功能。”本论文以《娱乐视角下中国早期电影(1905-1949)》为题,框定了论文研究的范围就是娱乐功能之下中国早期电影媒介演进史,全文的核心是作为大众传播媒介的电影与其所具有的“娱乐功能”。通过对中国早期电影史娱乐性分析,探讨作为大众传播媒介的电影其娱乐功能在不同时期的不同体现及其现实意义。全文由八部分组成,主要内容如下: 第一部分是绪论,大致介绍了选题的价值和意义;选题国内外研究现状及个人新见解;选题研究的基本思路和章节安排。第二部分是从1896年到1905年,介绍了中国最初放映电影的情况,包括放映的时间、场所、内容等,以及其中所包含的娱乐要素。第三部分是从1905年到1921年,包括四个方面的内容:第一,京剧与电影的联姻,说明电影是一种娱乐;第二,是文明戏把“解题”这一娱乐因素引入到电影当中;第三,商务印书馆对电影本质功能的探索;第四,最初三部故事长片具有的娱乐价值。第四部分是从1922年到1930年,通过对张石川娱乐电影创作和天一公司娱乐帝国形成的介绍,以及对早期类型片发展状况的梳理,探讨中国早期电影中的娱乐因素,以及作为大众媒介的电影,其娱乐功能的体现;有声电影的出现使得电影音乐成为重要的娱乐内容。第五部分是从1931年到1937年,通过明晰新兴电影运动的内涵,了解新兴电影运动的兴起及电影评论的热潮,来探讨新兴电影运动所带来的“解题”型的影片以及之后的中国电影“解题”的时代。第六部分是从1937年到1945年,这一部分包括三个方面,第一,探讨“孤岛”时期,中国类型电影的丰富和完善;第二,分析“孤岛”影人及其类型电影的创作特点;第三,通过对中国早期动画电影的介绍,说明为什么中国动画电影从一开始便背离了娱乐的本质。第七部分是从1945年到1949年,提出“超类型”电影的概念,并探讨中国电影的又一个高峰中,“超类型”电影对娱乐因素的运用与简单类型电影有何不同。第八部分,也就是结语,主要是用娱乐论的视角,重新评价中国早期电影和电影人,以及以娱乐视角看待中国早期电影有何现实意义。另外,本论文还加有一个附录,其内容是从1921-1937年间《申报》所登载的电影广告关键词,通过对关键词的归纳整理,来分析其中所包含的娱乐因素。
[Abstract]:Film is an important medium of communication, as a mass media and audio-visual cultural carrier, film has all the functions of mass media. But today, people seem to only remember that film is an art. But the fact that the film is the medium is often ignored, and the entertainment function is one of the important functions of the mass media. It is also a forgotten corner in the field of communication. As Fisher put it: "Entertainment-an important and underestimated function of communication." The scope of this paper is the evolution history of Chinese early film media under the function of entertainment. The core of this paper is the film as a mass media and its "entertainment function". This paper discusses the entertainment function of film as a mass media in different periods and its practical significance. The full text consists of eight parts, the main contents are as follows:. The first part is the introduction, which introduces the value and significance of the topic, the status quo of the topic selection at home and abroad and personal new opinions, the basic ideas and chapter arrangement of the topic selection research. The second part, from 1896 to 1905, introduces the first film screening in China, including the time, place, content, and entertainment elements. The third part is from 1905 to 1921, including four aspects: first, the marriage of Beijing Opera and film, which shows that film is an entertainment; second, the civilized play introduced the entertainment factor of "problem solving" into the film; third, The commercial press explores the essential function of the film; 4th, the entertainment value of the first three story features. The 4th part is from 1922 to 1930, through the introduction of Zhang Shichuan's entertainment film creation and the formation of the entertainment empire of Tianyi Company, as well as the combing of the development of the early types of films, this paper probes into the entertainment factors in the early Chinese films. As well as the mass media of the film, its entertainment function, the emergence of sound films make film music become an important entertainment content. The 5th part is from 1931 to 1937, through clarifying the connotation of the new movie movement, understand the rising of the new movie movement and the hot wave of the movie review. To explore the emerging film movement brought about by the "problem-solving" type of film and later Chinese film "problem solving" era. The 6th part is from 1937 to 1945. This part includes three aspects: first, it discusses the enrichment and perfection of the Chinese films of the "isolated island" period; secondly, it analyzes the creative characteristics of the "isolated island" filmmakers and their type films; third, it discusses the characteristics of the creation of the "isolated island" filmmakers and their type films. Through the introduction of Chinese early animated films, this paper explains why Chinese animation films deviated from the essence of entertainment from the beginning. The 7th part, from 1945 to 1949, puts forward the concept of "super type" film, and discusses the difference between the use of "super type" film and simple type film in another peak of Chinese film. Part 8th, that is, the conclusion, mainly uses the angle of entertainment theory to re-evaluate the early Chinese movies and filmmakers, as well as the realistic significance of viewing the early Chinese films from the perspective of entertainment. In addition, there is also an appendix in this paper, which is from 1921 to 1937 when the key words in the movie advertisement were published, and analyzed the entertainment factors contained in them by summarizing and arranging the keywords.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J909.2

【引证文献】