当代语境中绘画创作的图像转化

发布时间：2018-03-15 21:45

本文选题：图像时代　切入点：图像　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：当下的社会发展已经进入了一个信息化的图像时代，“图像时代”，是指社会文化涵盖以图像形式为主导的时代。这一时代的产生对人们的生活产生了巨大的影响。伴随着摄影技术的出现、电视和电影的普及、广告、报纸书刊、互联网等众多以图像作为表征的社会媒介飞速发展，伴携着大量视觉符号进入并开始影响我们的日常生活。处于这种社会背景的变革下普罗大众对于现实的认知和与世界的交往也产生了变化，从最初的文字作为交流的主要方式转变为开始通过图像与图像之间的传播为主要交流形式。在这一世界被转化为成为“图像”，一切社会存在的图像化或视觉化的转变形成了这个现下普化了的“读图时代”。在这样一个图像不断在影响着人们生活的社会变革中，西方哲学图景开始出现转向，转向与对这一社会普遍存在的“图像”的关注，从而出现了大量的关于图像学的研究成果。在这一大的历史文化变革下，生成了当代艺术的语境，当代艺术在本质上乃是一种以强调坚持知识分子道义立场出发进而关注现实社会文化问题、关注人类生存状态的艺术。所以在突出了图像现实意义与文化意义的当代艺术创作过程中也开始被各种图像概念所影响。那么关于“图像”的概念到底从何而来，当代油画创作中的图像语境产生了怎样的变化，，为什么当代绘画中现了明显陌生却又熟悉的视觉感受，这些视觉存在有什么意义，并且其艺术的方向影响了之后一批艺术创作，变成了中国油画发展中不得不谈的问题。所以本文试图从以下五个方面阐释对于当代语境中绘画创作的图像转化的思考：第一部分关于图像的定义。关于图像定义的几种解释中主要阐述了“图像”的基本概念问题，并对于普通“图像”概念下的具体指向做了一个界定。第二部分针对图像发展过程中的社会表象进行分析，从图像最初的社会作用和表现载体的发展来说说明“图像”在不断的历史发展中所存在的社会意义与概念涵盖的不断拓展。第三部分是对于“图像”的再认识，通过上述在图像发展过程中，其表现载体的不断变化的构成中产生的图像意义的扩充，包括图像的社会意义、现实意义、历史意义和审美意义。第四部分则在当代艺术语境中关于中国油画创作在对于“图像”扩充涵盖意义的二次解读和创作所形成的作品的具体分析中国当代油画创作中的图像转换问题和其艺术意义。通过对于“新生代”和“新人类”油画创作现象的背景分析，肯定“图像转换”在当代油画语境中纳入创作语言的积极意义，以及在之后发展过程中出现的具体问题。第五部分结语。结语中就中国当代油画创作中出现的问题进行了总结并就此问题提出自己的思考。
[Abstract]:The current social development has entered an information image age, "image age", refers to the social culture covers the image form as the dominant era, the emergence of this era has a great impact on people's lives. With the advent of photography, The popularity of television and movies, advertising, newspapers, books, the Internet and many other social media characterized by images as the rapid development, Accompanied by a large number of visual symbols to enter and begin to affect our daily life. In this social context of change in the general public perception of reality and interaction with the world has changed, From the original word as the main means of communication to begin to communicate through the image to the main form of communication. In this world is transformed into the "image", all social existence of the image or visual. The transformation has formed this "picture reading age", which is now popularized. In the process of social transformation, such an image is constantly influencing people's lives. The western philosophical landscape began to turn, turning to and paying attention to the "image", which is ubiquitous in this society. As a result, a great deal of research achievements on pictography have emerged. Under this great historical and cultural transformation, the context of contemporary art has emerged. The essence of contemporary art is to emphasize the moral stand of intellectuals and pay attention to the social and cultural problems. The art of paying attention to the state of human existence. Therefore, in the process of contemporary art creation, which highlights the realistic and cultural significance of images, it is also beginning to be influenced by various image concepts. So, where exactly does the concept of "image" come from? What changes have taken place in the image context in contemporary oil painting, why are there obvious strange but familiar visual feelings in contemporary painting, what is the significance of these visual existence, and the direction of their art has affected a later batch of artistic creation? It has become a problem that has to be discussed in the development of Chinese oil painting. Therefore, this paper attempts to explain the following five aspects of the contemporary context of painting in the context of the image transformation thinking:. The first part is about the definition of image. In several interpretations of the definition of image, the basic concept of "image" is mainly expounded, and the concrete direction under the concept of "image" is defined. The second part analyzes the social appearance in the process of image development. From the view of the initial social function of image and the development of expression carrier, it is shown that the social significance of "image" in the continuous historical development and the continuous expansion of the concept cover. The third part is the re-understanding of the "image", through the above in the image development process, its performance carrier in the constantly changing composition of the image meaning expansion, including the social significance of the image, practical significance, Historical and aesthetic significance. In the context of contemporary art, part 4th analyzes the problem of image conversion in Chinese contemporary oil painting creation through the second interpretation of the meaning of "image" expansion and the concrete analysis of the works formed by the creation of Chinese contemporary oil painting. And its artistic significance. Through the background analysis of the phenomenon of oil painting creation in the "New Generation" and "New Man", This paper affirms the positive significance of "image conversion" in the context of contemporary oil painting, and the concrete problems in the later development process. The conclusion summarizes the problems in contemporary Chinese oil painting and puts forward some thoughts.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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