扬州剪纸艺术研究

发布时间：2018-04-04 20:26

本文选题：扬州剪纸　切入点：应用　出处：《河北大学》2013年硕士论文

【摘要】：中国剪纸艺术历史悠久、人文艺术价值深厚，它继承了原始艺术的实用性和审美性，是中华民族文化遗产中不可忽视的重要组成部分。传统的扬州民间剪纸以窗户、花灯、服饰为载体。从刺绣花样中脱离出来，，形成独特风格的扬州剪纸具有很强的装饰性和工艺性。扬州剪纸受中国传统国画的深远影响，风格上趋于文人画的唯美与高雅，题材以花鸟鱼虫、四时花卉为主，辅以人物、动物、吉祥图案、风景名胜等，内容多寓意吉祥如意、福寿安康。扬州剪纸以平面纸张为基本材料,以线、面为基本语言符号,采用二维表现的构成方式，形成了剪纸平面化的表现特征。按照美的视觉效果、力学的原理,运用剪纸的符号与图形，将纹样进行编排和组合。由于历史、环境、民族、风俗、人文的差异，形成了地区之间剪纸风格的差异，而在风格迥异的外形之内，民间剪纸符号又蕴含了丰富多彩的象征内涵。扬州民间剪纸艺术，具有它自身独特的艺术体系和造型体系。这种艺术体系和造型体系不是依照事物原本的形象来表达创作者的思想观念，而是用创作者的思维、观念去描述某种事物。扬州民间剪纸的创作者们在制作时不会受特定时间、空间等观念的制约，他们把不同时间、不同空间的物象呈现于一个画面中，平面铺开、互不遮挡，尽情地表现自己想要的物象。由于科技的进步，现代绣品已广泛采用电脑绣花，扬州剪纸从绣品花样中脱离出来成为独立的艺术形式。扬州剪纸艺术作为一种传统的民间艺术要适应时代的潮流并继承发展，现在已经开始尝试了很多创新。扬州剪纸在保留传统的同时以艺术和科技联姻，积极打造精品、开发新品，先后开发出剪纸挂历、剪纸贺卡、剪纸相册等便于携带的剪纸新产品,为扬州剪纸适应人们的需求寻找新的载体形式。因此，扬州剪纸既具备了观赏性的同时实用的功能也日益突出。现代社会，在产品设计，包装设计，广告设计，室内设计，平面设计，邮票设计，期刊，舞台设计，漫画，电影和其他方面都有它的身影，扬州剪纸的载体形式日益丰富。旧时扬州剪纸图案大多采用刺绣，内容，题材，但也更多的民俗风味。然而，如此迅速地融入现代生活多元化的社会物质文明的飞速发展，许多传统的民族的东西慢慢衰落，湮没，最经典的剪纸图案也已与时代脱节，这是历史发展的趋势，也自然发展的时代的文化现象。传承剪纸的民间手工艺人越来越少，扬州剪纸艺术所具备的原生态特点与现代都市社会之间的不协调则是内在危机。作为一种传统的民间艺术，扬州剪纸想要传承下去并且走得更远，现在已经开始在材料、技法、色彩等方面试着进行许多创新，扬州剪纸在具备观赏性特点的同时，向实用性方面拓展。随着现代设计艺术创意的日益多元化，必然要求创作者的艺术视野更加宽广,他们既要吸收传统艺术中的精髓，又要综合当代艺术。因此只有立足社会生活，将传统因素和当前的时代精神融为一体，才有可能为现代设计艺术领域创造出一条成功之路。
[Abstract]:Chinese paper-cut art has a long history, profound cultural value of art, it inherits the practicality and aesthetics of primitive art, is an important part of Chinese cultural heritage. Yangzhou folk paper-cut in the traditional windows, lanterns, clothing as the carrier. From the embroidery pattern, formed a unique style of Yangzhou paper-cut has strong decoration and craft. Yangzhou paper-cut by the profound influence China in traditional Chinese painting, literati painting style tends to be beautiful and elegant, with the theme of flower, four flowers, with figures, animal, auspicious patterns, scenic spots, more content of moral luck, longevity and health.
Yangzhou paper-cut to the plane of the paper as the basic material, with the line, surface as the basic language symbols, forms the two performance, forming features of paper-cut flat. According to the beautiful visual effect, mechanical principle, the use of graphic symbols and paper-cut patterns, will be arranged and combined.
Due to historical, environmental, ethnic customs, cultural differences, differences between regions formed paper-cut style, and in different styles of appearance, folk paper-cut symbols contains rich and colorful art. The symbolic connotation of Yangzhou folk paper-cut, has its own unique art system and modeling system. This system and other art the system is not in accordance with the things to express the image of the creator of the concept, but the artist's thought, concept to describe something. The creators of Yangzhou folk paper-cut are not subject to a specific time in the production, the concept of space constraints, they have different time, different space images are displayed on a screen, the plane rolled out and do not block, you want to enjoy the performance of the object.
Due to the progress of science and technology, modern embroidery has been widely used in computer embroidery, Yangzhou paper-cut from the embroidery pattern as an independent art form. Yangzhou paper-cut art as a traditional folk art to adapt to the trend of the times and the inheritance and development, has now started to try a lot of innovation.
Yangzhou paper-cut art and technology in marriage to retain the traditional at the same time, actively build quality, develop new products, has developed a paper-cut paper-cut calendar, greeting cards, new products such as portable paper-cut paper-cut album, to meet the demands of people for the Yangzhou paper-cut vector of new forms. Therefore, Yangzhou paper-cut has both ornamental and practical the function has become increasingly prominent. In modern society, product design, packaging design, advertising design, interior design, graphic design, stamp design, stage design, journals, cartoons, movies and other aspects has its shadow, form Yangzhou paper-cut is increasingly rich.
Most of the old Yangzhou paper-cut embroidery, content, subject matter, but also more folk flavor. However, with the rapid development of modern life diversified social material civilization so rapidly, many traditional ethnic things slowly fading, annihilation, the most classic paper-cut patterns have been out of touch with the times, this is the trend of historical development also, cultural phenomenon of the natural development of the era. The inheritance of paper-cut folk craftsmen less, between the original ecological characteristics and modern urban society of Yangzhou paper-cut art with the coordination is the internal crisis.
As a traditional folk art, Yangzhou paper-cut is going to inherit and go further. Now, many innovations have been made in materials, techniques, colors and other aspects of interview. Yangzhou paper-cut is expanding with practicality while it has the characteristics of appreciation.
Along with the diversification of modern design art creation, the creator of the art requires the broader field of vision, they should not only absorb the essence of traditional art, but also a comprehensive contemporary art. Therefore only based on social life, the traditional factors and the spirit of the times into a body, have the potential to create a successful path for modern the field of art and design.

【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J528.1

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