澳大利亚电影中土著性的表现

发布时间：2018-05-01 03:02

本文选题：电影 + 反映　；参考：《华东师范大学》2007年硕士论文

【摘要】： 澳大利亚土著文化和艺术历来都是众多学者研究对象,并成为许多艺术家创作源泉。然而大多数人对土著居民的了解仅仅来源于旅游广告,对土著文化和艺术的了解也仅仅局限于图腾等原始形象。纵观澳大利亚电影发展史可以发现在过去100多年历史中涉及澳大利亚土著居民题材的电影作品数量相当少。早期澳大利亚电影中对土著形象的处理类似于好莱坞无声电影对美国印第安人形象的处理-妨碍白人社会进行扩张的野蛮的原始人群。随着时间的推移,涉及土著题材的影片也在逐渐增多。而电影的视角也有了转变,从单纯地将土著居民看成野蛮的原始人群,逐渐开始认识土著文化,认可并且尊重土著的文化,土著形象也不再只是单纯的图腾原始形象,人物角色也变得逐渐丰满,并具有了各自不同的个性。本论文选取了自20世纪50年代以来的5部电影作为重点研究对象,探讨了电影中土著形象的变化。第一章对相关澳大利亚土著电影研究做了选择性调查,并对土著性的文化构成进行分析。第二章讨论的是同化主义政策为题材的两部不同时期拍摄的电影,表现了两个不同历史时期对同化主义和土著性的不同表现。第三章讨论了70年代土著社会和非土著社会正面冲突的问题,主要关注20世纪70年代土著性的表现。第三章主要是分析电影中对土著女性形象的反映。第四章讨论的是电影中土著青少年问题,通过对土著青少年形象的反映来探讨在当代历史条件下的土著性。从中发现虽然历史上由于电影创作中缺乏对土著生活第一手资料的搜集,对土著形象的解释出现偏颇,但是随着双方互相理解的加深,澳大利亚电影中的土著形象已经逐渐融入主流文化,并且在形象刻画中也更加贴近土著形象。
[Abstract]:Australian Aboriginal culture and art have always been studied by many scholars and become the source of many artists. However, most people's understanding of indigenous people only comes from tourism advertising, and their understanding of indigenous culture and art is limited to primitive images such as totem. Looking at the history of Australian film development, we can see that in the past 100 years, there have been very few films about aboriginal subjects in Australia. The treatment of Aboriginal images in early Australian films was similar to the treatment of American Indians in silent Hollywood films-the barbaric primitive population that prevented the expansion of white society. Over time, the number of films dealing with indigenous subjects has increased. And the perspective of the film has also changed, from the simple view of the indigenous people as barbaric primitive people, gradually began to understand indigenous culture, recognition and respect for indigenous culture, indigenous image is no longer just a totem primitive image, Personas also become more and more plump, and have their own different personality. In this paper, five films since 1950s are selected as the focus of study, and the changes of the indigenous images in the films are discussed. In the first chapter, the author makes a selective investigation on the study of Australian Aboriginal films and analyzes the cultural composition of aboriginal culture. The second chapter discusses two films made in different periods on the subject of assimilationism, which show the different manifestations of assimilationism and aboriginality in two different historical periods. The third chapter discusses the conflict between indigenous society and non-indigenous society in 1970s, focusing on the manifestation of nativism in 1970s. The third chapter is mainly to analyze the reflection of the image of indigenous women in the film. The fourth chapter discusses the indigenous youth in the film, through the reflection of the image of indigenous youth to explore the indigenous in the contemporary historical conditions. It is found that although the historical interpretation of indigenous images is biased due to the lack of collection of first-hand information on indigenous life in film creation, but with the deepening of mutual understanding between the two sides, The indigenous images in Australian films have been gradually integrated into the mainstream culture, and are more closely related to the indigenous images in the image portrayal.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J905

【相似文献】