妖冶的花朵—中国当代艳俗艺术研究

发布时间：2018-05-23 18:45

本文选题：艳俗艺术 + 大众文化　；参考：《华东师范大学》2010年硕士论文

【摘要】： 艳俗艺术是九十年代中后期出现在中国本土的一种艺术现象,它的出现颇有争议,首先它打破了传统的审美价值取向,以大众化的意识形态为主导方向,用“艳丽”和“俗气”代替了“唯美”和“崇高”,从新中国以来的大众文化和流行文化的意义入手,以对现实生活的直接“模仿”为创作手段,重新寻找艺术的表达方式,这是在艺术领域大众文化第一次向精英文化发起挑战。谷子在《中国艳俗艺术背景浅析》中说艳俗艺术反映的是90年代以来中国文化的基本特征,运用夸张、平涂、光亮的广告手法以一种暴发户式的农民喜庆趣味为基调,站在精英文化的立场,对当下泛滥的“艳俗文化”进行反讽和批判。艳俗艺术有其独特的价值取向和明显的时代特征,它是在特定环境下雅俗共赏的产物,是艳俗艺术家们集体讨论的产物,是中国传统文化与西方消费文化相“碰撞”的产物。同时它作为90年代新出现的艺术潮流难免会有它的不足之处,它本身是一个“矛盾体”(大众立场和精英立场的矛盾、俗与雅的矛盾、民族自身文化与后殖民文化的矛盾),其中最有争议的矛盾是关于艳俗艺术的立场之争,艺术批评家和艺术家各自持有不同的看法,甚至有的艺术家在创作的不同阶段对艳俗艺术的立场问题也有不同的见解,在本论文中将阐述艺术评论家和艺术家本身对这个问题的态度和看法。虽然艳俗艺术团体现在已经解体,但是还有一些艳俗艺术家仍然坚持自己的艳俗之路,仍然创作艳俗作品,艳俗创作还有很长的路要走。
[Abstract]:Gaudy art is a kind of artistic phenomenon that appeared in China in the middle and late 1990s. Its appearance is quite controversial. Firstly, it breaks the traditional aesthetic value orientation and takes the popular ideology as the leading direction. Replacing "beauty" and "sublime" with "showy" and "vulgar", starting with the significance of popular culture and popular culture since the new China, and taking direct "imitation" of real life as the creative means, the author tries to search for the expression of art again. This is the first time that popular culture has challenged elite culture in the field of art. Millet said in "A brief Analysis of the background of Chinese Folk Art" that it reflects the basic characteristics of Chinese culture since the 1990s. The use of exaggerated, flat and bright advertising techniques is based on an upstart peasant's jubilant taste. From the standpoint of elite culture, this paper criticizes and satirizes the prevailing "gaudy culture". The gaudy art has its unique value orientation and obvious time characteristic. It is the product of the common appreciation of elegance and common taste under the special environment, the product of collective discussion among the gaudy artists, and the product of "collision" between the Chinese traditional culture and the western consumption culture. At the same time, as a new artistic trend in the 1990s, it will inevitably have its shortcomings. It itself is a "contradiction" (the contradiction between the popular stand and the elite position, the contradiction between vulgarity and elegance). The contradiction between the national culture and the post-colonial culture, the most controversial contradiction is the dispute about the position of the vulgar art, art critics and artists have different views. Even some artists have different opinions on the position of the gaudy art at different stages of their creation. In this paper, the attitude and views of the art critics and the artists themselves on this issue will be expounded. Although the gaudy art group has now disintegrated, there are still some gaudy artists who still insist on their own road of gaudy art, and still have a long way to go to create the gaudy works.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J120.9

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