什么是诗:女性事件与环球摩登女郎

发布时间：2018-05-25 14:21

本文选题：世界体系理论 + 区域主义　；参考：《江海学刊》2017年04期

【摘要】：以伊懋可、安德烈·贡德·弗兰克、黄宗智、维克多·李伯曼、彭慕兰和王国斌为代表的一批亚洲史专家借鉴区域理论对世界体系理论提出了批评和改进。我从区域主义者对世界体系理论的批判之处出发,集中论述1919~1941年间在全球爆发的"摩登女郎"现象这一历史案例,提出以下观点:摩登女郎现象是一个世界范围的女性事件的一个标志性案例,有其内在的事实程序和事件性特质。女性的特殊性并不依赖于区域地形学。以女人为主题的、独一无二的普遍性事件,就是拉克劳所称的一种具体的抽象或者世界范围事件,也就是巴迪欧所称的"事件"。"女性事件"(the event of women)是指在帝国主义和反帝国主义政治领域中,发生在全球殖民现代世界中的特定的历史启示。蜉蝣广告这种视觉图像就像一种诗意的表达。与其他现代绘画类型一样,商业艺术事实上是一种女性图像和商品图像的自我指涉性的、有组织的经验。通过这些商业摩登女郎广告战的例子,关注的是资本(一种普世价值)与其在本土的范例。这些海报以图证明了一系列内在关联的现代女性的图像和图像中女郎出现之地所具有的"使用价值的其他景观"之间的同形异名性。这些商业女性图像作为现代民族主义、现代治理术、公民的现代文化话语中的"女性"概念,出现在从埃及、中东到日本殖民地、印度和中国的反帝国主义运动中。同时,与这些图像的相似的内容和与之相应的力量也通过呈现一种同形异名性或者无限异质的、多种声音的图像,向历史学家呈现一种视觉的诗学。
[Abstract]:A group of Asian history experts, represented by Imaoko, Andre Gonde Frank, Huang Zongzhi, Victor Lieberman, Peng Muran and Wang Guobin, criticized and improved the theory of the world system based on regional theory. Starting from the regionalists' critique of the theory of the world system, I focus on the historical case of the "modern girl" phenomenon that broke out in the world between 1919 and 1941. The following points are put forward: the modern girl phenomenon is an iconic case of a worldwide female event, with its inherent factual process and eventful characteristics. The particularity of women does not depend on regional topography. A unique universal event with a woman theme is what Laclau calls a concrete abstract or world-wide event, or "event" as Badio calls it. " Women's incident "the event of women)" refers to the specific historical revelation that occurs in the modern world of global colonization in the fields of imperialism and anti-imperialist politics. The visual image of mayfly advertising is like a poetic expression. Like other types of modern painting, commercial art is in fact a self-referential, organized experience of female and commodity images. In these examples, the focus is on capital (a universal value) and its homegrown model. These posters illustrate the homonym between a series of intrinsically related images of modern women and the "other landscapes" in which the girls appear. These images of women in business as concepts of modern nationalism, modern governance, and modern cultural discourse of citizens appear in anti-imperialist movements from Egypt to the Middle East to the Japanese colonies, India and China. At the same time, the similar contents and corresponding forces of these images also present a visual poetics to historians by presenting an image of homomorphism or infinite heterogeneity and multiple sounds.
【作者单位】：美国莱斯大学历史系;南京师范大学金陵女子学院;南京大学艺术学院;
【分类号】：C913.68

【相似文献】