视觉文化背景下中国画创作的变化发展研究

发布时间：2018-06-06 04:55

本文选题：视觉文化 + 视觉时代　；参考：《浙江师范大学》2011年硕士论文

【摘要】：我们正处在一个文化转型的时代,新的文化形态是以视觉形象和影像因素为特征的。电视的普及应用使广告、动画等各种动态的、非动态的图像时刻充斥着我们的生存环境。随着科技的迅猛发展,视觉文化已经飞越视觉艺术的边界在整个大众日常生活中蔓延开来。除了生活中的建筑、服饰、街牌广告、电视图像、报纸、杂志、网络、商品宣传册等充斥视觉图像、影像,而且音乐等非视觉领域也逐渐向视觉图像、影像转换,使得我们所处的环境发生着深刻变化。视觉文化时代的到来不仅在很大程度上改变了受众的视觉体验方式,同时也影响艺术家认知世界的方式,继而,也就改变着艺术的创作理念、创作语言和创作手法。本文主要以当代视觉文化为研究背景和研究视野,以当代中国画的创作为基点,重点来分析视觉文化背景下的当代中国画的创作变化。本文主要分为六个部分,第一部分主要是绪论和本文所涉及到的各课题的文献综述论述；第二部分论述在传统人文环境中形成的中国绘画的精神品格；第三部分主要论述在“图文转向”的趋势中兴起的“视觉文化”的各种特点以及其对社会文化形态的影响；经过上几部分的分别阐释,第四部分把“视觉文化”和“中国画”放在一起开始分析两者价值取向的矛盾点；第五部分主要对视觉时代背景下中国画创作的变化进行分析研究；此外,另辟一部分对70后在视觉文化环境中成长起来的新一代画家进行专门论述。最后在结语部分探讨现代中国画的现实主义发展、包容发展和多元发展的趋势。
[Abstract]:We are in the era of cultural transformation, the new cultural form is characterized by visual image and image factors. With the popularity of television, advertising, animation and other dynamic, non-dynamic images are always full of our living environment. With the rapid development of science and technology, visual culture has spread across the boundary of visual art in the daily life of the whole people. In addition to architecture, clothing, street advertising, television images, newspapers, magazines, networks, commodity brochures and other areas of life filled with visual images, and other non-visual areas such as music are also gradually changing to visual images, etc. The environment in which we live has undergone profound changes. The arrival of the age of visual culture not only changes the visual experience of the audience to a great extent, but also affects the way the artists perceive the world, and then changes the artistic creation idea, the creative language and the creative technique. This article mainly takes the contemporary visual culture as the research background and the research visual field, takes the contemporary Chinese painting creation as the basic point of view, emphatically analyzes the contemporary Chinese painting creation change under the visual culture background. The first part is the introduction and the literature review of the various topics involved in this paper, the second part discusses the spiritual character of Chinese painting formed in the traditional humanistic environment. The third part mainly discusses the various characteristics of "visual culture" rising in the trend of "graphic and text turning" and its influence on the social and cultural forms. The fourth part begins to analyze the contradiction of the value orientation of "visual culture" and "Chinese painting" together; the fifth part mainly analyzes the changes of Chinese painting creation under the background of visual age; in addition, Another part discusses the new generation of painters who grew up in the visual culture environment. Finally, the conclusion discusses the realistic development, inclusive development and pluralistic development trend of modern Chinese painting.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J212

【参考文献】