中国仿宋体发展历史研究

发布时间：2018-06-23 03:32

本文选题：仿宋体 + 平面设计　；参考：《湖南师范大学》2011年硕士论文

【摘要】：本文的研究对象是中国的仿宋体,从设计史的角度对仿宋体的起源及其发展进行探讨,总结仿宋体历史发展过程中的特点,并通过这些研究对中国平面设计史进行侧面分析,从微观的层面获得一幅中国字体设计发展的图像。论文首先对中国雕版印刷时期的印刷字体发展进行了梳理,从中文字体的传承角度研究仿宋体的起源。这部分主要是从历史研究的角度出发,通过图像学阐释、借鉴印刷学的观点和设计分析等确定古代版刻字体对中国仿宋体产生的影响。20世纪初丁氏兄弟创制的聚珍仿宋体是中国第一款仿宋体。聚珍仿宋体的产生既是历史偶然也是汉字印刷字体发展的必然结果。聚珍仿宋体对古代版刻书籍的印刷字体有继承也有创新,吸收了宋代刻本中欧体风格楷书和宋体字的特质,针对不同的字号、字形的字体在统一风格中又有各自的特点。毋庸置疑,20世纪初西方印刷术的传入和同时代的字体设计对它的产生有着巨大的促进作用。而仿宋体诞生之后深深地影响了当时的平面设计事业。这款字体大量出现在书籍、报纸、杂志、广告中,在其后的几十年中迅速的融入人们的生活之中。仿宋体是完全创立于中国的一款字体。区别于创造时间相近的黑体字,仿宋体的对于中国传统文化的继承更为直接,因此仿宋体的发展与中国古籍的出版事业休戚相关。仿宋体的研究同时也涉及到中国古籍出版和传统文化元素的视觉传达研究。仿宋体的出现和中国现代平面设计的萌芽几乎同步,20世纪初仿宋体作为一种重要的现代视觉语言进入到视觉传达设计中。仿宋体与黑体、宋体、楷体并称为中国平面设计四大字体之一。它的发展反映了中国现代设计的兴起,是研究中国设计史的重要一环。
[Abstract]:The object of this paper is the imitation of Chinese Song style. From the angle of design history, this paper probes into the origin and development of the imitation Song style, summarizes the characteristics of the historical development of the imitation Song style, and analyzes the history of Chinese graphic design through these studies. Get a picture of the development of Chinese font design from the micro level. Firstly, the paper combs the development of Chinese engraving printing period, and studies the origin of imitating Song style from the perspective of the inheritance of Chinese typography. This part is mainly from the perspective of historical research, through the interpretation of graphics, From the point of view of printing theory and design analysis, it is determined that the influence of ancient engraving typeface on the imitation of the Song style in China. In the early 20th century, the Jizhen Imitation Song style, created by the Ding brothers, was the first imitation of the Song style in China. The creation of Jizhen imitation Song style is not only the historical accident but also the inevitable result of the development of Chinese character printing font. Jizhen imitating Song style inherits and innovates the printing font of ancient edition engraving books. It absorbs the characteristics of Chinese and European style italics and Song characters in Song Dynasty, and has its own characteristics in the unified style according to different font sizes and font shapes. There is no doubt that the introduction of Western printing and contemporary typography in the early 20th century has greatly promoted its production. After the birth of the imitation Song style, it deeply influenced the graphic design career at that time. The font is widely used in books, newspapers, magazines, and advertisements, and is rapidly integrated into people's lives over the next few decades. Imitation of the Song style is completely founded in China a type of font. Different from the creation of the similar time of the bold characters, the imitation of the Song style to inherit the Chinese traditional culture more directly, so the development of the imitation of the Song style is closely related to the publishing cause of Chinese ancient books. The study of the imitation of Song Dynasty also involves the publication of ancient Chinese books and the study of visual communication of traditional cultural elements. The appearance of mimic Song style and the germination of Chinese modern graphic design almost synchronize with the beginning of the 20th century as an important modern visual language into the visual communication design. Imitation of the Song style and bold, Song, italics and Chinese graphic design as one of the four big font. Its development reflects the rise of Chinese modern design and is an important part of the history of Chinese design.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J524

【引证文献】