概念整合理论视阈下的闺怨诗意象研究

发布时间：2018-06-27 12:00

本文选题：概念整合理论 + 整合网络　；参考：《长沙理工大学》2013年硕士论文

【摘要】：概念整合理论由Fauconnier和Turner提出来以后，受到了国内外众多学者的广泛关注。该理论具有完整的框架结构及灵活的运作机制。概念整合过程需要四个心理空间，根据四者之间的相互关系分为不同的概念整合网络模式。输入空间的成分通过有选择地投射到整合空间形成初步的结构，通过组合、完善和精致三个过程形成新创结构。概念整合理论能为语言现象的分析提供全新的理论工具，因此已被广泛地运用于广告、诗歌、戏剧、新闻、电影和叙事散文诗等的分析。诗歌意象是诗歌艺术的灵魂，，是倾注着作者主观情感的客观物象。诗歌作为文学的主要形式之一，通过含蓄地运用意象，使诗人的主观情感能够生动地表达出来，并能巧妙地传达给读者。唐代闺怨诗是非常独特的古典诗歌，往往通过各种意象来表达丰富的情感内涵。因此，许多学者对闺怨诗意象展开了包括社会学、美学、翻译学、修辞学等多角度的研究，但是绝大多数研究都是在非认知领域展开的。文章运用概念整合理论，以唐代闺怨诗为语料，对莲、水、月和柳四种意象在诗歌中意义的构建进行了探索和分析。通过组合、完善、扩展等步骤构建不同的概念整合网络模型，探索意象的意义是如何通过动态的认知过程生成的。文章发现，读者对唐代闺怨诗歌中意象的在线认知是一种无意识、动态的概念整合现象。由于各个心理空间之间整合模式不同，构建的概念整合网络模型也就不同。每个人的背景知识结构不同，因此概念整合网络模型的构建并不是固定的，而是随认知主体主观变化的。但是，不同的概念整合网络对唐代闺怨诗中的意象都具有强大的解释力。文章指出，唐代闺怨诗作为一种意合的文学形式，意象的涵义无法单纯地通过字面推敲得出。意象只有与读者掌握的相关背景知识产生映射连接时，认知主体才能掌握其意义的动态认知过程。从不同的视角对闺怨诗的意象去鉴赏品评，得出的评价往往会众说纷纭。文章通过概念整合的认知理论来分析唐代闺怨诗意象的意义构建，进一步证明了概念整合理论作为国外的语言学理论，同样对中国古典文学具有巨大的认知阐释力。故此，文章主张，运用概念整合理论来分析唐代闺怨诗，不但能够为古典诗歌的赏析提供新的方法，而且还能为该类诗歌的文本转换与教学拓展新的思路。
[Abstract]:Since the conceptual integration theory was put forward by Fauconnier and Turner, it has received extensive attention from many scholars at home and abroad. The theory has a complete frame structure and flexible operation mechanism. The process of conceptual integration requires four psychological spaces, which can be divided into different conceptual integration networks according to the relationship between the four. The components of the input space form a preliminary structure by selectively projecting to the integration space, and a new and innovative structure is formed through three processes of combination, perfection and refinement. Conceptual integration theory can provide a new theoretical tool for the analysis of linguistic phenomena, so it has been widely used in the analysis of advertising, poetry, drama, news, film and narrative prose poetry. Poetic image is the soul of poetic art and the objective image of the author's subjective emotion. Poetry as one of the main forms of literature, through the implicit use of imagery, the poet's subjective feelings can be vividly expressed, and can be skillfully conveyed to the reader. Tang Dynasty purdah poetry is a very unique classical poetry, often through a variety of images to express rich emotional connotations. Therefore, many scholars have carried out researches on the poetic images of purdah, including sociology, aesthetics, translation, rhetoric and so on, but most of the studies have been carried out in the field of non-cognition. Based on the theory of conceptual integration, this paper explores and analyzes the meaning construction of lotus, water, moon and willow images in Tang Dynasty purdah poems. Through the steps of combination, perfection and expansion, different conceptual integration network models are constructed to explore how the meaning of image is generated by dynamic cognitive process. It is found that the online cognition of images in Tang Dynasty purdah poetry is an unconscious and dynamic phenomenon of conceptual integration. The conceptual integration network model is different because of the different integration models between different mental spaces. Each person's background knowledge structure is different, so the construction of conceptual integration network model is not fixed, but with the subjective change of cognitive agent. However, the different concept conformity network has the powerful explanatory power to the Tang Dynasty purdah poem image. The article points out that as a literary form of parataxis, the meaning of image cannot be obtained simply by literal examination. The cognitive subject can master the dynamic cognitive process of the meaning only when the image is linked to the background knowledge of the reader. Judging the images of purdah poems from different perspectives will result in different opinions. Based on the cognitive theory of conceptual integration, this paper analyzes the meaning construction of poetic images of boudoir grievances in Tang Dynasty, and further proves that the theory of conceptual integration, as a foreign linguistic theory, also has great cognitive and explanatory power for Chinese classical literature. Therefore, the paper argues that the application of conceptual integration theory to the analysis of Tang Dynasty purdah poetry can not only provide a new method for the appreciation and analysis of classical poetry, but also expand new ideas for the text conversion and teaching of this kind of poetry.
【学位授予单位】：长沙理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I207.22

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