当代时尚的审美体验
发布时间：2018-08-05 09:44
【摘要】：研究时尚的理论路径有多种，社会学的、人类学的、经济学的等等，这些理论瞄准的是时尚现象中的阶级关系、人类心理、生产规律诸如此类。本文旨在把时尚研究置于一种美学视域内，考察时尚消费中的各种情感、梦想、幻觉，以及当代人在迅捷变化的潮流中的心灵状态与审美体验。 有关时尚文化、生活方式的讨论很容易地与“日常生活的审美呈现”这一命题联系起来。它是英国人费瑟斯通在他研究后现代主义和消费文化的过程中提出来的。艺术与生活界限的消解、充斥于日常生活的符号影像之流以及变生活为艺术品的谋划构成了这一命题的内容。在这样一些思路和视角的启发下，我从三个方面探讨了时尚这一日常现象背后的审美内容： 首先是时尚消费中的影像、符号之流。当代时尚工业是与影像技术、传媒工业的发展密不可分的。时尚生产不仅是纺织品的生产，更是一种符号和幻境的生产；时尚消费不仅是对物质有用性的消费也是对形象、梦想、欲望的消费。在这部分我将通过对品牌、广告、模特以及某些具体穿衣实践的分析，，来展现平庸衣物之上那个令人迷醉的幻觉世界。 第二是潮流变换中的审美情怀。时间感是时尚存在的一个重要维度，时尚是一个体验过程，它处于一种迅捷更新又不断循环的状态。这部分我试图探讨的就是新潮和回潮这两个并行的主题背后，主体的心灵状态和审美情趣。 第三是时尚与艺术的关系。生活与艺术的关系是“日常生活的审美呈现”的主题之一，也是历来的美学传统经常思考的问题。时尚是否是艺术化生存的
[Abstract]:There are a variety of theoretical approaches to fashion, sociological, anthropological, economic, and so on. These theories aim at class relations in fashion phenomena, human psychology, production laws, and so on. The purpose of this paper is to put the study of fashion into an aesthetic perspective, to examine the emotions, dreams, hallucinations, and the mental state and aesthetic experience of contemporary people in the rapidly changing trend of fashion consumption. The discussion about fashion culture is easily linked to the proposition of "aesthetic presentation of daily life". It was put forward by the Englishman Featherstone in his study of post-modernism and consumer culture. The deconstruction of the boundary between art and life, the flow of symbols and images of daily life and the design of changing life into art constitute the content of this proposition. Inspired by such ideas and perspectives, I discuss the aesthetic content behind the daily phenomenon of fashion from three aspects: first, the image in fashion consumption, the stream of symbols. Contemporary fashion industry is inseparable from the development of image technology and media industry. Fashion production is not only the production of textiles, but also the production of symbols and illusions. Fashion consumption is not only the consumption of material usefulness but also the consumption of image, dream and desire. In this part, I'm going to analyze brands, advertisements, models, and some specific clothing practices to show the intoxicating world of illusion over mediocre clothing. The second is the aesthetic feelings in the trend change. Sense of time is an important dimension of fashion, fashion is an experience process, it is in a state of rapid renewal and continuous circulation. In this part, I try to explore the state of mind and aesthetic interest of the subject behind the parallel themes of the new trend and the return trend. The third is the relationship between fashion and art. The relationship between life and art is one of the themes of "aesthetic presentation of daily life". Whether fashion exists artistically
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J02
本文编号：2165409
[Abstract]:There are a variety of theoretical approaches to fashion, sociological, anthropological, economic, and so on. These theories aim at class relations in fashion phenomena, human psychology, production laws, and so on. The purpose of this paper is to put the study of fashion into an aesthetic perspective, to examine the emotions, dreams, hallucinations, and the mental state and aesthetic experience of contemporary people in the rapidly changing trend of fashion consumption. The discussion about fashion culture is easily linked to the proposition of "aesthetic presentation of daily life". It was put forward by the Englishman Featherstone in his study of post-modernism and consumer culture. The deconstruction of the boundary between art and life, the flow of symbols and images of daily life and the design of changing life into art constitute the content of this proposition. Inspired by such ideas and perspectives, I discuss the aesthetic content behind the daily phenomenon of fashion from three aspects: first, the image in fashion consumption, the stream of symbols. Contemporary fashion industry is inseparable from the development of image technology and media industry. Fashion production is not only the production of textiles, but also the production of symbols and illusions. Fashion consumption is not only the consumption of material usefulness but also the consumption of image, dream and desire. In this part, I'm going to analyze brands, advertisements, models, and some specific clothing practices to show the intoxicating world of illusion over mediocre clothing. The second is the aesthetic feelings in the trend change. Sense of time is an important dimension of fashion, fashion is an experience process, it is in a state of rapid renewal and continuous circulation. In this part, I try to explore the state of mind and aesthetic interest of the subject behind the parallel themes of the new trend and the return trend. The third is the relationship between fashion and art. The relationship between life and art is one of the themes of "aesthetic presentation of daily life". Whether fashion exists artistically
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J02
【引证文献】
相关硕士学位论文 前2条
1 李丹;对时尚体育运动的社会学解析[D];吉林大学;2009年
2 张静;时尚体操基本理论研究[D];首都体育学院;2012年
本文编号：2165409
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