我国当代艺术对设计的启示
[Abstract]:In modern sense, design has a history of development in our country for nearly a century, but the ownership of design has always been unresolved. Some people think that design should belong to the category of engineering. Because the great development of design art is accompanied by industrial production and industrial revolution, with the blood of engineering technology, while some people think that design belongs to the art category centered on painting. Because such as graphic design, advertising design, packaging design, interior design and industrial distance, and more closely with the aesthetic concept. However, with the continuous development of social productivity and science and technology, the design art in the modern sense has been far more than the industrial discipline, and has gradually developed into an independent art subject from the art science. The different meanings and functions of designers and artists in modern life are obvious. But throughout the history of design and art, the relationship between the two in essence can not be ignored. In essence, the combination of utility and aesthetics endows the use of goods with both material and spiritual meanings, which is the basis or basis of human design activities. It has been proved that with the rapid development of human society, many changes have taken place in the internal structure and external category of art. Post-modern design has shown its purely functional side of anti-modern design in many aspects, emphasizing emotional experience instead. Individual aesthetic, humanistic care and other artistic categories of principles. Therefore, it can be said that painting art and design not only in its development history has always been in a state of interdependence, even in today's society, the nature of the two relatively independent state, there is also a lot of coincidence. In particular, many positive aspects of contemporary art in China can give a lot of inspiration to the design, which is the emphasis of this paper. This paper first analyzes the relationship between painting and design from the historical background of painting and design. This part mainly discusses the development of ancient painting and design and the development of modern painting and design. Draw a conclusion: design is separated from painting, but it is interdependent and mutually reinforcing. Then from the current situation of contemporary art and design in our country, it analyzes the development of contemporary art and contemporary design in China and the existing problems: contemporary design and contemporary art are less connected and more independent. Then the solution is put forward, that is, the focal point of this paper, the inspiration from the positive factors in contemporary art, which emphasizes some characteristics of contemporary art: the strong avant-garde characteristic of contemporary art, Contemporary art pays close attention to people's living environment and people's spiritual life. Contemporary art often has profound cultural connotation and ideological connotation, which can stimulate the attempt and exploration of contemporary design. Can guide contemporary design to further highlight the idea of people-oriented, can promote the construction of contemporary design connotation. In the context of globalization, the fusion of contemporary art and design, which originated from painting art, is inevitable. Although they have their own independent concepts and living space, they influence each other and develop together. Mutual promotion is the most prominent feature of art and design.
【学位授予单位】:内蒙古师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J50
【相似文献】
相关期刊论文 前10条
1 何天泉;黄兰;;浅析绘画的图像化[J];中国美术;2007年06期
2 李一青;吴大羽的绘画艺术 ——恩师百年诞辰纪念[J];美术观察;2004年06期
3 李伟力;;当代艺术的文人化——论中国当代艺术呈现的文人情结[J];美术大观;2009年05期
4 肖晓阳;高校美术教育中引入现当代艺术内容的意义[J];高教探索;2005年03期
5 宋伟光;;从哲学层面看当代艺术——兼及艺术的越界与解构[J];雕塑;2009年03期
6 陈孝信;;文脉当代·中国版本[J];中国书画;2007年09期
7 袁月;;本田艺术博物馆对当代艺术的关注持续升温[J];艺术与投资;2009年04期
8 林辉;;中国现当代艺术对超现实艺术的借用与重构[J];美术大观;2011年01期
9 于由;无根状态——兼论西方现当代艺术哲学的价值取向[J];九江师专学报;1992年01期
10 李玲;;现当代艺术中的“身体”现象[J];装饰;2006年12期
相关会议论文 前10条
1 杨冬;;浅谈绘画艺术的嬗变与发展[A];探索 创新 发展[C];2000年
2 刘翅;;徐渭绘画艺术探索[A];2002中国未来与发展研究报告[C];2002年
3 吴艳丽;;作中国现实主义、现代与后现代主义绘画流变的内在整合逻辑探究[A];中央美术学院青年艺术批评奖获奖论文集(2011年)[C];2012年
4 聂涛;;开启人类早期绘画艺术的大门——论对史前绘画起源的认识[A];山东省师范教育学会2002年度师范教育研究优秀成果论文集[C];2002年
5 汪幼江;;关于LED等点、线光源的应用[A];中国长三角照明科技论坛论文集[C];2006年
6 梁桂元;;福州绘画艺术史话[A];闽都文化研究——“闽都文化研究”学术会议论文集(下)[C];2003年
7 谢元鲁;;晚唐至宋初蜀中绘画艺术的兴衰[A];唐史论丛(第二辑)[C];1987年
8 赵卫东;;绘画艺术治疗在精神分裂症康复中的作用[A];二零零六年度全国第五次护理专业学术会议论文汇编[C];2006年
9 赵s,
本文编号:2179352
本文链接:https://www.wllwen.com/wenyilunwen/guanggaoshejilunwen/2179352.html