当前位置:主页 > 文艺论文 > 广告艺术论文 >

现代插画的时代语言研究

发布时间:2018-09-13 12:27
【摘要】:任何一个时代艺术的产生,都离不开历史、政治、经济、艺术形态以及民族文化等共同构筑的时代背景的影响。因此,每一种艺术的形成与风格特征都是特定民族、环境和时代精神的折射,并深深打上它们的烙印。插画作为其中的一种艺术形式不可避免的也要受到时代的影响。 在新的时代的背景和技术的发展下,现代插画突破了传统的插画设计范畴,带来了新的插画艺术的创作理念。其应用范围也超出了杂志、广告等传统的出版设计范畴,而被广泛运用于影视、动画、服装时尚、网络、移动通讯等领域,插画艺术已成为21世纪的一门多载体实用艺术,形成了一个多学科交叉的庞大体系,其影响力渗透到当今经济、文化、生活等各个层面。在新的时代背景下,传统的插画艺术已不合时宜。因此站在时代的高度上,来探讨现代插画艺术的语言特征是十分必要的。但此领域的理论研究相对滞后。因此,本文站在时代背景的宏观角度上对现代插画的艺术语言进行剖析。 本课题对现代插画研究的时间定位在九十年代以来国内外主流插画的发展以及在这个时间段的时代背景下现代插画艺术的发展动态。首先通过对插画历史发展历程的简单梳理,对比现代插画已较传统的插画艺术产生了哪些新的变化,具有了哪些新的内涵,并总结出变化最大的两个主要的特点复苏的商业插画和艺术与技术结合的数码插画。其次通过分析各种艺术思潮对现代插画艺术的影响,来探讨现代主流插画艺术的各种风格特征,总结这些主流的插画所呈现的表现形式。再次从时代的变化对人们审美心理审美趣味的影响进行认真的分析、归纳,试图找出影响人们审美情趣的时代因素。第四章从宏观的现代插画艺术语言入手,分别从视觉和意象两方面运用插画的艺术规律探求新时代下插画的艺术语言,并在分析总结后,提出现代插画的时代语言应是“融合民族特质的世界语言”的观点,力求把传统与现代,国内与国际结合起来,使现代插画既有传统文化的意蕴,又符合现代人视觉上的审美趣味,并用笔者在插画实践中尝试性的探索来论证本观点。最后对现代插画的未来发展趋势做了预测。
[Abstract]:The emergence of any time art can not be separated from the influence of historical, political, economic, artistic form and national culture. Therefore, the formation and stylistic characteristics of each art are the refraction of the specific nation, environment and the spirit of the times, and deeply imprinted on them. Illustration as one of the art forms is inevitably influenced by the times. Under the background of the new era and the development of technology, modern illustration broke through the traditional category of illustration design and brought new creative idea of illustration art. Its scope of application also goes beyond the traditional publishing design category such as magazines and advertisements, and is widely used in the fields of film and television, animation, clothing fashion, network, mobile communication, etc. Illustration art has become a multi-carrier practical art in the 21st century. It forms a large multi-disciplinary system, and its influence permeates the economy, culture, life and so on. Under the background of the new era, the traditional illustration art is out of date. Therefore, it is necessary to explore the linguistic features of modern illustration art from the height of the times. However, the theoretical research in this field is relatively lagging behind. Therefore, this paper analyzes the artistic language of modern illustrations from the macro point of view of the background of the times. In this paper, the time orientation of the study of modern illustrations is the development of mainstream illustrations at home and abroad since the 1990s and the development trend of modern illustrator art under the background of this time period. First of all, by simply combing the historical development of illustrations, comparing what new changes and connotations the modern illustration has had compared with the traditional illustration art, And summed up the two major features of the biggest changes in the revival of commercial illustrations and the combination of art and technology in digital illustration. Secondly, by analyzing the influence of various artistic trends on modern illustration art, this paper discusses the various style characteristics of modern mainstream illustration art, and summarizes the manifestations of these mainstream illustrations. Thirdly, the influence of the change of the times on the aesthetic taste of people's aesthetic psychology is analyzed and summed up, which tries to find out the factors that influence people's aesthetic taste. The fourth chapter starts from the macroscopic modern illustration art language, separately from the visual and the image two aspects uses the illustration art law to explore the artistic language of the illustration under the new era, and after the analysis summarizes, This paper puts forward the view that the language of modern illustration should be "the world language of national characteristics", and tries to combine tradition with modernity, domestic and international, so that modern illustration has the implication of traditional culture. It also accords with the aesthetic taste of modern people, and proves this viewpoint with the tentative exploration in the practice of illustrations. Finally, the future development trend of modern illustrations is forecasted.
【学位授予单位】:沈阳建筑大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J218.5

【参考文献】

相关期刊论文 前10条

1 李健;李轶;;浅析后现代主义设计理念[J];安徽文学(下半月);2009年02期

2 解诗萌;王家民;;时尚杂志数码插画漫谈[J];今传媒;2008年03期

3 陈秀;;商业插画的新载体[J];包装世界;2008年05期

4 张磊;;漫话丰子恺先生的“漫画”[J];巢湖学院学报;2007年02期

5 李磊;;浅谈插画艺术的视觉文化特征[J];电影文学;2008年16期

6 王萌;;论插画中线性符号的视觉张力[J];大众文艺(理论);2009年01期

7 林玉凤;;反思“读图时代”语境下的视觉设计[J];福建工程学院学报;2007年02期

8 叶佑天;漆晚霞;;插画趋步新锐艺术之颤变探析[J];科技信息;2009年27期

9 邵晶晶;;浅析数字化时代商业插画的发展[J];美术大观;2009年05期

10 鲍懿喜;;关注民生:设计的时代命题[J];美术观察;2009年09期



本文编号:2241174

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/guanggaoshejilunwen/2241174.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户6f5a4***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com