译本的选择与阐释:译者对本土文学的参与——以《肉与死》为中心

发布时间：2018-02-24 19:06

本文关键词： 曾朴译者《肉与死》文化参与　出处：《中国比较文学》2011年02期 　论文类型：期刊论文

【摘要】：本文以小说家曾朴及其子曾虚白合作的一部翻译作品《肉与死》(原作为法国作家皮埃尔.路易的小说Aphrodite)为中心,讨论译者如何通过译本选择与阐释参与本土文学建设。除以该作品矫正文坛性文学泛滥的翻译动机外,曾朴在序言中还竭力强调原作色情内容的"丑"和艺术表现的"美"两方面的反差,突出了对作家的艺术加工以及文学审美特质的重视,从而使肉欲和色情本身不再具备在原作者那里所拥有的天然价值。经过这番阐释,译者同时与当时国内泛滥的性文学及包括"革命文学"在内的功利主义文学展开了对话;而译本作为一个跨文化产品,也就被赋予了原作所并不具备的目的语文化场的诸种信息与话语痕迹,成为目的语文化生产内在的一部分。
[Abstract]:This paper centers on the translation of novelist Zeng Pu and his son Zeng Xubai, "flesh and death" (originally a novel by French writer Pierre Louie), Aphroditeite. This paper discusses how the translator participates in the construction of local literature through the choice and interpretation of the translation, except for the translation motive of correcting the flood of literary literature in this work. In the preface, Zeng Pu also stresses the contrast between the "ugliness" of the original pornographic content and the "beauty" of the artistic expression, which highlights the importance attached to the artistic processing of the writer and the aesthetic characteristics of the literature. So that the sensuality and pornography themselves no longer have the natural value that they have in the original author. Through this interpretation, the translator also has a dialogue with the sexual literature and the utilitarian literature, including "revolutionary literature", which was rampant in China at that time; As a cross-cultural product, the translation is endowed with all kinds of information and discourse traces of the target language cultural field which is not possessed by the original work, and becomes an intrinsic part of the target language production.
【作者单位】：北京外国语大学中文学院;
【分类号】：I046;H059

【共引文献】