《雷雨》中的话语标记研究

发布时间：2018-07-23 20:22

【摘要】：本文以现代话剧《雷雨》为研究对象，运用定性分析、定量分析以及分类描写、比较、统计等方法对作品对话中丰富的话语标记进行了尽可能详尽而系统的描写和解释，旨在对剧中话语标记的语用功能进行归纳统计，着力探讨影响剧中话语标记使用的因素，并从话语标记使用的角度探讨《雷雨》的语言特色。本文的研究试图为语言学和文学的结合研究以及话语标记理论的充实和发展提供参照。话语标记是日常口语交际的重要组成部分，它能从局部或整体上对话语的构建与理解产生影响，引导和制约人类的交际活动，是保证口语交际顺利进行的重要手段。作为以日常对话为基础的戏剧对话，，话语标记自然是其重要的组成部分，并在推动戏剧情节发展和展现人物性格及人物之间的关系等方面发挥着重要作用。本文结合前人研究成果对话语标记进行了明确界定，并区分了它同独立语的不同。在此基础上，将《雷雨》中18个词汇形式的话语标记分为结构话语标记和交际话语标记，对各类话语标记在剧中的语用功能逐个进行了分析概括。在详细分析之后，本文认为，语体、说话人特征、语境以及面子的保全和对话中对合作原则、礼貌原则的遵守是制约《雷雨》中话语标记使用的主要因素。文章通过同曹禺四大名剧中的其他三部，即《日出》、《原野》、《北京人》及老舍的《茶馆》、《龙须沟》的比较，得出《雷雨》中话语标记使用的两大特点：一，种类多、数量大；二，“人称代词+感官动词”类话语标记的大量使用。而话语标记的使用也体现了《雷雨》语言的口语化、个性化和含蓄美等特点。
[Abstract]:Taking the modern drama thunderstorm as the object of study, this paper uses qualitative analysis, quantitative analysis, classification description, comparison, statistics and other methods to describe and explain the rich discourse markers in the dialogue of the works in as detailed and systematic a way as possible. The purpose of this paper is to sum up the pragmatic functions of discourse markers in the play, to probe into the factors that affect the use of discourse markers in the play, and to explore the linguistic characteristics of thunderstorm from the perspective of the use of discourse markers. This paper attempts to provide a reference for the study of the combination of linguistics and literature, as well as the enrichment and development of discourse marker theory. Discourse marker is an important part of daily oral communication. It can influence the construction and understanding of discourse in part or as a whole, guide and restrict human communication activities, and is an important means to ensure the smooth progress of oral communication. As a drama dialogue based on daily dialogue, discourse marker is naturally an important part of it, and plays an important role in promoting the development of drama plot and showing the relationship between characters and characters. Based on previous studies, this paper clearly defines discourse markers and distinguishes them from independent words. On this basis, the 18 lexical forms of discourse markers in thunderstorm are divided into structural discourse markers and communicative discourse markers, and the pragmatic functions of each kind of discourse markers in the play are analyzed and summarized one by one. After detailed analysis, this paper argues that the main factors restricting the use of discourse markers in thunderstorm are the preservation of language style, speaker characteristics, context, and the preservation of face and the observance of the principle of cooperation and politeness in dialogue. By comparing with the other three plays of Cao Yu, namely, Sunrise >, Field >, Beijing Man and Lao She's Teahouse, Longxugou, the paper concludes that the two characteristics of discourse markers used in thunderstorm are as follows: first, there are many kinds and large quantities; Personal pronouns as sensory verbs are widely used as discourse markers. The use of discourse markers also reflects the colloquial, individualized and implicit beauty of thunderstorm.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I207.3;H136

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