表意字构形的象似性论析

发布时间：2018-08-07 07:03

【摘要】：表意字的构形与意义之间具有一定的联系，本文利用认知语言学理论对表意字进行研究，主要分析表意字构形中蕴含的象似性。全文分为三部分：第一部分绪论。主要概述表意字和象似性的基本情况、研究现状以及本文研究过程中运用的理论、方法。其中重点阐述表意字的含义与界定等的相关问题，论述汉字的性质、构成汉字的字符性质、汉字的类型等相关概念，从而使本文对表意字的界定更加清晰。第二部分第一章和第二章。第一章论述了表意字的理据性和象似性，指出表意字的构形是具有理据性的，同时也具有象似性，并概括出存在于表意字构形中的五种象似性原则。第二章对这五种象似性原则做具体分析。首先对裘锡圭界定并列举出的表意字做了一个整体上的分析，根据字形与字义间的关系大致归纳出五类，分别对其分析，总结出表意字构形上的五种象似性原则：形象象似性、标记象似性、成员象似性、重叠象似性、位置象似性。在形象象似性方面又分为三小类，分别是字形象似于事物整体的形象象似、字形象似于事物部分的形象形似和字形附带所表事物其他部分的形象象似；对三类字分别举例字进行分析，，并讨论了象形字的特点及象形字象似性减弱的原因。对于标记象似性也分为三个小类，分类的依据是加标记的方式，分别是在象形字或形符上直接加标记的标记象似、改变象形字方向、字形的标记象似和改变已有字字形的标记象似，并讨论标记字的特点。对于成员象似性的论述则分为一般的成员象似性，和重叠象似性、位置象似性两种特殊的成员象似性，分别进行了例字分析，并加以总结。第三部分结语。对全文进行高度的概括，得出相应的结论。同时阐明本文归纳的这五类象似性原则并不能将所有表意字涵盖，表意字构形中还会有其他象似性原则等待我们的研究发现。另外还指出，在表意字的构形构意研究中，其他认知语言学理论，如转喻、隐喻、范畴理论等也大有用武之地，表意字的认知研究有着广阔的空间。
[Abstract]:There is a certain connection between the configuration and meaning of ideographic words. This paper makes a study of ideographic characters by means of cognitive linguistics, and mainly analyzes the iconicity contained in the configuration of ideographic words. The full text is divided into three parts: the first part is introduction. This paper summarizes the basic situation of ideographic characters and iconicity, the present research situation and the theories and methods used in the research process. It focuses on the meaning and definition of ideographic characters, discusses the nature of Chinese characters, constitutes the character of Chinese characters, the type of Chinese characters and other related concepts, so as to make the definition of ideographic characters more clear in this paper. Part two: chapter one and Chapter two. The first chapter discusses the motivation and iconicity of ideographic characters, points out that the configuration of ideographic characters is both motivational and iconicity, and generalizes the five iconicity principles that exist in ideographic characters. The second chapter makes a concrete analysis of the five iconicity principles. First of all, the author makes an overall analysis of the ideographic characters that Qiu Xigui defines and adpoints. According to the relationship between the characters and the meanings, they are roughly summed up into five categories, and the five iconicity principles in the form of ideographic characters are summed up respectively, that is, image iconicity. Tagging iconicity, member iconicity, overlapping iconicity, positional iconicity. In the aspect of image iconicity, it can be divided into three sub-categories, that is, the image of character is similar to the image of the whole thing, the image of character is similar to the image of the part of the thing and the image of the other parts of the thing is attached to it. The characteristics of pictographic characters and the reasons for the weakening of iconicity of pictographic characters are discussed. For tagging iconicity, there are also three subcategories. The classification is based on the way in which markers are added. They are marked directly on pictographs or symbols, changing the direction of pictographs. The character of mark image is discussed. The discussion of member iconicity is divided into general member iconicity, overlapping iconicity and location iconicity. Two special member iconicity are analyzed and summarized. The third part is conclusion. The full text is summarized and the corresponding conclusions are drawn. At the same time, it is explained that these five kinds of iconicity principles can not cover all ideographic characters, and there will be other iconicity principles in ideographic word configuration waiting for our research to find out. In addition, it is pointed out that other cognitive linguistic theories, such as metonymy, metaphor, category theory and so on, have great opportunities to exert their ability in the study of the formative meaning of ideographic words, and the cognitive study of ideographic words has a broad space.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H123

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