功能对等理论视阈下的历史题材译制片翻译策略研究

发布时间：2019-06-05 19:12

【摘要】：随着有声电影的诞生和发展，一种新的影音产品——译制片也随之诞生。兼备商业产品及艺术品两者特性于一身的译制片，承载了其出产地或产品本身内容的文化。因此，译制片，作为文化交流的渠道，对它的翻译便不仅仅是一个将一种语言转变成另一种语言的过程，还是一种社会现象。另外，电影本身种类繁多，因此，对于不同种类的译制片的翻译所采用的策略，便应该做到有的放矢，而不应一概而论。本文作者专门针对史诗类译制片的内在属性，以奈达的功能对等理论为指导，深入地探究了此类电影译制的原则及策略，证实了该理论在史诗类电影译制工作当中的可行性及实用价值。功能对等理论主要强调读者的重要性，主张在翻译的过程中，优先考虑读者对于译文的反馈，以达到译文读者与原著读者对于同一部作品的信息摄取及感受最大程度上的一致为最终目的，此外，该理论还强调了在翻译过程中，应遵循意义第一，形式第二的翻译原则。而电影的译制，作为一种语际之间的转换，观众在其中的位置便如同功能对等理论下读者所处的位置。倘若将电影看作是一部文学作品，那么，奈达的功能对等理论在其中所起的意义和作用便十分重要且突出了。本文首先回顾了奈达的功能对等理论的产生及其意义，并以此作为本文的理论框架。进而，，作者对史诗类电影的定义和其中的语言特点进行概述，阐释了功能对等理论对此类电影的译制所带来的针对性意义。对于具有鲜明特点的史诗类电影而言，就其译制过程当中所需要强调的翻译目的及标准而言，也应该做到有所针对，有的放矢。在本文主体部分，作者结合三部著名史诗类电影《斯巴达三百勇士》、《角斗士》、《特洛伊》为范例，以功能对等理论的两个基本原则，即读者中心论和“意义第一，形式第二”的“词汇、句法、风格三对等”为依托，总结提出了英语史诗类电影的翻译策略，即此类电影的翻译六步法和翻译技巧，如切分法、转换法和嫁接法等。作者以史诗类电影的翻译策略为出发点，意在主张建立电影译制翻译体系和策略，从而使电影的译制工作具有规范性。
[Abstract]:With the birth and development of audio film, a new video and audio product, translated film, is also born. The translated film, which combines the characteristics of commercial products and works of art, carries the culture of its origin or the content of the product itself. Therefore, as a channel of cultural communication, the translation of translated films is not only a process of transforming one language into another, but also a social phenomenon. In addition, there are many kinds of films themselves, so the translation strategies of different kinds of translated films should be targeted, not generalized. Under the guidance of Nida's theory of functional equivalence, the author probes into the principles and strategies of this kind of film translation according to the inherent attributes of epic translated films. The feasibility and practical value of this theory in the translation of epic films are confirmed. Functional equivalence theory mainly emphasizes the importance of readers, and advocates that priority should be given to readers' feedback on the target text in the process of translation. In order to achieve the maximum consistency between the target readers and the original readers in the information intake and feeling of the same work, in addition, the theory also emphasizes that the translation principle of meaning first and form second should be followed in the process of translation. The translation of film, as an interlingual transformation, the audience's position in it is like the position of the reader under the theory of functional equivalence. If film is regarded as a literary work, then Nida's functional equivalence theory plays a very important and prominent role in it. This paper first reviews the emergence and significance of Nida's functional equivalence theory, and takes it as the theoretical framework of this paper. Furthermore, the author summarizes the definition and language characteristics of epic films, and explains the targeted significance of functional equivalence theory to the translation of this kind of films. For epic films with distinctive characteristics, the translation purposes and standards that need to be emphasized in the process of translation should also be targeted and targeted. In the main part of this paper, the author combines three famous epic films, "three hundred Warriors of Sparta", "gladiator" and "Troy" as examples, taking the two basic principles of functional equivalence theory, namely, reader-centered theory and "meaning first". Based on the "vocabulary, syntax, style three pairs" of form 2, this paper summarizes the translation strategies of English epic films, that is, the six-step translation method and translation skills of this kind of films, such as tangent method, transformation method and grafting method. Based on the translation strategies of epic films, the author intends to advocate the establishment of film translation system and strategies, so that the translation of films is normative.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H059

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