当代中国女性艺术家作品图式分析

发布时间：2018-03-16 11:42

本文选题：女性主义　切入点：女性艺术家　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：女性艺术成为了当今艺术界一个值得深入探究的话题,对于艺术发展来说,女性意识的觉醒带给艺术界的积极影响是多方面的,女性自身的敏锐审美视角,以及对于中国传统美学的追溯和在继承中创新,使得女性油画艺术语言的形成给中国油画的发展注入了新的形式。女性主义艺术不仅仅是打破了传统意识对于女性的束缚,同时也造就了当代艺术朝着多维度和多元化角度的发展态势。其批评话语在中国当代艺术环境中彰显出其独特性。女性艺术门类众多,本文立足于女性艺术家的油画艺术这一具体门类进行论述,随着当代艺术的不断发展,表现性和超现实油画成为了当代女性艺术家的典型图式。而当代女性艺术家们在表现性油画的基础上融入了中国古典美学中的意象,所以,本文立足于分析意象表现性油画和超现实油画这两类图式,并且通过分析艺术家的作品,总结每一类图式的共同特征。最后引发的思考就是图式是当代艺术所必须的产物,然而图式并不是空洞的,它是赋有内涵意义的,是融入了艺术家的心理指向和情感态度的表达,是经过情感的洗礼而自然形成的图式,而并不是为了图式而创作的的图式,为了博得眼球效应的图式就是空泛的,无意义的。最后是展望当代中国女性艺术未来的发展空间,从理论的缺失到题材的限制等方面总结女性艺术发展的局限性和未来的发展方向。本论文共分为四个部分:第一章:中国当代女性绘画艺术的发展,当代女性绘画在本文就是指女性艺术家的绘画。这一部分主要论述了何为当代女性艺术,以及女权主义、女性主义艺术等相关概念的阐述以及其之间的区别。列举了贾方舟、杨克勤、徐虹等对于女性艺术概念的界定,并且发表了自己的观点。还介绍了女性主义和西方女权主义的不同之处,以及中国当前女性主义的现状。最后对中国女性绘画的发展进行了史论梳理。第二章:对当代女性艺术家的油画图式进行分析,这一部分是分析意象表现性油画图式。对意象表现性油画进行概念界定,然后用个案研究法,列举了两位典型的意象表现性图式的女性艺术家代表--欧洋和闫平,分析她们的作品。通过分析作品,进一步分析得出女性艺术画家在表现意象性油画时呈现出的多样性,从以下方面体现出来:一是女性观念的自觉和审美视角的展开,而是通过女性艺术家艺术作品表现形式的不同进行对比,以及当代女性画家在表现意象表现性油画时对于其形式语言的拓展。通过以上分析最后得出意象表现性油画的表现图式特征:平面性的表现方式在油画表现语言中回归;女性油画家意象性表现的形式特征。第三章:对于另外一个图式进行分析,超现实主义的图式。对超现实主义做出概念的界定,西方超现实主义理论的简述,也是利用个案分析的方式列举两个女性油画家--刘虹、喻红,进行作品分析。最后通过分析总结得出女性艺术家超现实主义图式的共同特征:图像符号的指向性、时空设置的主观性、色彩表现的自我性。第四章:由前三章的分析总结引发的关于女性艺术的思考:一是女性图式语言的影响:给中国当代油画注入了新的形式;继承和发展了中国的传统文化。二是对于女性艺术图式语言的困境分析,图式的样式化导致了绘画个性语言的缺失,分析了为什么图式的样式化会导致个性语言的缺失,一是当前错误的舆论导向;二是绘画视角的“他视化”。最后对女性意识的未来发展空间做出问题分析和展望,比如创作题材的单一和狭窄;完善理论成果;打破性别局限;改革当代艺术展览体制。
[Abstract]:Female art has become a worth exploring topic in today's art world, for the development of art, many aspects of the awakening of female consciousness to the positive influence of the art world, women's keen aesthetic angle, and the back China traditional aesthetics and innovation in succession, the form of painting language into a female the new form for the development of oil painting. China feminist art is not only break the shackles of traditional consciousness to women, but also created the development trend of contemporary art towards multi dimension and multi angle. The critical discourse in contemporary art environment China shows its uniqueness. Female art has many of the specific categories this paper is based on the female artists of painting art are discussed, with the continuous development of contemporary art, performance and super realistic oil painting has become the contemporary female art A typical schema. Contemporary female artists based on the performance of oil into the Chinese classical aesthetic image, so this paper based on the analysis of the image of the performance of oil and oil painting of the two types of schemata, and through the analysis of the artist's works, summarize the common features of each type of schema. Finally thinking the schema is the must is a product of contemporary art, but the schema is not empty, it is endowed with meaning, is integrated into the expression of the artist's psychological orientation and emotional attitude, emotion is through baptism and the natural formation of the schema, and not to the schema creation schema, in order to win the eye the effect of schema is vague and meaningless. Finally the prospect for the development of contemporary female art Chinese space in the future, from the lack of theory to topic restricted aspects of female art. Show the limitations and the future direction of development. This paper is divided into four parts: the first chapter: the development of art Chinese contemporary female paintings, contemporary paintings of women in this paper refers to the female artist's paintings. This part mainly discusses what is the contemporary female art and feminism, feminist art and other related differences describes the concept and the between. Lists Jia Fangzhou, Yang Keqin, Xu Hong for the concept of female art is defined, and expressed their views. It also introduces the differences between feminism and feminism, and the current status Chinese feminism. Finally the development of Chinese female painting were combing history. Second chapter of contemporary female artists painting schema analysis, this part is to analyze the performance of oil painting image schema. The image on the performance of oil was defined, then use a The case study method, lists two typical images of female artists, schema Ouyang and Yan Ping, analyze their works. Through the analysis of works, further analysis of the diversity of female artist presents in the performance of the oil painting, from the following aspects: one is the concept of women consciousness and aesthetic view, but by female artists works of art forms were compared, and the contemporary female artists in the performance of image performance for oil painting in the form of language development. Through the above analysis, finally draws the image representation schema features the performance of oil: the performance way of the regression plane in oil painting language; the form features of female painters represent imagery. The third chapter: for another schema analysis, surreal schema. Make the concept of Surrealism The definition of Western surrealism theory, using case analysis is also cited in the way of two female artist -- Liu Hong, Yu Hong, analyzed the work. Finally analyze and summarize common characteristics of female artists of Surrealism: image schema symbols of directivity, spatio-temporal settings subjective color expression of self. The fourth chapter: thinking about the female art caused by summing up the analysis of the first three chapters: the first one is the influence of female schema language: inject new forms to Chinese contemporary oil painting; the inheritance and development of traditional culture. Chinese two is the analysis for the schema language of female art dilemma, style schema leads to the absence of painting the personality of language, analyzes why the diagrammatic design will lead to lack of individuality of language, one is the current error of public opinion; two is the painting from the perspective of him. "At the end of the women The future development space of consciousness should be analyzed and prospected, such as the single and narrow theme of creation, the perfection of theoretical achievements, the limitation of gender, and the reform of contemporary art exhibition system.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

【参考文献】