明清时期建筑梁枋旋子彩画艺术符号研究

发布时间：2018-03-23 13:01

本文选题：明清旋子彩画　切入点：建筑梁枋　出处：《湖南工业大学》2015年硕士论文

【摘要】："旋子彩画",是中国传统的木构建筑彩画之一,其形成和发展艺术历史悠久,积淀深厚。它的造型最初起源于对自然万物形态的抽象,进而演变为对传统纹样的提炼,意蕴起源于人们对吉庆祥瑞的期盼。它是古代人民装饰居住环境的重要手段之一,也是构成中国建筑东方特色的表征。通过对历史资料和文献查阅,从"旋子彩画"演变的发展过程和艺术载体表现中总结其演进规律,发现明清时期的"旋子彩画"艺术特征明显有异于其他历史时期,等级尤为森严,纹饰变化丰富多变。从艺术语言符号学的研究角度出发,对明清时期建筑梁枋"旋子彩画"的外部视觉表现——"组合"、"等级"和"色彩"等进行了深入细致的分析,发现其元素组合的灵活,样式等级的森严,设色的典雅,构图的规范化等特点。这些外在特征集中反映了明清时期建筑梁枋"旋子彩画"这一艺术符号的美学特征——疏密有致的构图美、典雅和谐的色彩美和神形兼备的意境美;然后揭示出明清时期建筑梁枋"旋子彩画"艺术符号的文化内涵——即等级森严的"礼"文化的熏陶、天人合一的"道"文化的延伸和祈福求祥的"佛"文化的深化。明清时期建筑梁枋"旋子彩画"这一艺术符号来源于对自然素材的抽象,成为人们趋吉避凶、追求祥瑞的装饰象征,而其所蕴含的严格的等级礼制文化,使得其成为代表古人身份地位和吉意的有力符号。最后,结合现代设计的发展趋势,总结出明清时期建筑梁枋旋子彩画其装饰纹饰在现代艺术设计中的应用规律,从中提炼出旋子彩画丰富的传统设计艺术符号语言,并探索这种艺术符号化过程对现代视觉传达设计的启示。
[Abstract]:"Xuan Zi Color painting", one of the traditional wooden architecture color paintings in China, has a long history of formation and development of the art, and its shape originated from the abstraction of the form of nature, and then evolved into the extraction of the traditional pattern. The meaning originates from people's expectation of auspicious auspicious Jiqing. It is one of the important means for the ancient people to decorate their living environment, and it is also a symbol of the oriental characteristics of Chinese architecture. From the evolution process of "Xuan Zi Color painting" and the expression of its artistic carrier, it is found that the artistic characteristics of "Xuan Zi Color painting" in Ming and Qing dynasties are obviously different from those in other historical periods, and the grades are especially strict. From the point of view of the study of artistic language semiotics, this paper makes a thorough and detailed analysis of the external visual manifestations of Liang Fang's "Xuan Zi Color painting" in Ming and Qing dynasties, such as "combination", "grade" and "color", etc. Found that its element combination is flexible, the style grade is strict, the color is elegant, These external features mainly reflect the aesthetic characteristics of the artistic symbol of Liang Fang's "Xuan Zi Color painting" in the Ming and Qing dynasties-the beauty of composition, the beauty of elegant and harmonious color and the beauty of artistic conception with both spirit and form. Then it reveals the cultural connotation of the artistic symbols of Liang Fang's "Xuan Zi Color painting" in the Ming and Qing dynasties-that is, the edification of the highly hierarchical "ritual" culture. The extension of "Tao" culture of harmony between nature and man and the deepening of "Buddha" culture of blessing and seeking auspiciousness. During the Ming and Qing dynasties, the artistic symbol of "Fangliang Xianzi painting", which originated from the abstraction of natural materials, became the trend of people to be lucky and avoid evil. The pursuit of Xiangrui's decorative symbol, which contains a strict hierarchical ceremony culture, makes it a powerful symbol representing the status and good meaning of the ancients. Finally, combined with the development trend of modern design, This paper summarizes the application law of the decorative patterns of the Liang Fang Xuan Zi color painting in the Ming and Qing dynasties, and extracts from it the rich traditional artistic symbol language of the Xuan Zi color painting. And explores this art symbolization process to the modern visual communication design enlightenment.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU-851

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