从古代到近世的富士山形象考察

发布时间：2018-04-15 02:22

本文选题：日本 + 富士山形象　；参考：《河北师范大学》2017年硕士论文

【摘要】：令日本人一直不断憧憬的对象,没有什么能比得上富士山了。对于“富士山乃日本的第一山”的说法,大概没什么人对此持有异议。但是日本的富士山形象到底是如何成立的?其形成要素是什么?或者富士山文化意味着什么呢?应该很少有人能够回答诸如此类的问题。作为日语的学习者,我认为要学习的不仅仅是日语本身,还应该学习日本的文化。追述历史,从古代到近世的日本富士山的形象,是融合了宗教信仰、文学以及艺术的混合物。并且,它与自然环境、时代背景、宗教思想有着很深的关系。实际上,富士山不单单是自然界中的山,而且也可以说它是通向日本文化研究之路的导引。所以,我认为研究富士山形象对于全面理解日本文化是非常有益的。《从古代到近世的富士山形象考察》是由前言、宗教信仰中的富士山形象、文学中的富士山形象、艺术中的富士山形象、富士山形象的形成理由以及结论,共六个部分组成。在前言中,对选题理由、研究意义、先行研究进行了陈述。在正文的第一章中,随着时间的变化,从古代的富士浅间信仰、中世的富士山修验道、江户时代的富士讲这三个方面出发,通过对这三种宗教信仰的产生过程进行论述,从而探求不同时代人们对于富士山的认识。在第二章中,从《万叶集》、在动乱的中世之下产生的文学作品、江户时代的文学作品这三个角度入手,分析不同时代背景下与富士山相关的文学作品。基于分析,从而论述在文学方面的富士山形象。第三章从平安·镰仓时代的富士图、室町时代的富士图、以及近世的富士图这三个方面着手,在鉴赏各个时代具有代表性的富士图的同时,论述在艺术方面富士图的形象。第四章就古代到近世的富士山形象的形成理由,分别从自然环境、佛教的影响、庶民化的影响、原风景,四个角度进行对其进行分析与论述。在结论中,综合了宗教信仰、文学作品、艺术中出现的富士山形象,伴随时代背景的不同,总结了其形象是如何进行变化的。并且论述了不同富士山形象的产生要素,指出了论文的不足与今后的研究课题。
[Abstract]:There is nothing like Mount Fuji that the Japanese have been looking forward to.There is probably no objection to the claim that Mount Fuji is Japan's No. 1.But how did the image of Japan's Mount Fuji come into being?What are the elements of its formation?Or what does the Fuji culture mean?Few people should be able to answer such questions.As a Japanese learner, I think we should learn not only Japanese itself, but also Japanese culture.Tracing back to history, the image of Mount Fuji in Japan from ancient to modern times is a mixture of religious belief, literature and art.Moreover, it has a deep relationship with the natural environment, the background of the times and religious thoughts.In fact, Mount Fuji is not only a mountain in nature, but also a guide to the study of Japanese culture.Therefore, I think it is very useful to study the image of Mount Fuji for a comprehensive understanding of Japanese culture. "an investigation of the image of Mount Fuji from ancient to modern times" is based on the preface, the image of Mount Fuji in religious belief, and the image of Mount Fuji in literature.The art of Mount Fuji image, the formation of the image of Fuji Mountain reasons and conclusions, a total of six parts.In the preface, the reasons for the topic, the significance of the study, the first study was stated.In the first chapter of the text, with the change of time, from the ancient Fuji shallow belief, the Middle Age Fuji Taoism, the Edo Fuji talk about these three aspects, through the three religious beliefs through the process of development.In order to explore the different times people to Fuji mountain understanding.In the second chapter, from the three angles of "Wanye Ji", the literary works produced in the turbulent Middle World and the literature works of the Edo era, this paper analyzes the literature works related to Mount Fuji in different times.Based on analysis, this paper discusses the image of Mount Fuji in literature.The third chapter begins with Fuji Tu of Pingan Kamakura era, Fuji Tu of Muramachi era and Fuji Tu of modern times. While appreciating the representative Fuji Tu of each era, it discusses the image of Fuji Tu in art.The fourth chapter analyzes and discusses the reasons for the formation of the image of Mount Fuji from ancient to modern times, respectively from the natural environment, the influence of Buddhism, the influence of plebeification, the original scenery, and four angles.In the conclusion, it synthesizes the image of Mount Fuji in religious belief, literature and art, and summarizes how the image changes with the background of the times.And discussed the different image of Fuji elements, pointed out the shortcomings of the paper and future research topics.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06;G131.3

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