山东肘鼓子声腔调查与考辩

发布时间：2018-04-16 10:04

本文选题：肘鼓子 + 声腔　；参考：《中国音乐学院》2017年硕士论文

【摘要】：“声腔”是戏曲的专用名词,本文是对山东境内肘鼓子声腔音乐的学习研究。业内“行话”说的声腔,一般是指那些分别为不同剧种服务的唱腔音乐,但在唱腔音乐之间又具有相应的共同渊源、艺术特征等关联性,且根据这些信息梳理出唱腔音乐的分属声腔系统,因此说声腔是中国戏曲音乐十分重要的学术名词,也是业内专家关注的研究点。声腔的传播会因方言和地域文化影响分化为各个不同的剧种,这些剧种虽各显特色,但在唱腔音乐本体上会遵循声腔音乐所保存下来的某些“原始基因”。目前学界对声腔研究的成果主要涉及了声腔的界定、历史源流以及传播路径等方面,但在声腔分类问题上却有很多专家提出了不同意见与思考,争论焦点集中在“四大声腔”(昆、高、梆、黄)之外的地方小戏的声腔划分问题上。笔者根据进入《中国戏曲音乐集成》卷本的剧种统计得知,全国戏曲剧种归属在“四大声腔”的仅为少数,而占据绝大多数的地方小戏剧种归属于何种声腔至今仍然众说不一,成为中国戏曲音乐研究中亟待梳理的重要课题。山东戏曲作为中国传统音乐文化的重要组成部分,具有浓郁的地方色彩,柔美抒情的吕剧、俏皮诙谐的五音戏、激昂高亢的山东梆子、韵味十足的两夹弦……共同构建了山东戏苑的繁盛景观。“肘鼓子”是山东戏曲的土著声腔,当地艺人与百姓约定俗成的称谓中,把“柳琴戏”、“五音戏”等剧种均称呼为“肘鼓子戏”,也有不少文献资料提到山东有很多剧种都归属于“肘鼓子声腔系统”,但没有深入细致的研究下文。就目前学界的研究成果而言,对“肘鼓子声腔”的整体性梳理与研究尚显薄弱或匮乏,对肘鼓子声腔的发展轨迹以及音乐本体特征尚无较为清晰的路线和答案。基于上述,本人尝试对“肘鼓子声腔”是否成立问题进行研究。首先从历史的角度出发,进行文献的搜集检索与归纳整理,对五音戏、柳琴戏、茂腔、柳腔等剧种在历史源流方面的资料进行梳理,旨在厘清肘鼓子声腔的发展脉络;其次以音乐本体分析的方式,将剧种作为研究个案,分析唱腔音乐,提取各剧种音乐本体的共性特征,总结肘鼓子声腔音乐形态特点;第三结合笔者田野工作获取的一手资料,观察肘鼓子声腔这种传统的艺术形式在当下各剧种、各院团中的传承现状,探讨当今时代潮流冲击下中国传统戏曲艺术的变化与存在。
[Abstract]:"vocal cavity" is a special term for opera. This paper is a study on the music of elbow drum in Shandong province.The "jargon" in the industry generally refers to the vocal music that serves different types of plays, but it also has a corresponding common origin, artistic characteristics, and so on.According to these information, the vocal music belongs to the vocal system. Therefore, the vocal cavity is an important academic term of Chinese opera music, and is also the research point concerned by the industry experts.Because of the influence of dialect and regional culture, the spread of vocal cavity will be divided into different kinds of plays. Although these plays have their own characteristics, they will follow some "primitive genes" preserved by vocal music in the Noumenon of singing music.At present, the academic research on the vocal cavity mainly involves the definition of the cavity, the origin of the history and the path of transmission, etc. However, many experts have put forward different opinions and thoughts on the classification of the vocal cavity.The debate focuses on the division of the vocal sounds of the local opera beyond the four major vocals (Kun, Gao, bang, Huang).According to the statistics of the Chinese opera music integration volume, the author knows that only a small number of Chinese opera dramas belong to the "four major vocals", while the majority of the local small drama types belong to different kinds of vocals.It has become an important subject in the study of Chinese opera music.Shandong opera, as an important part of Chinese traditional music culture, has rich local color, soft and lyrical Lu opera, witty five-tone opera, high-spirited Shandong Bangzi with full charm of two strings.The prosperous landscape of Shandong opera garden is constructed together."Elbow Drum" is the native voice of Shandong opera. Among the local artists and the common people, they call "Liu Qin Opera" and "Wuyin Opera" as "elbows Drum Drama".There are many kinds of plays in Shandong that belong to the "cubital drum system", but there is no in-depth study of the following.As far as the current academic research results are concerned, it is still weak or lacking to comb and study the whole of "cubital drum subvocal cavity", and there is no clear route and answer to the development track and music Noumenon characteristics of cubital drum vocal cavity.Based on the above, I try to study whether the "elbow drum cavity" is established.First of all, from the historical point of view, the collection, retrieval and summary of literature, Wuyin drama, Liu Qin drama, Maoxiang, Liu cavity and other drama materials in the history of the origin of sorting out the development of the elbow drum voice;Secondly, by the way of music ontology analysis, take drama as a case study, analyze the singing music, extract the common characteristics of each musical ontology, summarize the characteristics of the elbow drum music; third, combine the first-hand data obtained by the author's field work.This paper observes the traditional art form of elbow drum and vocal cavity, and discusses the change and existence of Chinese traditional opera art under the impact of the current trend of the times.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.5

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