表现与成因-浅析中国纪实摄影观念与实践的演变

发布时间：2018-04-18 10:09

本文选题：纪实摄影 + 表现　；参考：《浙江大学》2017年硕士论文

【摘要】：本文通过对西方现当代摄影史的梳理和对西方众多纪实摄影理论的总结归纳:纪实摄影是对现实的记录和再现,纪实摄影师带着人文主义情怀而不是私人化感情,将自身对人类和社会相关的终极问题的态度藏在真实而非虚构的画面之后。笔者将中国纪实摄影分为早期中国纪实摄影(1840-1919)、新中国成立之前的中国纪实摄影(1919-1949)、改革开放前的中国纪实摄影(1949-1976)、改革开放后的中国纪实摄影(1976-2000)以及新世纪的中国摄影(2000至今)。通过对每个特定阶段纪实摄影的文本和实践两个方面的研究,对该特定阶段中国纪实摄影的观念与实践的特点进行了分析与总结。同时,以对纪实摄影的认知发展为顺序,从其目的、意义和特定时期人们对其的理解中归纳中国纪实摄影演变的历程。本文重点研究中国改革开放后现当代纪实摄影的演变,结合实例,将中国纪实摄影演变的原因分为时代环境的变化是纪实摄影发展的前提条件,艺术思潮的影响推动纪实摄影的当代化,理论观念的变革延展纪实摄影边界。技术发展与革新多样化纪实摄影的语言和表达方式四个方面,并对上述四个方面如何影响中国纪实摄影的发展进行了分析。最后,本文结合前文研究结果及实例,发现中国纪实摄影无法突破西方既有形式和理论体系的困境,尝试提出摆脱困境的出路。
[Abstract]:This paper summarizes the western modern and contemporary photography history and summarizes many documentary photography theories in the West: documentary photography is a record and reproduction of reality, documentary photographers with humanistic feelings rather than personal feelings,Hide your attitude towards the ultimate problems of human and society behind real, not fictional images.The author divides Chinese documentary photography into early Chinese documentary photography (1840-1919), Chinese documentary photography before the founding of New China (1919-1949), Chinese documentary photography before reform and opening up to the outside world (1949-1976), Chinese documentary photography after reform and opening up (1976-2000) and Chinese photography in the new century from 2000 to the present.Based on the study of the text and practice of documentary photography in each particular stage, this paper analyzes and summarizes the characteristics of the concept and practice of documentary photography in China at this particular stage.At the same time, taking the cognitive development of documentary photography as the order, this paper sums up the evolution of Chinese documentary photography from its purpose, significance and understanding of the specific period.This paper focuses on the evolution of documentary photography after the reform and opening up in China. Combining with an example, the reasons for the evolution of documentary photography in China are divided into the change of the times environment, which is the prerequisite for the development of documentary photography.The influence of artistic trend of thought promotes the contemporary of documentary photography and extends the boundary of documentary photography.Four aspects of language and expression of diversified documentary photography are analyzed, and how these four aspects affect the development of documentary photography in China is analyzed.Finally, combining with the previous research results and examples, it is found that the Chinese documentary photography can not break through the predicament of the western existing forms and theoretical systems, and try to put forward a way out of the dilemma.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J409.2

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