当代版画图式语言研究

发布时间：2018-04-18 20:23

本文选题：当代版画 + 图式　；参考：《鲁迅美术学院》2017年硕士论文

【摘要】：本文从图式出发,首先探讨了什么是图式,并以徐冰为例通过他的作品《天书》、《地书》辨别出何为当代图式?何为传统图式?而针对图式的梳理我们会发现图式不仅与本民族特色有关,还与艺术家所受的环境有着重大的关联,这样一来,我们就明白为什么版画创作要吸收传统版画图式,原因在于传统图式是中华民族几千年的文化积淀,在我们内心图式构造中很容易引起人们的共鸣,同时也具有明显的自身特色。而图式并非一层不变的,随着时代的发展,人们内心的图式构造也会随着时代的发展而发展,所以在版画艺术创作中一定要体现出时代图式的价值与内涵。在我的毕业创作中我主学习其他艺术家吸收传统图式的方法,以辩证的眼光去看待他们的艺术作品,同时我也努力吸收当代图式精神,以包容传统与当代图式的思想理念推动自身版画向前迈进。
[Abstract]:This article starts from the schema, first discusses what is the schema, and takes Xu Bing as an example through his work "the Book of Heaven", "the book of the earth" to distinguish what is the contemporary schema?What is a traditional schema?In view of schemata, we will find that schemata are not only related to their own national characteristics, but also to the environment that artists are subjected to. In this way, we can see why printmaking should absorb traditional printmaking schemata.The reason lies in the fact that the traditional schema is the cultural accumulation of the Chinese nation for thousands of years. It is easy to resonate with people in the construction of our inner schema, and it also has its own characteristics.With the development of the times, the structure of schemata in people's hearts will also develop with the development of the times, so the value and connotation of the schemata of the times must be reflected in the creation of printmaking art.In my graduation work, I learned how other artists absorb traditional schemata and looked dialectically at their works of art. At the same time, I also tried to absorb the spirit of contemporary schemata.To embrace the traditional and contemporary schemata ideas to promote their own printmaking forward.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】