潘天寿花鸟画中山石的研究

发布时间：2018-05-10 22:31

本文选题：潘天寿 + 山石　；参考：《中央美术学院》2017年硕士论文

【摘要】：潘天寿是我国现代著名画家、美术教育家,他在艺术处理上十分严谨,无论大的布局,还是小的章法,处处体现出其思考的严密性。山石元素是潘天寿非常喜欢表现的题材之一。他的山石面貌的形成与他所处的历史环境,个人性格以及"不薄今人爱古人"的学习是分不开的。他作品中的山石与传统花鸟画中山石的面貌不尽相同,文章从笔墨、造形、位置三个方面来论述其山石的特殊性。其笔墨老辣生涩,语言概括提炼;其造形呈现出"大"、"方"、"简"的特点;从位置上来说潘天寿有两种具有代表性的处理方式,一种是硕大无比的"潘公石",常常占据画面十分之九的面积,另一种是潘天寿将山水与花鸟相结合创作的四面包围如《小龙湫下一角》的构式。他的山石在画面中所占面积极大,常居于主体地位,在画面中起到造险、拉大节奏对比、强调画面秩序的作用。本篇文章通过图片分析法,从创作的角度分析潘天寿的山石在画面中所起到的作用,通过分析,梳理出潘天寿在创作中所进行的思考,对我的创作具有实际的指导意义。同时文章运用了比较分析法,通过与八大山人、吴昌硕的类比,可以更直观的发现潘天寿山石的与众不同之处。他对山石巧妙的运用使得他的画面大大区别于前人,是构成他画面雄强面貌的一个重要因素。
[Abstract]:Pan Tianshou is a famous painter and educator of art in our country. He is very strict in dealing with art. Regardless of the big layout or the small rules, he reflects the strictness of his thinking everywhere. The rock element is one of Pan Tianshou's favorite subjects. The formation of his rock features is inseparable from his historical environment, his personal character and the study of his love for the ancients. The landscape stone in his works is different from that in the traditional flower-and-bird painting Zhongshan stone. The article discusses the particularity of the mountain stone from three aspects: pen and ink, shape and position. Its pen and ink are old and spicy, and its language is summarized and refined; its shape presents the characteristics of "big", "square" and "simple"; in terms of position, Pan Tianshou has two representative processing methods, One is the enormous "Pan Gong Shi", often occupying 9/10 of the screen area, the other is the Pan Tianshou landscape and flowers and birds combined with the creation of surrounded by four sides, such as "Little Dragon Pool next corner." His rock occupies a large area in the picture, often occupies the main position, plays a dangerous role in the picture, draws up the rhythm contrast, and emphasizes the function of the picture order. This article through the picture analysis, from the creation angle analysis Pan Tianshou's mountain stone in the picture function, through the analysis, combs out the Pan Tianshou in the creation carries on the ponder, has the actual instruction significance to my creation. At the same time, the article uses the comparative analysis method, through the analogy with the eight mountain people, Wu Changshuo, can more intuitively discover the difference of Pantian Shoushan stone. His skillful use of mountains and rocks makes his picture greatly different from his predecessors, which is an important factor in making his picture strong.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】