女性人物油画创作研究
发布时间:2018-05-15 22:03
本文选题:人物油画 + 肢体语言 ; 参考:《吉林艺术学院》2017年硕士论文
【摘要】:油画人物的艺术创作过程是从长时间的学习和生活实践中得来,观察人物本身的特性并且与自身感受相结合再通绘画的各种技法转换成具有强烈个人风格的绘画是我自身想要追求的一种表达方式,从人物绘画中截取具有强烈表现性语言的创作作品再深度解析,得知创作过程中的灵感往往来自于自身所处的环境或者经历感受。并且在反复的揣摩后形成对人物关系或是情绪的一种共性表达,使之成为一种具有自身特点的表现性语言。人物的肢体语言在某一程度代替有声语言的功能,并且能够做到毫无保留的表现出人物角色的特点,这一点在绘画中常被创作者们运用。运用肢体语言来告诉观者所要表达的人物意识形态,又称身体语言或身势语,观念上是指大脑有意识和无意识状态下身体所呈现的各种动作,这些动作可以达到辅助有声语言的功能,甚至可以代替有声语言,从而来表达人物思想与内涵之间的一种沟通肢体语言的象征符号。创作作品中人物造型的感知与代表内容选题定位在当今社会年轻一代女性人物的生活状态,人物形态会表达出环境,而环境也会反射出人物的意志想法,这种人物与环境的链接通常都在表达一种情绪,一种氛围,继而影响我对待事物的看法,其价值在于对人性更深刻的探知,人物纵然拥有众生相,但当今社会背景下的女性又有着与时代并不对称的众生相。
[Abstract]:The process of artistic creation of oil painting characters is derived from long time study and life practice. Observing the character of the character and combining it with my own feelings to convert the various techniques of painting into a painting with a strong personal style is a form of expression I want to pursue. Through the deep analysis of the works with strong expressive language, the author finds that the inspiration in the process of creation often comes from his own environment or experience. And form a common expression of the relationship or emotion of the characters after repeated speculation, making it a kind of expressive language with its own characteristics. To a certain extent, the body language of characters can replace the function of sound language, and it can show the characteristics of characters without reservation, which is often used by the creators in painting. The use of body language to tell the person ideology to be expressed by the viewer, also known as body language or body language, refers to all kinds of actions the body presents in the conscious and unconscious state of the brain. These actions can achieve the function of auxiliary sound language, or even replace the sound language, so as to express a symbolic symbol of body language communication between the thought and connotation of the characters. The perception and representative content of characters in the creative works are located in the life state of the younger generation of female characters in today's society. The characters' forms will express the environment, and the environment will also reflect the will of the characters. This kind of link to the environment usually expresses an emotion, an atmosphere, and then affects my view of things, the value of which is a deeper understanding of human nature, even if the character has a human face. However, women in the present social background also have a generation which is not symmetrical with the times.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
【参考文献】
相关期刊论文 前2条
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2 张艳莉;李向花;;关于角色冲突的研究概述[J];黑龙江史志;2009年02期
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