魏晋南北朝清商乐舞的历史流变与文化价值研究

发布时间：2018-05-23 18:09

本文选题：清商乐舞 + 历史流变　；参考：《河南大学》2015年硕士论文

【摘要】：清商乐舞作为我国传统舞蹈文化中的一种极具表演性、风格性、审美性为一体的舞蹈形态,在魏晋南北朝时期发展兴盛,为我国民间传统舞蹈文化的保存及唐代燕乐舞蹈的形成和发展奠定了基础。可以说,从魏晋南北朝开始,中国舞蹈才进入一个全新的发展阶段,人们开始注重舞蹈艺术本体,使舞蹈最为重要的本质功能得以归复。清商乐舞在魏晋南北朝统治阶层和文人士大夫的参与提倡下,其舞蹈在舞容、舞形、舞情、舞意等方面无不体现出这一时期轻盈、神逸、婉约、脱俗的独特士文化特征。探索舞蹈艺术的形式美,使得这一时期的舞蹈出现空前繁荣,尤其是清商乐舞的繁荣发展,更在中国古代舞蹈发展史上占有重要位置。本论文以魏晋南北朝清商乐舞为研究对象,在搜集整理历史文献和该内容已有研究成果的基础上,运用舞蹈社会学、历史学和文化学相结合的研究方法,以清商乐舞的流变与文化价值为切入点,阐释其发展脉络,探索其在历史演进过程中所呈现的文化特征。纵观全文,其内容主要由三个部分组成。其中对清商乐舞形成发展的历史原因和定义特征的构架是本文研究的前提和基础,而对其在历史演进过程中的嬗变和文化价值解析这两部分是本课题研究的重点,以期更深层次的探寻古代传统舞蹈的艺术内涵。第一章概述了魏晋南北朝清商乐舞的发展状况及其社会背景。首先在第一节中运用文献学的研究方法对清商乐舞进行概述,对其主要形式和风格特征进行分析。在第二节中,笔者试图运用舞蹈社会学的研究方法从魏晋南北朝相关历史背景以及这一时期所呈现的哲学文艺思潮之中探寻其外部环境,进而阐释清商乐舞在魏晋南北朝发展兴盛的社会理论基础。第二章是清商乐舞的历史流变。在第一节中主要梳理了清商乐舞的发展历程,其大致经历了曹魏(清商乐舞的形成期)、两晋(清商乐舞的发展期)、南北朝(清商乐舞的鼎盛期)这三个阶段。其中南北朝变迁是其发展的重要时期,由于政权频替,其统治范围由北向南发生转移,社会意识形态和生活方式也随之发生了巨大改变,从而使得这一时期清商乐舞在舞容风貌、审美范式等方面较以前都有了很大的不同。到了北朝,各民族乐舞文化的频繁交流也在很大程度上促进了清商乐舞的繁荣。在第二节中,笔者尝试从舞蹈审美的维度,结合史学与文献学等多重研究视角,对清商乐舞在历史演进过程中舞容风貌、舞蹈内容以及施用功能的嬗变作出分析。第三章是清商乐舞的文化价值解读。清商乐舞作为魏晋南北朝文化的重要组成部分,在漫长的历史演进过程中逐渐形成了其特有的精神文化内涵。本文通过研究发现：清商乐舞由于受魏晋玄学这一哲学思潮的影响,呈现出了典型的雅士文化特征,这一时期魏晋文人的亲身参与创作,使得清商乐舞具有了文人文化价值。伴随着人们主体生命意识的觉醒,人们的审美意识也开始变得自觉。这一时期清商乐舞呈现了与以往任何历史时期的舞蹈艺术全然不同的美学风貌,成为中国传统舞蹈审美的典范,具有相当高的审美价值。笔者以“轻、哀、气韵生动”的审美形态作为本文研究清商乐舞审美价值的切入点。
[Abstract]:The Qing Shang music and dance, as a performing, stylistic and aesthetic style of dance in the traditional dance culture of our country, developed and flourished in the period of the Wei, Jin and Northern and Southern Dynasties, which laid the foundation for the preservation of Chinese folk traditional dance culture and the formation and development of the Tang Dynasty dance of the Yan music. In a new stage of development, people begin to pay attention to the noumenon of dance art and make the most important function of the dance return. With the participation of the ruling class and the literati and officials of the northern and Southern Dynasties in the Wei, Jin, and the Jin Dynasty, the dance of the Qing Shang Dynasty embodies the dance, dance, dance, and dance. The unique cultural features of the custom, the exploration of the form beauty of the dance art, made the dance of this period flourishing, especially the prosperity and development of the Qing Shang music and dance, and also played an important position in the history of the development of Chinese ancient dance. On the basis of the research results, using the research method of dance sociology, history and culture, the development context of Qing Shang music and dance is explained and its cultural characteristics are explored in the course of historical evolution. The content of the full text is mainly composed of three parts. The two parts of the historical evolution and cultural value analysis are the key points of the study, in order to explore the artistic connotation of the ancient traditional dance in a deeper level. Chapter one outlines the development of the Qing Shang music and dance in the Wei and Jin Dynasties and the northern and Southern Dynasties. The first section, in the first section, makes an overview of the Qing Shang music and dance in the first section, and analyzes its main forms and style characteristics. In the second section, the author tries to use the research method of dance sociology from the related historical scenes of the Wei, Jin, northern and Southern Dynasties and the philosophical and literary thoughts presented in this period. In the tide, explore its external environment, and then explain the social theory foundation of the Qing Shang music and dance in the Wei, Jin and Northern and Southern Dynasties. The second chapter is the historical evolution of the Qing Shang music and dance. In the first section, it mainly combed the development course of the Qing Shang music and dance, which roughly experienced Cao Wei (the period of the Qing Shang music and dance), the Jin Dynasty (the development period of the Qing Shang music and dance), the northern and Southern Dynasties ( The three stages of the flourishing period of the Qing Shang music and dance. The northern and Southern Dynasties were the important period of its development. As a result of the political power, its ruling range was shifted from north to south, and the social ideology and life style had changed greatly, which made the Qing Shang dance in such aspects as the appearance of dance and the aesthetic paradigm in this period. In the Northern Dynasty, the frequent exchanges of music and dance cultures of all nationalities have also greatly promoted the prosperity of the music and dance of the Qing Dynasty. In the second section, the author tries to dance in the historical evolution process of the Qing Shang music and dance from the perspective of the dance aesthetic dimension and the multiple research perspectives of history and Philology, and the content and application of the dance in the process of historical evolution. The third chapter is the interpretation of the cultural value of the Qing Shang music and dance. The Qing Shang music and dance, as an important part of the culture of the northern and Southern Dynasties in the Wei and Jin Dynasties, gradually formed its unique spiritual and cultural connotation during the long history of the evolution of the Qing Dynasty. In this period, the Qing Shang music and dance had the cultural value of the literati. With the awakening of people's consciousness of life, the aesthetic consciousness of the people began to become conscious. The Qing Shang and dance presented the dance art with any historical period in this period. All the different aesthetic features have become a model of Chinese Traditional Dance Aesthetics and have a high aesthetic value. The author takes the aesthetic form of "light, mourning and vivid" as the breakthrough point to study the aesthetic value of the Qing Shang music and dance.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J609.2

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