当代艺术博物馆的交互化发展趋势及设计策略研究

发布时间：2018-06-14 20:14

本文选题：交互 + 当代艺术　；参考：《华南理工大学》2016年硕士论文

【摘要】：在全球商业化的消费背景下,建筑也日趋变成一种快速消费品,社会大众的审美情趣和价值观念在商品化过程中逐渐缺失。当代艺术博物馆作为公众精神世界需求的重要资源平台,应该在这种消费背景下秉持艺术精神以及人文关怀。随着大众传媒的发展,当代艺术形式的多样化使之更注重与公众的互动体验过程,为满足复杂多变的个性化文化活动类型及参观需求,当代艺术博物馆空间需放大其空间互动体验特征。“交互(interact)”在中国语境下又称为“互动”,指相互作用、相互影响。由于当代艺术思潮的崛起,传统艺术博物馆空间不可避免地面临更新与变革以适应当代艺术形式的多元化;由于当代观展模式由过去的线性化转变为当今的互动化,传统艺术博物馆空间的局限性已无法满足当代参观主体日益增强的体验性需求;由于艺术博物馆的社会职能在当代不断扩展,已成为城市公共空间及文化网络建设的一部分,传统艺术博物馆空间的单一性已无法适应当代艺术博物馆日渐社会化和市场化的营运模式。基于对以上三点的思考,笔者通过对当代艺术博物馆的交互化发展趋势的思考,提出相应的设计策略,试图提高艺术博物馆在当代的适应性。笔者对“交互”的理解是,当代艺术博物馆设计应从过去的以“客体”为中心,转变为更关注主客体之间的关系。受西方传统哲学“身心二元论”的影响,建筑师极力追求纯理性构图和功能实用,“主体”在建筑设计中一直被忽视。而身体是每个人与世界最直接的第一个接触媒介,身体是人行动的执行者、感觉产生的器官及认知生成的基础,从多个层面影响着人与世界的交互过程。笔者由读研过程中接触的几个当代艺术博物馆实际项目引发思考,通过对国内外艺术博物馆的发展现状进行分析归纳,提出当代艺术博物馆的交互化发展趋势。然后,以此为选题背景,结合相关理论,通过对大量案例的总结分析,主要从宏观及微观两个个层面来展开讨论:当代艺术博物馆与外部环境的交互化、当代艺术博物馆内部空间的交互化。
[Abstract]:Under the background of global commercialization, architecture is becoming a kind of fast moving consumer goods day by day, and the aesthetic interest and value of the social masses are gradually lacking in the process of commercialization. As an important resource platform of the public spiritual world demand, the contemporary art museum should uphold the artistic spirit and humanistic concern under this kind of consumption background. With the development of mass media, the diversification of contemporary art forms makes it pay more attention to the interactive experience process with the public. The space of contemporary art museum needs to enlarge its space interactive experience characteristic. "interaction" is also called "interaction" in Chinese context, which refers to interaction and interaction. Due to the rise of contemporary art trend, the space of traditional art museum is inevitably faced with renewal and transformation to adapt to the diversification of contemporary art forms, and the mode of contemporary view exhibition has changed from linearization in the past to interaction in the present. The limitations of the traditional art museum space can not meet the increasing experience demand of the contemporary visitors. Because the social function of the art museum is expanding in the contemporary era, it has become a part of the urban public space and cultural network construction. The singularity of the space of the traditional art museum has been unable to adapt to the operation mode of the modern art museum. Based on the above three thoughts, the author puts forward the corresponding design strategy through thinking about the interactive development trend of the contemporary art museum, and tries to improve the adaptability of the art museum in the contemporary era. The author's understanding of "interaction" is that the design of contemporary museum of art should change from "object" to "object" to pay more attention to the relationship between subject and object. Influenced by the dualism of body and mind in traditional western philosophy, architects strive to pursue pure rational composition and functional practicality, and the subject has been neglected in architectural design. The body is the most direct contact medium between each person and the world. The body is the executor of human action. The organs produced by sensation and the basis of cognitive generation affect the interaction process between human and the world from many aspects. By analyzing and summarizing the development of art museums at home and abroad, the author puts forward the interactive development trend of contemporary art museums. Then, with this as the background, combined with the relevant theory, through the summary and analysis of a large number of cases, mainly from the macro and micro levels to discuss: the interaction between the contemporary art museum and the external environment, The interactivity of the interior space of the Museum of Contemporary Art.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU242.5

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