基于体验心理学的艺术影院室内空间设计研究

发布时间：2018-06-25 04:04

本文选题：艺术影院 + 体验心理　；参考：《西南交通大学》2015年硕士论文

【摘要】：随着经济文化的快速发展,影院在人们生活中扮演重要的角色。而我们周边环境充斥着浓厚的商业气息,国内大众影院主要放映商业影片与大制作影片,影片质量大多数是追求最大化的利益,缺少实质性的内容,挑战大众的体验感知。我们日常的观影活动停留在商业影院,遗忘艺术影院的身影,忽略小众文艺群体对于艺术电影的需求。艺术影院是独立影院,专门放映文艺电影、小众电影、先锋电影、实验电影,不以营利为主要目的,为特定人群提供观影的空间。现阶段国内的艺术影院是屈指可数,处于夹缝中生存的状态,面临太多的考验与挑战。但其具有重要的意义,能够满足艺术电影观众的观影需求,使他们接触到不同思想文化的滋养,开启人类创新思考的能力,并提升民族文化魅力的作用。目前国内对于艺术影院空间设计领域的研究,几乎是处于空白状态。笔者对于本课题研究是基于自身对电影的兴趣爱好,平时去影院观影时所关注的现象,从而对艺术影院设计产生研究的想法。受众者在艺术影院进行观影的过程是多样化,影院空间给予主体的体验感受具有多样性。艺术影院的受众人群是知识较高的群体,他们对影院空间的布局、视觉的美观、情感的表达有特定的要求。现今模式化的影院设计风格愈显乏味,设计处于表层装饰层面,甚少考虑特定受众者的体验感受与精神表达,国内艺术影院的设计有待提高。设计者应注重空间表现层面的审美体验和精神层面的情感体验的双重体验。通过体验心理去分析特定受众群体对艺术影院的需求,使影院设计与受众者达到心理上的互动,使设计成为个体生命的延伸与舒展。本文以体验心理为基点对艺术影院设计进行分析,并将体验心理的构造体系作为设计的依据,为艺术影院空间带来独特的设计理念与具体的设计方法。本论文首先对课题研究所涉及的相关概念进行阐述,包括体验心理的概念、产生历程、发展轨迹及艺术影院的界定、特点、发展命脉、基本内容的分析,归纳与总结出了体验心理特质与艺术影院特质的契合关系。其次分析体验主体的心理构造体系,主体体验的心理构造每一阶段与艺术影院设计的每一表达层面相呼应,剖析出体验主体心理构造体系与艺术影院客体之间的关系,笔者将体验心理学理论创造性地应用于艺术影院室内空间设计中,以体验主体心理构造体系为起点,总结出了体验心理构造体系在艺术影院客体空间中的运用,为艺术影院的设计提供有价值的启示与思路。再次通过问卷调查和实地调查等方式,对艺术影院空问设计及体验对象的需求进行了调研,归纳与总结出受众群体对艺术影院的心理需求及艺术影院设计问题进行总结。最后总结出体验心理学在艺术影院中的设计策略及原则,为艺术影院的设计提供一定的指导。其中设计策略包括强调主体感知环节、分析影院情节环节、整合体验元素环节。设计原则包括系统整体性原则、主客互动性原则、功能复合性原则、艺术立意性原则。并通过对艺术影院的案例进行分析,解读出艺术影院的体验特征,归纳与总结全文的理论研究成果。
[Abstract]:With the rapid development of economy and culture, cinema plays an important role in people's life. And our surrounding environment is filled with a strong commercial atmosphere. The domestic mass cinema is mainly showing commercial films and big production films. The quality of the film is mostly the pursuit of the maximization of the interests, the lack of substantial content, the challenge of the public experience perception. Our daily activities stay in commercial cinemas, forget the figure of the art theater, and ignore the demand for art films by the small group of literary and art theaters. The theaters are independent theaters, specialised in theatrical films, small crowds, vanguard films, and experimental films. The art cinema is a few, in the gap between the survival of the state, facing too many challenges and challenges. But it has an important meaning, can meet the audience's view of the art film needs, make them touch the nourishment of different thoughts and cultures, open the power of human creative thinking, and promote the role of national cultural charm. The research in the space design field of the art cinema is almost in the blank state. The author of this research is based on the interest of the film and the phenomenon that the cinema is concerned about at ordinary times, so as to make a study of the design of the art cinema. The audience's view of the cinema is diversified and the cinema is empty. The audience of the subject is diverse. The audience of the art theater is a higher knowledge group. They have specific requirements for the layout of the theater, the beauty of the vision, and the expression of the emotion. The more the style of the modern theater design is tedious, the design is at the surface decoration level, and the experience of the particular audience is seldom considered. With the expression of spirit, the design of the domestic art cinema needs to be improved. The designer should pay attention to the double experience of the aesthetic experience of the spatial expression level and the emotional experience of the spiritual level. Through the experience psychology, it analyzes the needs of the particular audience group to the art theater, and makes the theater design and the audience reach the psychological interaction, so that the design becomes the individual. This article analyzes the design of the art cinema based on the experience psychology, and takes the structural system of experience psychology as the basis of the design, and brings unique design ideas and specific design methods for the art theater space. This paper first expounds the related concepts involved in the research, including the experience. The concept, the course of production, the development track and the definition of the art cinema, the characteristics, the development of the lifeline, the analysis of the basic content, summed up and summed up the relationship between the psychological characteristics of the experience and the characteristics of the art cinema. Secondly, it analyses the psychological structure system of the experience subject, each stage of the psychological structure of the subject experience and every table of the design of the art cinema. The relationship between the psychological structure system of the experiential subject and the object of the art cinema is analyzed. The author creatively applies the experiential psychology theory to the interior space design of the art theater, and summarizes the application of the experiential psychological structure system in the object space of the art cinema with the starting point of experiencing the psychological structure of the subject. In order to provide valuable inspiration and ideas for the design of the art cinema. Through the questionnaire survey and the field investigation, this paper makes a survey of the needs of the design and experience object of the art cinema, summarizes and summarizes the psychological needs of the audience and the design of the art cinema. Finally, the experience is summed up. The design strategies and principles of Science in the art cinema provide some guidance for the design of the art cinema. The design strategy includes the emphasis on the subject perception link, the analysis of the theaters' plot links and the integration of the experience elements. The design principles include the system integrity principle, the principle of the interactivity of the subject and the guest, the principle of function compound and the principle of artistic conception. By analyzing the cases of art cinema, this paper interprets the experience characteristics of art cinema, summarizes and summarizes the theoretical research results of the full text.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU242.2

【引证文献】